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A Hot Night in Paris

 
Album Review: A Hot Night in Paris

Review

In the latter half of the '90s, Phil Collins' career hit a bit of a sales slump, and instead of shamelessly chasing after another number one single, he decided to change pace and try something different. Returning to the drums, he assembled the Phil Collins Big Band, reviving the sound of such idols as Buddy Rich and Sonny Payne, but largely sticking with his original material. After a brief European tour in 1996 (which happened to feature Quincy Jones as conductor and Tony Bennett as vocalist), he created a new version of the band featuring several accomplished jazz and studio musicians in support -- notably alto saxophonist Gerald Albright, but also guitarist Daryl Stuermer, tenor saxophonist James Carter, and pianists George Duke and Brad Cole, among many others, in varying roles. That band toured America and Europe in 1998, and it's the one featured on the ten-song, 70-minute live album A Hot Night in Paris. Initially, it may be disarming for long-time fans (and detractors) to hear "Sussudio," "That's All," and "Against All Odds" blaring forth in brash, brassy arrangements, and it is true that the melodies can occasionally sound thin in this context, but once that first reaction passes, A Hot Night in Paris is actually entertaining. Collins doesn't try anything new with the big band form -- he just updates it with his own songs, including the Genesis chestnut "The Los Endos Suite," along with covers of Miles Davis' "Milestones" and the Average White Band's "Pick up the Pieces." As such, it's the sort of record that will inevitably irk purists, since it's targeted right at mainstream jazz audiences, ones that aren't really familiar with big band music but have a vague idea of what it sounds like, but anyone whose standards aren't quite as exacting will likely be pleasantly surprised with A Hot Night in Paris. When the band just plays -- which is quite often, since the themes are stated quickly enough so they're recognized, then they disappear -- this is swinging, accomplished music that's unpretentious and fun. It's never more than simply entertaining, but that's all it needs to be -- it's more enjoyable than any record Collins has put out in over a decade, and it suggests that this is a dignified and charming way for him to mature. ~ Stephen Thomas Erlewine, All Music Guide

Tracks

Track TitleComposersPerformersTime
Sussudio (Lyrics) Phil Collins Phil Collins (6:52)
That's All (Lyrics) Mike Rutherford, Tony Banks, Phil Collins Phil Collins (5:34)
Invisible Touch Phil Collins, Tony Banks, Mike Rutherford Phil Collins (5:42)
Hold on My Heart (Lyrics) Mike Rutherford, Phil Collins, Tony Banks Phil Collins (6:36)
Chips and Salsa Gerald Albright Phil Collins (5:23)
I Don't Care Anymore (Lyrics) Phil Collins Phil Collins (6:05)
Milestones Miles Davis Phil Collins (6:34)
Against All Odds (Take a Look at Me Now) Phil Collins Phil Collins (5:04)
Pick Up the Pieces Hamish Stuart, Malcolm Duncan, Robbie McIntosh, Owen McIntyre, Alan Gorrie, Robert Mackintosh, Roger Ball Phil Collins (12:41)
Los Endos Suite Mike Rutherford, Tony Banks, Phil Collins, Steve Hackett Phil Collins (10:25)

