A Family Thing

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AMG AllMovie Guide:

A Family Thing

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Plot

In this family drama, a white Southerner discovers that his family history isn't what he thought it was -- with the fact that he's half-black only one of his many surprises. Earl Pilcher, Jr. (Robert Duvall) runs a gas station in Arkansas; he's a typical middle-aged Southern man who likes his pickup truck and loves his momma. Shortly after his mother's death, he receives some very unexpected news; she wasn't really his mother after all. It seems that years ago, Earl Sr. (James N. Harrell) raped the family's African-American maid, Willie Mae, who nine months later died while giving birth to Earl Jr. To avoid further scandal, Mrs. Pilcher simply raised Earl Jr. as her own. While the family has kept the matter a secret all these years, Earl Jr. has a half-brother living in Chicago, and it was his mother's wish that the two should some day meet and become friends. Earl travels to Chicago and tracks down Ray Murdock (James Earl Jones), a veteran police officer and Willie Mae's other son. Earl Jr. quickly learns that Ray has little interest in getting to know him better; he knows all the facts behind the matter, and he's always blamed Earl for the death of his mother. However, Earl Jr. isn't used to life in a big city up north, and after he's mugged and carjacked, Ray grudgingly takes in his half-brother, letting him stay in the home he shares with his son Virgil (Michael Beach) and Aunt T. (Irma P. Hall), who raised Ray as a boy. A Family Thing was written by Billy Bob Thornton shortly before his breakthrough as writer, director, and star of Sling Blade. ~ Mark Deming, Rovi

Review

Director Richard Pearce and the writing team of Billy Bob Thornton and Tom Epperson bring their respective skills with stories of rural (and specifically Southern) folk to this underrated comedy drama. Wisely, the writers and director stay focused on character development and never stray too far into the situation comedy realm in which the film's central ideas seem to have been hatched, so the material stays a cut above its high-concept roots. This puts the onus of the film's success on its cast, and thankfully it features a trio of magnificent, career-high performances. As a "cracker" shocked to learn his true heritage, Robert Duvall presages his turn in The Apostle (1997); James Earl Jones employs his own real-life childhood stuttering impediment to marvelous use; Irma P. Hall, whose character injects the film with regular, welcome doses of comic relief, is a scene stealer in the long, proud tradition of superb supporting character actors. MGM has released A Family Thing on video and DVD under its "Contemporary Classics" banner, and for once a studio's marketing scheme is right on target: The film is a delightful exploration of what "family" really means in an increasingly cross-cultural, racially undivided society. ~ Karl Williams, Rovi

Cast

Regina Taylor - Ann; Xander Berkeley - Sunburned Man; Wanda Christine - Woman at City Hall; James Harrell - Earl Pilcher, Sr.; Willo Hausman - Waitress; Roy Hytower - Man at Gas Station; Mary Jackson - Carrie; Don James - Junior Turner; Paula Marshall - Karen; Antoine Roshell - Young Man in Car; Rufus Thomas - Tommy; David Keith - Sonny; Meg Thalken - Doctor; David Spenser - The Nightclub Band; Tony Brown - The Nightclub Band

Credit

Jim Nedza - Art Director, Scott Ferguson - Associate Producer, Victoria Thomas - Casting, Brad Wilson - Co-producer, Joe Tompkins - Costume Designer, Craig Huston - First Assistant Director, Richard Pearce - Director, Mark Warner - Editor, Michael Hausman - Executive Producer, Jerry Goldsmith - Composer (Music Score), Charles Gross - Composer (Music Score), Charles Gross - Songwriter, Gerrit Dangremond - Camera Operator, Linda de Scenna - Production Designer, Fred Murphy - Cinematographer, Todd Black - Producer, Robert Duvall - Producer, Randa Haines - Producer, Gary Baugh - Set Designer, Ric Mcelvin - Set Designer, Glenn Williams - Sound/Sound Designer, Max Maxwell - Stunts, Stacy Logan - Stunts, Billy Bob Thornton - Screenwriter, Tom Epperson - Screenwriter

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Wikipedia on Answers.com:

A Family Thing (film)

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A Family Thing
Directed by Richard Pearce
Produced by Michael Hausman
Robert Duvall
Written by Billy Bob Thornton
Tom Epperson
Starring Robert Duvall
James Earl Jones
Irma P. Hall
Michael Beach
Cinematography Fred Murphy
Distributed by United Artists
Release date(s) March 29, 1996 (USA)
Running time 109 minutes
Country United States
Language English

A Family Thing is a 1996 film starring Robert Duvall, James Earl Jones and Irma P. Hall. It was written by Billy Bob Thornton and Tom Epperson and directed by Richard Pearce.

