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A Crow Left of the Murder...

 
Album Review: A Crow Left of the Murder...

  • Artist: Incubus
  • Rating: StarStarStarStar
  • Release Date: February 03, 2004
  • Type: Lyrics are included with the album, Enhanced CD-ROM
  • Genre: Rock

Review

At the beginning of their career, Incubus was rightly lumped in with the legions of post-Korn alt metal/rap-rock bands swarming America in the latter days of the 20th century. But by their third album, 1999's Make Yourself, they had separated from the pack, as indicated by the presence of producer Scott Litt, best-known for his work with R.E.M.. It signaled that the band was serious, and they began expanding their rap-metal template on that album and its follow-up, 2001's Morning View, completing their transition from juvenelia to maturity with 2003's Crow Left of the Murder. Switching from Litt to producer Brendan O'Brien, a man who has been with Pearl Jam longer than any of their drummers, Incubus has opted for a clean, crisp yet heavy sound which allows them to aggressively switch from crunching metallic riffs to jazzy prog interludes. It's an expansive musical vision charged with some righteous anger; although vocalist Brandon Boyd doesn't write explicit protests, there sure are enough allusions to social turbulence to make this the first politically aware alt metal album in many a year. This maturation is even more evident in the music, how the band actually swings on "Zee Deveel," or how guitarist Michael Einzinger's jazz-influenced solos seem both carefully constructed and casually tossed off, or how Boyd's voice shifts from song to song (or during a song, as on the opening "Megalomaniac," which sounds like a bizarre blend of Mr. Mister's Richard Page and John Lydon). All this maturation does mean that Incubus may shed some older fans, since the naked ambitions on this record are far removed from the earnest, angst-ridden earlier records, but so be it -- A Crow Left of the Murder... is far more interesting than any of their other records, or their peers'. At times, they may stretch themselves a little too far here, but the ambition is admirable and the achievements are tangible -- a real breakthrough for the band. [A Crow Left of the Murder was also released in a limited-edition set with a bonus DVD containing a 26-minute documentary featuring footage from the band's Lollapalooza and Bridge Benefit performances, and of Boyd's injury.] ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
Megalomaniac (Lyrics) Chris Kilmore, Mike Einziger, Brandon Boyd, Jose Antonio Pasillas II, Ben Kenney Incubus (4:54)
A Crow Left of the Murder Chris Kilmore, Ben Kenney, Jose Antonio Pasillas II, Brandon Boyd, Mike Einziger Incubus (3:30)
Agoraphobia (Lyrics) Jose Antonio Pasillas II, Ben Kenney, Mike Einziger, Chris Kilmore, Brandon Boyd Incubus (3:52)
Talk Shows on Mute (Lyrics) Jose Antonio Pasillas II, Mike Einziger, Brandon Boyd, Chris Kilmore, Ben Kenney Incubus (3:49)
Beware! Criminal (Lyrics) Ben Kenney, Brandon Boyd, Chris Kilmore, Mike Einziger, Jose Antonio Pasillas II Incubus (3:48)
Sick Sad Little World (Lyrics) Mike Einziger, Ben Kenney, Chris Kilmore, Jose Antonio Pasillas II, Brandon Boyd Incubus (6:23)
Pistola (Lyrics) Jose Antonio Pasillas II, Ben Kenney, Brandon Boyd, Mike Einziger, DJ Kilmore Incubus (4:23)
Southern Girl (Lyrics) Jose Antonio Pasillas II, Chris Kilmore, Brandon Boyd, Mike Einziger, Ben Kenney Incubus (3:41)
Priceless (Lyrics) Brandon Boyd, Ben Kenney, Jose Antonio Pasillas II, Mike Einziger, Chris Kilmore Incubus (4:07)
Zee Deveel (Lyrics) Mike Einziger, Brandon Boyd, Jose Antonio Pasillas II, Chris Kilmore, Ben Kenney Incubus (3:52)
Made for TV Movie (Lyrics) Chris Kilmore, Ben Kenney, Mike Einziger, Jose Antonio Pasillas II, Brandon Boyd Incubus (3:38)
Smile Lines (Lyrics) Mike Einziger, Chris Kilmore, Ben Kenney, Jose Antonio Pasillas II, Brandon Boyd Incubus (3:59)
Here in My Room (Lyrics) Chris Kilmore, Brandon Boyd, Ben Kenney, Mike Einziger, Jose Antonio Pasillas II Incubus (4:20)
Leech (Lyrics) Mike Einziger, Brandon Boyd, Ben Kenney, Jose Antonio Pasillas II, Chris Kilmore Incubus (4:19)

