A Hero Ain't Nothin' but a Sandwich

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A Hero Ain't Nothin' But a Sandwich

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Plot

Adapted from Alice Childress' inspirational novel of the same name, director Ralph Nelson's sentimental addiction drama tells the story of an intelligent yet alienated ghetto youth seduced into the world of hard drugs. Unable to stand being in the same apartment as his gruff but caring foster-father Butler (Paul Winfield), inner-city high school student Benjie (Larry B. Scott) opts to pass the time smoking grass and drinking with his good friend Jimmy Lee (Kenneth Green) and small-time drug dealer Carwell (Erin Blunt). Before long Benjie is hooked, and hanging out with local pusher Tiger (Kevin Hooks) in order to get the hard stuff. Increasingly alienated from both his foster-father and his grandmother (Helen Martin), young Benjie must rely on the assistance of a caring social worker (Claire Brennan) in order to stay clean and get back on his feet. ~ Jason Buchanan, Rovi

Cast

David Groh - Cohen; Kevin Hooks - Tiger; Kenneth Green - Jimmy Lee; Harold Sylvester - Doctor; Erin Blunt - Carwell; Claire Brennan - Social Worker; Arthur French - Guard; Bill Cobbs - Bartender; Sheila Wills - Admission Clerk; Arnold Johnson - Patient; Barbara Alston - Girl Friend; Keny Long - Male Nurse; Hartwell Simms - Minister

Credit

Nedra Watt - Costume Designer, Reuben Watt - First Assistant Director, Ralph Nelson - Director, Fred A. Chulack - Editor, Tom McIntosh - Composer (Music Score), Walter Scott Herndon - Production Designer, Frank Stanley - Cinematographer, Robert B. Radnitz - Producer, Hal De Windt - Producer, Cheryal Kearney - Set Designer, Wiliam L. McCaughey - Sound/Sound Designer, Alice Childress - Screenwriter, Alice Childress - Book Author

Previous:A Hell of Year (2007 Film), A Hecc (1989 Film)
Next:A Hero Never Dies (1998 Film), A Heroic Father (1909 Film)
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A Hero Ain't Nothin' but a Sandwich

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Wikipedia on Answers.com:

A Hero Ain't Nothin' but a Sandwich (film)

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A Hero Ain't Nothin' but a Sandwich
Directed by Ralph Nelson
Produced by Terry Nelson
Screenplay by Alice Childress
Based on A Hero Ain't Nothin' but a Sandwich by Childress
Starring Cicely Tyson
Paul Winfield
Larry B. Scott
Music by Tom McIntosh
Cinematography Frank Stanley
Editing by Fred A. Chulack
Studio Radnitz/Mattel Productions
Distributed by New World Pictures
Release date(s) 3 February 1978
Running time 107 minutes
Country  United States

A Hero Ain't Nothin' but a Sandwich is a 1978 film directed by Ralph Nelson. The screenplay was written by Alice Childress, based on her novel of the same name. It was shot on location in South Central Los Angeles.[1] It was Nelson's last film before his death.

Contents

Synopsis

A Hero Ain't Nothin' but a Sandwich opens by panning over downtown Los Angeles. The film takes place during the summertime.

Benjie (Larry B. Scott) is a likeable but troubled teen. He lives with his mother, named Sweets (Cicely Tyson), and grandmother, named Mrs. Bell (Helen Martin). Benjie has several friends and playmates within the neighborhood and his grades at school are above average. He is surprisingly normal and healthy for a teenager. However, in the midst, there is something going on inside Benjie that nobody around him knows or understands. Benjie has deep pain which stems from constantly dealing with the fact that his father left the family and the fallout since his departure. On top of it all, Benjie cannot manage to get along with his mother's new boyfriend, Butler (Paul Winfield).

Benjie deals with the emotional weight by trusting his school friends and building relationships stronger than with his own family. He soon discovers that he is happier with his pseudo-family than what he understands to be his miserable real family. Benjie conforms to the group and his behavior and outlook changes rapidly as he is engulfed by the overwhelming peer pressure.

Among Benjie’s buddies are Carwell (Erin Blunt). Carwell is the one who introduces Benjie to heroin; one day he takes him to the drug dealer’s home, named Tiger (Kevin Hooks).

Benjie is hardly a street rat; he has a loving family who is always worrying about his well being. Butler (Paul Winfield), the new man around the house is equally concerned about Benjie, but often at odds with him only to be sided against by the boy’s mother.

Benjie’s life at school is a refuge as he has two caring teachers who look after him. The first, Nigeria (Glynn Turman) is a hip and bold extrovert, asking his students to learn and recite important facts of black history, which Benjie proves he can absorb information with ease.

Benjie’s other influence is Mr. Cohen (David Groh), concerned that Nigeria’s over-emphasis on African history and desire to rid the school of non-white staff are wrong, a sort of anti-thesis. The conflict between these two polar differences in belief, a tug-of-war over education, history, and white privilege, plays a larger end-game role in the story as we see it unfold before Benji’s eyes.

The continued drug use along with the corrupted group mentality soon got Benjie hooked on heroin ultimately crumbling to the merciless drug. The story that follows are the events leading up to a family learning to come to terms with a child who has hit rock bottom and the drastic life changes that have to be made for everyone involved.

Principal cast

Actor Role
Cicely Tyson Sweets
Paul Winfield Butler
Larry B. Scott Benjie
Helen Martin Mrs. Bell
Glynn Turman Nigeria
Harold Sylvester Doctor
Bill Cobbs Bartender
Erin Blunt Carwell

Critical reception

Janet Maslin of The New York Times thought that the film was poorly executed but praised some of the acting:

In no time at all, though, Benjie has become a heroin addict, a development for which the screenplay lays too much groundwork and Ralph Nelson's soft-pedaling direction lays none at all. This is a tragic tale told by film makers who don't seem able to believe that such things are really possible... is a movie that spells out everything but never manages to be entirely lucid... However, Mr. Scott is a winning young actor.[2]


Arman Sheffey of Amazon.com thought that the film was weakly executed but appreciated the perspective:

Childress does an excellent job of putting the perspectives of all the characters associated with Benjie or to his problem in this novel. Point of view is a defining characteristic of this novel. Within the twenty-three first person narratives, the reader hears the dialect, different knowledge levels, and thinking processes of all the character's, from the local drug pusher to Benjie's high school teachers. This made the plot a bit harder to follow at first, but had it been written any other way it would have lost a definite sense of authenticity.[3]


References

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