A Day at the Races

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A Day at the Races

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Plot

A Day at the Races was the Marx Brothers' follow-up to their incomparable A Night at the Opera. Groucho Marx is cast as Hugo Z. Hackenbush, a veterinarian who passes himself off as a human doctor when summoned by wealthy hypochondriac Emily Upjohn (Margaret Dumont) to take over the financially strapped Standish Sanitarium. Chico Marx plays the sanitarium's general factotum, who works without pay because he has a soft spot for its owner, lovely Judy Standish (Maureen O'Sullivan). Harpo Marx portrays a jockey at the local racetrack, constantly bullied by the evil Morgan (Douglass Dumbrille), who will take over the sanitarium if Judy can't pay its debts. After several side-splitting routines--Chico selling Groucho tips on the races, Chico and Harpo rescuing Groucho from the clutches of femme fatale Esther Muir, all three Marxes conducting a lunatic "examination" of Margaret Dumont--the fate of the sanitarium rests on a Big Race involving Hi-Hat, a horse belonging to the film's nominal hero, Allan Jones. Virtually everything that worked in "Opera" is trotted out again for "Races", including a hectic slapstick finale wherein the Marxes lay waste to a public event. What is missing here is inspiration; perhaps this is due to the fact that MGM producer Irving Thalberg, whose input was so essential to the success of "Opera", died during the filming of "Races". Even so, Day at the Races made more money than any other previous Marx Brothers film--the result being that MGM, in the spirit of "they loved it once", would continue recycling Races' best bits for the studio's next three Marx vehicles. ~ Hal Erickson, Rovi

Review

The follow-up to A Night at the Opera (arguably the Marx Brothers's best film), A Day at the Races falls a little short of the mark in comparison with Opera, but is still lunatic fun of a high order. The boys are in fine form here, performing difficult routines with such skill that they come across as effortless (and are all the more enjoyable therefore). Several classic routines -- including "tutsi-fruitis," in which Chico keeps conning Groucho into buying racing tip books, a riotous medical exam, and a wallpapering sequence -- make the film memorable, as does the extended race finale, which manages to be both terribly funny and moderately tense. Aside from the routines, the strength of the script lies in its cohesiveness and coherence, qualities often lacking in other Marx efforts. As indicated, the brothers are their usual hilarious selves. What's surprising is how animated Margaret Dumont gets to be in this film. Although the score's big ballad is no great shakes, its two production numbers -- one of which features an outrageous art deco set incorporating lily pad tables and fountains and an impressive Vivian Fay dance routine - are memorable. The other is simpler, but packs an even greater wallop: Ivie Anderson and the Crinoline Choir performing "All God's Children Got Rhythm," a number which occasionally veers close to racial insensitivity, but which is saved by Anderson's radiant vocalizing and the gospel wails of the choir, as well as some snappy jitterbugging. Races would be the last of the Marx Brothers' classic films; while follow-ups like Room Service have some wonderful moments, they lack the sparkle found in the boys' best work. ~ Craig Butler, Rovi

Cast

Douglas Dumbrille - Morgan; Esther Muir - Flo Marlowe; Sig Rumann - Dr. Leopold X. Steinberg; Robert Middlemass - The Sheriff; Vivien Fay - Solo Dancer; Hooper Atchley - Race Judge; Frankie Darro - Morgan's Jockey; Frank Dawson; Pat Flaherty - Detective; John Hyams; Ivie Anderson and the Crinoline Choir; Si Jenks - Messenger; Carole Landis - Extra; Edward J. Le Saint - Doctor; Mary MacLaren - Nurse; Wilbur Mack - Judge; Jack Norton - Drunk; Charles Trowbridge - Dr. Wilmerding; Max Lucke - Doctor

Credit

Cedric Gibbons - Art Director, Stanley Rogers - Art Director, Edwin B. Willis - Art Director, Max Siegel - Associate Producer, David Gould - Choreography, Dolly Tree - Costume Designer, Sam Wood - Director, Frank E. Hull - Editor, George Bassman - Composer (Music Score), Gus Kahn - Composer (Music Score), Bronislau Kaper - Composer (Music Score), Franz Waxman - Composer (Music Score), Walter Jurmann - Composer (Music Score), Franz Waxman - Musical Direction/Supervision, Joseph Ruttenberg - Cinematographer, Irving G. Thalberg - Producer, Lawrence Weingarten - Producer, Sam Wood - Producer, George Oppenheimer - Screenwriter, Robert Pirosh - Screenwriter, George Seaton - Screenwriter