Contents

Plot

The film is a drama about a Scotch-Irish American Southerner (Duvall) named Earl Pilcher, whose late mother makes a shocking revelation in a letter that is given to him after her death. She reveals that Earl's biological mother was an African American maid named Willa Mae, who was raped by Earl's (white) father and that she died while giving birth to Earl. His adoptive mother's dying wish is that he go to Chicago to meet his half-brother, Raymond Murdoch (Jones). Ray blames Earl's father for his own mother's death and does not want to speak to Earl, whose very presence reminds Ray of the past. But his loving Aunt T. (Hall) welcomes Earl and insists the family accept him.

Earl initially takes the unexpected news of his mixed parentage badly, tearfully challenging his father to confirm the facts in the letter. As a result, he packs up his clothes and takes off for Chicago to find his brother. He meets Ray at city hall (where Ray works as a police officer) and Ray, although he really wants nothing to do with Earl, agrees to meet him for lunch at a diner. There Ray reveals that he knew all along that he had a half white brother and that he hates Earl's father (and Earl too by association) because he feels that he is what killed his mother. He says in so many words that he doesn't want or need a brother, and they go their separate ways. But when Earl leaves and drives off in his truck he encounters four black Chicago street toughs who rear end his truck. When Earl gets out to survey the (minimal) damage, he, being a trusting Southern "good ol' boy", leaves his keys in the ignition. The toughs beat him up and steal his truck and his wallet. He walks around in a daze and ends up in a hospital. The hospital staff finds Ray's information in Earl's pocket and calls Ray. He comes reluctantly, and the doctor tells him that Earl may have a concussion and needs to take it easy for a couple of days; no traveling is allowed. She also tells him that the hospital is full, so he will have to take Earl home to recuperate.

At Ray's home, Earl meets Aunt T (Hall), a kind and generous elderly woman who is blind. Aunt T. is Willa Mae's sister, and thus, Earl's aunt. Earl also meets Ray's son, Virgil (Beach), a city bus driver who doesn't appreciate a white southerner sleeping in his bed. At first, Earl's stay at the Murdoch residence is rocky. Ray explains that Earl is an old war buddy whose life he saved. During a shopping excursion with Earl, Aunt T reveals that she knows who Earl really is. In a powerful scene, Aunt T scolds Ray and Virgil for not welcoming a member of their family, no matter how different he is. Earl overhears the discussion and leaves Ray's house, walking unknowingly into a bad part of town.

Ray gives in to Aunt T's request that he welcome Early into their house and he quickly locates Ray on a nearby street. Ray obstinately refuses to come back with Ray, knowing he is not wanted. The two argue and Earl uses the word "nigger" to punctuate his disdain for Ray, seeing too late that he has gone too far. Angry at Earl's callous words, Ray tells Earl to stay away from him, and he heads back home.

Meanwhile, Earl wanders Chicago and gets drunk at a Chicago bar, where he is tossed out for bothering a black family. He ends up sleeping under a bridge. The next day, Ray has cooled down and, again on Aunt T.'s wishes, manages to find Earl, who apologizes for his words and rude behavior. The two begin to settle their differences.

As Virgil's estranged wife (played by Regina Taylor), and their two daughters, visit, Earl learns that Virgil had a promising career in football that was shattered by an injury in college. Virgil cannot cope with the missed opportunities caused by his injury; and, the resulting bitterness has hurt his relationship with his family.

Ray and Earl bond together more as they find similarities between them. Both served in the military (Earl as a firefighter in the United States Navy, and Ray in the U.S. Marines) during the Korean War, where they received life-long scars. Ray reveals he once threw a rock at Earl that could have killed him when they were both very young, because of Ray's hatred towards Earl's father. Later on, in a bar, Earl takes Virgil aside and explains to him that by dwelling on the loss of a his football career, he isn't devoting himself to his wife and children in the way he should. Both of them begin to have a grudging respect for the other.

Once Earl is ready to go home, and the police unexpectedly find his truck operational (it was shot up in a bank robbery), Aunt T. sits Earl and Ray down to tell them the dramatic tale of the night Earl was born and Willa Mae died. According to Aunt T., Willa Mae knew she was likely to die and Earl's life was saved only by the quick action of his adoptive mother, Carrie, who brought a white doctor to the shack where Willa Mae and Ray lived to help with the delivery. Aunt T speculates that Carrie and Willa Mae agreed that Earl, who was born with white-appearing features, should be raised by Carrie and his biological father. Aunt T. gives Earl a picture of Willa Mae which he keeps near. Earl begins to accept his new family with pride, and he convinces Ray to return to their Arkansas hometown to find their mother's grave. As they share a drink on her tombstone, Earl decides to take Ray to meet his southern family and tell them the unlikely story, ending the movie by joking with Ray that when Earl's white nephew finds out he is part black, he will likely shoot the both of them.

Cast

Reception

The movie received a positive reception.[1] [2] [3]

Box Office

The movie debuted at No.6.[4]

References

External links


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