Credits

Ron Modell (Trumpet), Harry Kim (Arranger), Antonio Garcia (Trombone), Harry Kim (Trumpet), Daryl Stuermer (Producer), Chris Collins (Tenor (Vocal)), Matt James (Sax (Alto)), Phil Collins (Drums), Luis Conte (Percussion), John Clayton (Arranger), Peter Doell (Assistant Engineer), Brad Cole (Piano), Harry Kim (Musical Director), Christophe Suchet (Engineer), Sammy Nestico (Arranger), Don Murray (Mixing), Harry Kim (Flugelhorn), Mauricio Guerrero (Engineer), Daniel Fornero (Trumpet), Alan Hood (Flugelhorn), Larry Panella (Sax (Tenor)), John Clayton, Jr. (Arranger), Arturo Velasco (Trombone), Dann Thompson (Mixing Assistant), Peter Doell (Mixing Assistant), Ian Nevins (Woodwind), Robert Vasgien (Mastering), Alan Hood (Trumpet), Ian Nevins (Sax (Tenor)), Chris Collins (Woodwind), Brad Cole (Keyboards), George Duke (Piano), Matt James (Woodwind), Phil Collins (Supervising Producer), Mark Bettcher (Trombone), Dann Thompson (Assistant Engineer), David Stout (Arranger), Antonio Garcia (Trombone (Bass)), Daryl Stuermer (Guitar), Larry Panella (Woodwind), Arif Mardin (Arranger), Greg Burns (Assistant Engineer), Phil Collins (Liner Notes), Gerald Albright (Arranger), Daniel Fornero (Flugelhorn), Mike Barone (Arranger), Ron Modell (Flugelhorn), James Carter (Sax (Tenor)), Doug Richeson (Bass), Chris Collins (Sax (Tenor)), Don Murray (Producer), Greg Burns (Mixing Assistant), Don Murray (Mastering), Phil Collins (Supervisor), Gerald Albright (Sax (Alto))
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Wikipedia: A Hot Night in Paris
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A Hot Night in Paris
Live album by The Phil Collins Big Band
Released May 18, 1999
Recorded July 21, 1998
Genre Big band music
Length 70:16
Label Atlantic
Producer Don Murray, Daryl Steurmer
Professional reviews
The Phil Collins Big Band chronology
Hits
(1998)
A Hot Night in Paris'
(1999)
Testify
(2002)

A Hot Night in Paris is the only album by The Phil Collins Big Band released in 1999 via Atlantic Records. Fronted by pop singer Phil Collins, the album did not contain any singing. Instead, the album consisted of big band renditions of primarily Collins and Genesis songs, with Collins remaining at the drums.

The album did not crack the Billboard 200, although it did reach #3 on the jazz album chart.

Contents

Track listing

  1. "Sussudio"
  2. "That's All"
  3. "Invisible Touch"
  4. "Hold on My Heart"
  5. "Chips & Salsa"
  6. "I Don't Care Anymore"
  7. "Milestones"
  8. "Against All Odds"
  9. "Pick Up the Pieces"
  10. "The Los Endos Suite"

Chart performance

Year Chart Position
1999 Top Jazz Albums 3

Personnel

Musicians

[3]

  • Saxophones
    • Matt James (alto), Gerald Albright (alto), Chris Collins (tenor), Larry Panella (tenor), Ian Nevins (tenor), Kevin Sheehan (baritone)
  • Trombones:
    • Arturo Velasco, Scott Bliege, Mark Bettcher, Antonio García
  • Trumpets:
    • Dan Fornero, Harry Kim, Tito Carillo, Al Hood, Ron Modell

Technical

  • Don Murray – producer, mixing, mastering
  • Daryl Steurmer – producer
  • Phil Collins – oversaw production
  • Pete Doell – assistant engineer
  • Dann Thompson – assistant engineer
  • Greg Burns – assistant engineer
  • Mauricio Guerrero – live recording engineer
  • Christophe Suchet – live recording engineer
  • Dinemec Mobile Studio – recording
  • Robert Vasgien – mastering
  • Wherefore Art? – cover design
  • Sian Rance – illustration

Acknowledgements

"It was 1966 when I first heard the Buddy Rich Swinging New Big Band. All the other things I was listening to at the time had to move over and make room for this wonderful noise I had discovered. I went searching for more and discovered Count Basie with Sonny Payne, Harold Jones and Jo Jones... then Duke Ellington and so many more. I decided that, one day, I'd have to have a go myself and form my own big band.

Thirty years later I did it. In 1996 I toured Europe with Quincy Jones conducting and Tony Bennett as our guest vocalist and my band. I was in Heaven.

Having dived in, I couldn't wait to do it again. In 1998 I took the band out again and toured the USA and Europe. We recorded some shows and the result is here to listen to. For me it's a labour of love. I'm back where I belong, behind the drums, playing music I'm proud of with some wonderful musicians. I hope it moves you as it does me. If it does, come and see us sometime."

Luv

Phil Collins

References

  1. ^ Erlewine, Stephen Thomas. "Review: The Phil Collins Big Band - A Hot Night in Paris". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:0pfyxqwkldte. Retrieved 29 June 2009. 
  2. ^ Quantick, David. "Review: The Phil Collins Big Band - A Hot Night in Paris". Q (EMAP Metro Ltd) (July 1999): 106, 108. 
  3. ^ www.philcollins.co.uk. "The Big Band World Tour"

External links


 
 

 

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