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Wikipedia on Answers.com:

A Day at the Races (film)

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A Day at the Races

theatrical release poster
Directed by Sam Wood
Produced by Sam Wood
Irving Thalberg (uncredited)
Lawrence Weingarten (uncredited)
Written by Robert Pirosh
George Seaton
George Oppenheimer
Starring Groucho Marx
Harpo Marx
Chico Marx
Allan Jones
Maureen O'Sullivan
Dudley Dickerson
Music by Walter Jermann
Bronislau Kaper
Franz Waxman
Cinematography Joseph Ruttenberg
Editing by Frank E. Hull
Distributed by Metro-Goldwyn-Mayer
Release date(s) June 11, 1937
Running time 111 minutes
Country United States
Language English

A Day at the Races is the seventh film starring the three Marx Brothers, with Margaret Dumont, Allan Jones, and Maureen O'Sullivan. Like their previous MGM feature A Night at the Opera, this film was a major hit.[1]

Contents

Plot

Hugo Z. Hackenbush (Groucho Marx) is a veterinarian who is hired as chief of staff for the Standish Sanitarium, owned by Judy Standish (Maureen O'Sullivan), at the insistence of her most important patient, the rich Mrs. Upjohn, (Margaret Dumont), who insists on being treated only by Dr. Hackenbush. The Sanitarium has fallen on hard times, and banker J.D. Morgan (Douglas Dumbrille) is attempting to gain control of it. Judy hopes that Mrs. Upjohn will make a large donation and stop that from happening.

Meanwhile, Judy's boyfriend, singer Gil Stewart (Allan Jones), has taken his life's savings and bought a horse with it, instead of paying for vocal lessons to further his career as a radio singer. His hope is that the horse, Hi-Hat, will win a big race, and the money will save the sanitarium. Unfortunately, he now has no money to pay for the horse's feed, and he and Tony (Chico Marx), who works for the sanitarium, and Stuffy (Harpo Marx), Hi-Hat's jockey, have to resort to trickery to fend off the Sheriff (Robert Middlemass). Tony raises some money by scamming Hackenbush in the "Tutsi Fruitsy Ice Cream" scene, in which Tony gives Hackenbush a tip on a horse, but all in code, so that Hackenbush has to buy book after book from Tony to decipher the code.

At the Sanitarium, its business manager, Whitmore {Leonard Ceeley) – who is Morgan's stooge – attempts to rattle Mrs. Upjohn's faith in Hackenbush by having her discover him in a compromising situation with a floozie, (Esther Muir). Hackenbush is saved by Stuffy and Tony, who pose as house detectives and then as paperhangers, pasting the vamp to the wall behind layers of wallpaper. Next, Whitmore brings in the eminent Dr. Steinberg (Sig Ruman), who exposes Hackenbush as a quack.

Hackenbush, Tony, Stuffy and Gil hide out in Hi-Hat's stable, where Judy soon joins them. Morgan finds them and is about to have them arrested when the horse sees him and bolts, running for the racetrack, where he jumps the fence and enters the ongoing race, with Stuffy riding him and spurring him on by showing the animal a picture of Morgan.[2][3][4]

Cast

Cast notes
  • In My Life with Groucho: A Son's Eye View, Arthur Marx relates that in his latter years Groucho increasingly referred to himself by the name Hackenbush.[5]

Production

The screenplay went through numerous outlines, treatments and drafts before arriving at its final version. As they had with A Night At The Opera, the Brothers honed the comic material during a Vaudeville tour.

Groucho's character was originally named "Quackenbush" but was changed to "Hackenbush" over fear of a lawsuit by a real Dr. Quackenbush.

During production, Irving Thalberg, who had brought the Marx Brothers to MGM, died suddenly of pneumonia at age 37. It is generally believed that after Thalberg's death the studio never gave the proper care to the Marx Brothers and that the three movies made at MGM afterward are weaker than the first two as a result.

