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7 Faces of Dr. Lao

 
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Seven Faces of Dr. Lao

  • Director: George Pal
  • AMG Rating: starstarstar
  • Genre: Western
  • Movie Type: Children's Fantasy, Satire
  • Themes: Prospectors and Land Rights, Circuses & Carnivals, Wizards and Magicians
  • Main Cast: Tony Randall, Barbara Eden, Arthur O'Connell, John Ericson, Kevin Tate
  • Release Year: 1963
  • Country: US
  • Run Time: 101 minutes

Plot

Tony Randall has the showcase of a lifetime in the marvelous George Pal production The Seven Faces of Dr. Lao. We first see Randall as Dr. Lao, an enigmatic Chinese medicine-show impresario. The doctor brings his travelling show into the frontier town of Abalone, which is chafing under the oppression of land-hungry Clint Stark (Arthur O'Connell). Newspaper editor Ed Cunningham (John Ericson) is conducting a campaign of words against Stark, but he is no match for the land baron's money, power, and hulking henchmen. Nonetheless, Cunningham continues his crusade, all the while attempting to romance icy young widow Angela Benedict (Barbara Eden). All of this is observed with bemusement by Dr. Lao, who has already established himself as a man of many talents by alternating between pidgin-English and eloquent articulation, depending on the circumstances. Each of the townspeople--including the three already mentioned--learn a great many truths about themselves when they attend Dr. Lao's unusual circus. In the course of straightening out everyone's problems, Lao metamorphoses into (1) Merlin the Magician, (2) Pan, (3) Medusa, (4) The Abominable Snowman, (5) Apollonius of Tyana and (6) a Talking Serpent. The combined talents of Randall, puppeteer Pal and make-up wizard William J. Tuttle (who won two Special Oscars) resulted in this captivatingly unique entertainment experience. Curiously, Tony Randall is not fond of Seven Faces of Dr.Lao, and refuses to be interviewed on the subject. Perhaps he was unhappy that much of the philosophy dispensed in the original Charles G. Finney novel The Circus of Dr. Lao was weeded out of Charles Beaumont's script....or perhaps he just didn't like having his head shaved for the part. ~ Hal Erickson, All Movie Guide

Review

A film with a dedicated cult following, Seven Faces of Dr. Lao is a strange, bizarrely amusing and occasionally unsettling curio -- and yet one that is not quite as strange, bizarre or unsettling as one might wish. Although George Pal turns in some of his most sensitive direction, and although the film exerts an undeniable attraction, it doesn't quite go far enough to be totally successful; in particular, its rather mundane treatment of the characters played by Barbara Eden, John Ericson and Arthur O'Connell is disappointing, although the Pan sequence involving the first two is well done. Even with these flaws, however, there's more than enough to enjoy and admire, starting with Tony Randall's tour-de-force performance. Running the gamut from stereotypically inscrutable to insinuating evil, he makes the most of this rare showcase for his talents -- all while maintaining the strange charm and sure comedic timing for which he is noted. Despite the limitations of their roles, Eden and O'Connell come off very well, and there are delightful bits from much of the supporting cast. Make-up and special effects are top-notch for the period, and there's even a bit of animation in the Medusa sequence. An off-beat children's picture that adults can also enjoy, Dr. Lao's magic holds up well even years after its release. ~ Craig Butler, All Movie Guide

Cast

Argentina Brunetti - Sarah Benedict; Noah Beery, Jr. - Tim Mitchell; Royal Dano - Carey; Frank Cady - Mayor James Sargent; Lee Patrick - Mrs. Howard T. Cassan; John Qualen - Luther Lindquist; Minerva Urecal - Kate Lindquist; Edward Little Sky - George G. George; Frank Kreig - Peter Ramsey; Dal McKennon - Lean Cowboy; Chubby Johnson - Fat Cowboy; Douglas Fowley - Toothless Cowboy; John Doucette - Lucas; Tony Randall - The Medusa; Peggy Rea - Mrs. Peter Ramsey

Credit

George W. Davis - Art Director, Gabriel Scognamillo - Art Director, George Pal - Director, George Tomasini - Editor, Leigh Harline - Composer (Music Score), William J. Tuttle - Makeup, Robert J. Bronner - Cinematographer, George Pal - Producer, Henry W. Grace - Set Designer, Hugh Hunt - Set Designer, Paul Byrd - Special Effects, Jim Danforth - Special Effects, Robert R. Hoag - Special Effects, Wah Chang - Special Effects, Ralph Rodine - Special Effects, Charles Beaumont - Screenwriter, Charles G. Finney - Book Author

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Any Friend of Nicholas Nickleby is a Friend of Mine; The Goonies; Mary Poppins; Something Wicked This Way Comes; The Sword in the Stone; The Effects of Magic
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7 Faces of Dr. Lao

film poster by Joseph Smith
Directed by George Pal
Produced by George Pal
Written by Charles G. Finney (book)
Charles Beaumont
Starring Tony Randall
Barbara Eden
Music by Leigh Harline
Cinematography Robert J. Bronner
Editing by George Tomasini
Distributed by Metro-Goldwyn-Mayer
Release date(s) 1964
Running time 100 min.
Country U.S.A.
Language English

7 Faces of Dr. Lao is a 1964 film adaptation of the 1935 fantasy novel The Circus of Dr. Lao by Charles G. Finney. It details the visit of a magical circus to a small town in the southwest United States, and the effects that visit has on the people of the town.

The novel was adapted by Charles Beaumont, directed by George Pál and starred Tony Randall in the title roles.

