A. Edward Sutherland

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Edward Sutherland

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Biography

Director A. Edward Sutherland was born in London to American parents. A vaudevillian from the time he was able to tie his shoes, Sutherland came to films in 1914 as an actor for Mack Sennett studios (he'd sometimes later claim to be one of the first Keysone Kops); within a year he was stunt man on the serials of Helen Holmes. He switched to the other side of the cameras as Charlas Chaplin's assistant on A Woman of Paris (1923) and The Gold Rush (1925), usually supervising the action whenever Chaplin himself was on-screen. Sutherland began flying solo as a director in 1925, displaying a fondness for comedy. While derided by some observers as merely a good-looking guy who had all the breaks, Sutherland displayed a keen talent for keeping the action lean and focused, and for injecting energy in scenes that didn't have any. He was briefly married to actress Louise Brooks, who in later years claimed that Sutherland was more interested in a good time than a good picture. With 1927's It's the Old Army Game, Sutherland inagurated a lifelong friendship with comedian W.C. Fields, a relationship predicated in great part on Sutherland's drinking capacity. While most directors despised Fields, Sutherland got along fine with the truculent comedian, guiding him through such films as Tillie's Punctured Romance (1927), International House (1933) and Mississippi (1935). Conversely, Sutherland had a great deal of trouble with another comedy giant, Stan Laurel; commenting on directing Laurel in The Flying Deuces (1939), Sutherland responded that he'd sooner direct a tarantula. Busiest at Paramount in the first decade of sound, Sutherland handled such money-spinning comedies as Fast Company (1929) and The Sap from Syracuse (1930); he also displayed a previously untapped talent for horror and melodrama with Secrets of the French Police (1932) and Murders in the Zoo (1933). Sutherland's career moved along smoothly into the '40s, during which time he directed Abbott and Costello, Bing Crosby, Carmen Miranda and many others. Then everything screeched to a halt with Abie's Irish Rose (1946), an excruciating adaptation of the 1928 Broadway hit which Sutherland both produced and directed. The film was such a disaster that, except for a 1957 B-picture, Sutherland never worked in Hollywood again; he moved to London, where in the '50s he produced and directed two TV series, International Detective and Exclusive. While never among the pantheon of Hollywood directors, Eddie Sutherland worked with virtually everyone of any importance in the business, making his latter-day reminiscences invaluable to such film historians as Kevin Brownlow and Garson Kanin. ~ Hal Erickson, Rovi
Wikipedia on Answers.com:

A. Edward Sutherland

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A. Edward Sutherland
Born January 5, 1895
Died December 31, 1973

A. Edward Sutherland aka Eddie Sutherland (January 5, 1895 – December 31, 1973) was a film director and actor. Born Albert Edward Sutherland in London, he was from a theatrical family. His father, Al Sutherland, was a theatre manager and producer and his mother, Julie Ring, was a vaudeville performer. He was a nephew of both Blanche Ring and Thomas Meighan, who was married to another of his mother's sisters Frances Ring.[1] Sutherland acted in 37 known films early in his career, beginning as a Keystone Cop in Tillie's Punctured Romance (1914), which starred Charles Chaplin, Mabel Normand, and Marie Dressler.

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Career

He was directed by Charles Chaplin in A Woman of Paris (1923), two years before Sutherland began his directing career with the help of Chaplin.

It is as a director that he is best known, and he directed over 50 movies between 1925 and 1956. His breakout film was Behind the Front (1926) which made stars of the two leads and established Sutherland as a comedic director.[2] Frequently billed as "Eddie Sutherland," he is often noted for having an especially hard time working with Stan Laurel whom he disliked ("I'd rather eat a tarantula than work with Laurel again"), while becoming close friends with the more famously acerbic W.C. Fields, with whom he established a lifelong friendship.[citation needed]

Mr. Sutherland's last directing assignment was working on the Mack & Myer for Hire TV comedies with Joey Faye and Mickey Deans for Sandy Howard TV Productions and Trans-Lux Television in 1965. (Info can be found at www.tvparty.com.) Sutherland was married five times. Among his wives were Marjorie Daw (from 1923 to 1925) and Louise Brooks (from July 1926 to June 1928). He and Brooks met on the set of It's the Old Army Game, which he directed and also co-starred his aunt Blanche Ring. Brooks and Sutherland did not have a happy marriage and there were numerous reports on both sides of infidelity. There were no children born from either marriage to Daw or Brooks.

Partial Filmography as actor

Partial Filmography as Director

Silent era

Sound era

References

  1. ^ Barry Paris, 1990, Louise Brooks, Anchor Books, p. 147
  2. ^ Paris, p. 148

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Ethel Kenyon (Actor, Romance/Drama)
white-collar crime (in business, crime)
Elope If You Must (1922 Comedy Drama Film)
Marjorie Daw (Actor, Drama/Western)
Bermuda Affair (1956 Drama Film)