Music

The songs in the film, by Bronislaw Kaper, Walter Jurmann, and Gus Kahn, are "On Blue Venetian Waters", "Tomorrow Is Another Day," and "All God's Chillun Got Rhythm" (which also featured Ivie Anderson and other members of Duke Ellington's orchestra). Two more songs were filmed but cut. One, "Dr. Hackenbush", was sung by Groucho about what a great doctor he is ("No matter what I treat them for they die from something else"). The other, "A Message From The Man In The Moon", is missing from the main part of the film but shows up in the titles, some incidental music, and is "reprised" by Groucho for the big, happy ending. The DVD release includes a recently rediscovered audio recording of the song, performed by Allan Jones.

The film also features a lindy hop dance sequence set to the tune of "All God's Chillun Got Rhythm", and featuring the Whitey's Lindy Hoppers, including Frankie Manning, Al Minns and Norma Miller. The dance sequence was nominated for the short-lived Academy Award for Best Dance Direction.

Musical numbers

  • "On Blue Venetian Waters"
  • "Tomorrow Is Another Day"
  • "All God's Chillun Got Rhythm"
  • "Nobody Knows the Trouble I've Seen"
  • "A Message from the Man in the Moon"
  • "Cosi Cosa" (instrumental version at the race track)

Critical recognition

In 2000, the American Film Institute ranked A Day at the Races as the 59th funniest film of all time in its AFI's 100 Years…100 Laughs.[6][7]

References

Notes
  1. ^ Giddins, Gary (June 18, 2000). "There Ain't No Sanity Claus". The New York Times. http://www.nytimes.com/2000/06/18/books/there-ain-t-no-sanity-claus.html?pagewanted=all. Retrieved March 3, 2010. 
  2. ^ Tinee, Mae (July 3, 1937). "Marx Brothers Go Fast Pace in 'Day at Races'". Chicago Daily Tribune: p. 9. http://pqasb.pqarchiver.com/chicagotribune/access/440855972.html?dids=440855972:440855972&FMT=ABS&FMTS=ABS:AI&type=historic&date=Jul+03%2C+1937&author=&pub=Chicago+Tribune&desc=Marx+Brothers+Go+Fast+Pace+in+'Day+at+Races'&pqatl=google. Retrieved March 3, 2010. 
  3. ^ Schallert, Edwin (June 17, 1937). "Marx Brothers Run Riot In "A Day At The Races"". Los Angeles Times: p. A15. http://pqasb.pqarchiver.com/latimes/access/395315781.html?dids=395315781:395315781&FMT=ABS&FMTS=ABS:AI&type=historic&date=Jun+17%2C+1937&author=&pub=Los+Angeles+Times. Retrieved March 3, 2010. 
  4. ^ "Full synopsis" at TCM.com
  5. ^ Marx, Arthur (June 1991). My Life with Groucho: A Son's Eye View. Robson Book Ltd. ISBN 978-0-86051-494-7. 
  6. ^ Boyar, Jay (June 11, 2000). "Make 'em laugh! The American Film Institute will recognize the 100 best comedies of the century". Orlando Sentinel: p. F1. http://pqasb.pqarchiver.com/orlandosentinel/access/55077250.html?dids=55077250:55077250&FMT=ABS&FMTS=ABS:FT&type=current&date=Jun+11%2C+2000&author=Jay+Boyar%2C+Sentinel+Movie+Critic&pub=Orlando+Sentinel&desc=MAKE+'EM+LAUGH!+THE+AMERICAN+FILM+INSTITUTE+WILL+RECOGNIZE+THE+100+BEST+COMEDIES+OF+THE+CENTURY&pqatl=google. Retrieved March 3, 2010. 
  7. ^ "America's Funniest Movies" (PDF). American Film Institute. http://connect.afi.com/site/DocServer/laughs100.pdf?docID=252. Retrieved March 3, 2010. 
Further reading
  • Elisabeth Buxbaum: Veronika, der Lenz ist da. Walter Jurmann – Ein Musiker zwischen den Welten und Zeiten. Mit einem Werkverzeichnis von Alexander Sieghardt. Edition Steinbauer, Wien 2006, ISBN 3-902494-18-2

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