Contents

Plot

It is the dawn of the 20th century, and an elderly Chinese man rides a jackass into Abalone, Arizona, his only visible possession a goldfish bowl occupied by an innocuous-looking fish. This magical visitor, Dr. Lao, visits Edward Cunningham's newspaper and places a large ad for his traveling circus, which will play in Abalone for two nights only.

Though quiet, Abalone is not peaceful; wealthy rancher Clinton Stark has inside information that a railroad is coming to town, and he is scheming to buy up the place while the land is cheap. Stark is opposed in this power grab by Cunningham, who is also romantically pursuing the town's librarian, Angela Benedict, a beautiful young widow still grieving the death of her husband.

After doing some research, Cunningham visits the circus site which has sprung up at the edge of town, and confronts Lao with the fact that Lao's alleged hometown vanished centuries ago. Lao deflects Cunningham's questions. However, as Lao puts up posters around town advertising his circus, he is assisted by Angela's young son Mike, who learns that the mysterious wanderer is 7,322 years old.

The circus opens its doors, and the townsfolk flock in. Along with the main cast, the gawkers include a shrewish wife and a self-absorbed matron who clings to her self-image of a young beauty. Lao uses his many faces to offer his wisdom to the visitors; only some of them take heed of this advice. Stark has disquieting meetings with both Apollonius of Tyana and the Great Serpent, Mike befriends the pathetic Merlin and Angela is aroused from her emotional repression by Pan's intoxicating music. After Medusa turns the disbelieving shrew to stone, Lao calls an end to the proceedings and Merlin restores the now-reformed woman.

Meanwhile, Stark's two thuggish henchmen destroy the newspaper office. Cunningham and his pressman discover the devastation, go drown their sorrows, then stagger back to learn that the damage has been magically repaired by Lao. They rush out an abbreviated edition of the paper, which Cunningham delivers in person to Stark.

Mike visits Lao and tries to get a job, displaying his novice juggling and conjuring skills. Lao instead offers some advice and observations about the world (.."the whole world is a circus, if you look at it the right way"..), which Mike doesn't understand, and Lao claims to not understand either.

The next night, Lao stages his grand finale, a Magic Lantern show in which the mythical city of "Woldercan", populated by doubles of the townfolk, is destroyed when it succumbs to temptation personified by Stark, (as a sort-of devilish tempter). The show ends in explosions and darkness but as the house lights gradually come back up, the townsfolk find themselves now in a town meeting, voting on Stark's proposal. They reject it, and a redeemed Stark tells them about the coming railroad, while noting that they owe a debt of gratitude to Lao. A dust-storm blows up, and as the townsfolk scatter, Angela opens up to Ed, finally admitting that she is in love with him.

Stark's henchmen, confused by their boss' apparent change of character, in a drunken spree decide to trash Lao's circus. Unfortunately, they break Lao's goldfish bowl, and the inhabitant is revealed (to the accompanying sound of bagpipes) to be the Loch Ness Monster, which balloons to enormous size when exposed to the open air. After it chases the two thugs into the storm (and temporarily grows seven heads to resemble the seven faces of the inhabitants of the circus), Mike alerts Dr. Lao and then helps conjure up a cloudburst to wet and thus shrink the beast back to its original size.

Morning comes and the circus is gone, leaving a circle on the desert floor. Mike chases after a dust plume which he thinks is made by Lao, but only finds three wooden balls. He is able to juggle them expertly, and Lao's voice reminds the viewer what he told Mike: the Circus of Dr. Lao is life itself, and everything in it is a wonder.

Cast

Quotes

Lao: My specialty is wisdom. You know what wisdom is?
Mike: No sir.
Lao: Wise answer!

Changes from the novel

The film is only loosely based on Finney's novel, which is essentially a series of loosely-connected vignettes centered around the circus's visit, without the overarching plotline of Stark's scheming and redemption. The novel is also far more biting and cynical in its depiction of average Americans' inability to accept magic and wonder into their lives; this attitude climaxes in the Woldercan sequence as originally staged, which ends with the townsfolk being physically scattered to the winds.

Influences

The "Woldercan" spectacular that Dr. Lao presents as the grand finale of his circus contains much footage from an earlier George Pal production, 1961's Atlantis, the Lost Continent as well as some footage of flowing lava from The Time Machine.

Outside of Appollonius of Tyana's can be seen the crystal ball used by the Wicked Witch of the West in 1939's The Wizard of Oz; the prop had previously been used as part of a fortune teller's paraphernalia in the 1956 film Diane. Also, in the scene where Mike visits Lao at night, a Two-Headed Tortoise can be seen; this made a few later appearances in the television series The Addams Family.

Many of Dr. Lao's characteristics can be found in the BBC tv character Doctor Who, specifically his long livedness, his unbelievibly fantastic place of origin, familiarity with celebrated people of history, his confusing explanations, his nonplussed command of confrontational moments, and a headquarters that is bigger inside than out.

Production

According to notes on the Leigh Harline soundtrack CD released by Film Score Monthly, Pal's first choice for the role was Peter Sellers who was strongly interested in the role. MGM decided that they wished an American in the lead role.

William Tuttle received an honorary Oscar for his makeup work on this film. It was the first of only two honorary Oscars awarded for makeup; the other went to John Chambers in 1968 for Planet of the Apes. As part of Tuttle's work, Randall had his head shaved, not only to play the bald Dr. Lao, but also to make it convenient for the "appliances" which he had to wear. The studio publicity department arrived at the barber too late to photograph the process, so they had a make-up artist glue hair back on Randall's head and the barber once again removed it, this time for the cameras.

Jim Danforth's model animation of the Loch Ness Monster was nominated for an Academy Award.

References

External links


 
 

 

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