Credits

Seth Allen (Assistant), DJ Kilmore (Group Member), Brendan O'Brien (Illustrations), Mike Einziger (Engineer), Brendan O'Brien (Producer), Nick DiDia (Engineer), Mike Einziger (Group Member), Brandon Boyd (Group Member), Jose Antonio Pasillas II (Group Member), Billy Bowers (Engineer), Piero Giramonti (Product Manager), DJ Kilmore (Turntables), Brandy Flower (Art Direction), Kaz Utsunomiya (A&R), Bob Ludwig (Mastering), Adam Gelfond (Assistant), Brendan O'Brien (Mixing), Ben Kenney (Group Member), Rankin (Photography), Karl Egsieker (Engineer)
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A Crow Left of the Murder...
Studio album by Incubus
Released February 3, 2004
Recorded October — November 2003 at Southern Tracks Recording, Atlanta, Georgia
Genre Alternative rock
Length 58:35
Label Epic/Immortal
Producer Brendan O'Brien
Professional reviews
Incubus chronology
Morning View
(2001)
A Crow Left of the Murder...
(2004)
Light Grenades
(2006)

A Crow Left of the Murder... is the fifth studio album by alternative rock band Incubus, released on February 3, 2004. The album marks the first appearance of bassist Ben Kenney, following the departure of founding member Dirk Lance.

The singles from this album, "Megalomaniac" and "Talk Shows on Mute". "Agoraphobia" and "Sick Sad Little World", were also released as radio-only singles.

The album debuted at number two on the U.S. Billboard 200, selling about 332,000 copies in its first week on the chart.[1] It has since gone on to sell 1.9 million copies and has been certified platinum by the RIAA.

Contents

Track listing

All songs written and composed by Incubus

# Title Length
1. "Megalomaniac"   4:54
2. "A Crow Left of the Murder"   3:30
3. "Agoraphobia"   3:52
4. "Talk Shows on Mute"   3:49
5. "Beware! Criminal"   3:48
6. "Sick Sad Little World"   6:23
7. "Pistola"   4:23
8. "Southern Girl"   3:41
9. "Priceless"   4:07
10. "Zee Deveel"   3:52
11. "Made for TV Movie"   3:38
12. "Smile Lines"   3:59
13. "Here in My Room"   4:20
14. "Leech"   4:19

Bonus tracks

# Title Length
15. "Monuments and Melodies"   5:05

Live 2004 EP

When bought at some retailers (including Best-Buy) a bonus live EP was bundled with the CD.

  1. "Pardon Me (live in Osaka, Japan)" – 4:58
  2. "Pantomime (live at Merdeka Stadium, Lumpur, Malaysia)" – 5:17
  3. "Talk Shows on Mute (live at Entertainment Center, Sydney, Australia)" – 3:50
  4. "A Certain Shade of Green (live at Entertainment Center, Sydney, Australia)" – 3:32

Bonus DVD

  1. "Lollapalooza" - 9:13
  2. "Bridge Benefit" - 8:41
  3. While We Were Out - 7:35
    • This is a documentary about the making of the album in Atlanta, Georgia, as well as some interview footage, and some footage of other things the band have gotten up to whilst they were out. It also introduces Ben Kenney, who recently joined as the bassist for the band.
  4. Brandon's Injury - 1:06
    • A short mock-umentary about how Brandon injured his ankle.
  5. Short Film - 6:31
    • Though not listed on the packaging, there is also a short film by Brendan Hearne, starring Mike Einziger.

Notes

  • Early pressings of the album list track 12 "Smile Lines" as "Suite Lines" on the back cover.
  • The Japanese pressing of the album came with a bonus track,"Monuments & Melodies" which is also available on the "Alive at Red Rocks" bonus CD.

Personnel

Etymology

The word for a group of crows, or its collective noun, is a "murder". Therefore, the title of the album can be interpreted as rebellion. The back cover of the album's liner notes show a murder of crows with one of their members flying to the left. This reference to rebellion against group obedience keeps with the main themes of the album. The choice of the direction left most likely comes from the liberal political message of the album[citation needed]. An example of this is shown by the music video for the single "Megalomaniac" which features caricatures of televangelists and politicians in the face of protest juxtaposed with images of Adolf Hitler, George W. Bush, Benito Mussolini and Joseph Stalin. "A Crow Left of the Murder", then, can be viewed as separation from the group mentality by a left-leaning individual, and that the group from which he is separating is associated with "murder."

Another explanation for the title could be an attempt by the band to distance themselves from what was going on in the music world at the time of its release. With the popularity of nu-metal during the "Morning View" era, which Incubus disagreed with as their genre, lyrics such as "even straight roads meander" hint to Incubus' ability to expand and evolve their musical direction with each new album.

Charting

Album

Year Chart First Week Sales Position
2004 Billboard Top 200 332,000 2
2004 UK Official Charts 298,000 6

Singles

Year Single Chart Position
2004 "Megalomaniac" Modern Rock Tracks 1
2004 "Megalomaniac" Mainstream Rock Tracks 2
2004 "Megalomaniac" The Billboard Hot 100 55
2004 "Talk Shows On Mute" Modern Rock Tracks 3
2004 "Talk Shows On Mute" Mainstream Rock Tracks 18

References

  1. ^ Todd Martens, "Chesney's 'Sun' Rises To Top The Billboard 200", Billboard.com, February 11, 2004.

 
 

 

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