Main Cast: Celia Johnson, Diana Dors, David Kossoff, Brenda de Banzie, Joe Robinson
Release Year: 1955
Country: US/UK
Run Time: 96 minutes
Plot
In this sentimental comedy, Carol Reed tries for a bit of neo-realist whimsy that takes place in the London slums of Petticoat Lane. The film centers upon Joe (Jonathan Ashmore), a six-year-old London East-ender who believes strongly in the magical power of unicorns. Joe and his lonely mother Joanna (Celia Johnson) live with wily, philosophical tailor Kandinsky (David Kossoff), who convinces Joe that if he could only come upon the legendary unicorn, he could grant all the wishes of his poor neighbors. Taking Kandinsky at his word, Joe searches the slums for a unicorn. Then one morning, he finds one. Only thing is, it is not a unicorn but a baby goat with a growth sticking out of his forehead. Nevertheless, Joe is convinced that the goat is a unicorn. He gives an elderly homeless man all of his savings for the kid and triumphantly takes it home. Hoping to use the kid to grant all his friends' wishes, he hopes to grant the wishes of Kandinsky, who wants a steam-pressing table, and Sonia (Diana Dors), an attractive blonde who wants to marry Sam (Joe Robinson), a handsome wrestler. And finally, he wishes for his father to return home to his lonely mother. ~ Paul Brenner, All Movie Guide
Review
Director Carol Reed enjoyed a sterling reputation as a master of black-and-white suspense films such as Odd Man Out (1947) and The Third Man (1949). But could he succeed in color with a simple motion picture about a child who believes in unicorns? The film community asked that question when Reed debuted A Kid for Two Farthings in 1955. But there is real magic in the film -- the magic of childhood, when all things are possible and hope stokes the fires of imagination. The film is commendable for its gentle humor, gemutlich goodwill, and humanitarian theme. Moreover, it boasts a fine performance by Kassoff as the wise old Kandinsky, who helps lead Joe out of the fantasies of youth and into the reality that growing up imposes on him. In addition, it captures in Technicolor the dash and dawdle of life in Petticoat Lane, complete with its cast of street vendors, shopkeepers, and factory workers. But the film comes a cropper when it focuses too much attention on a wrestling match between a chap named Sam (Joe Robinson) (backed by the power of the unicorn) and a bruising sadist named Python Macklin (Primo Carnera). Neither the acting of the bone-crushers nor the match itself is uplifting, and the sequence does little to support the theme. The British accents of Joe and his mom are also a problem. Although they're supposed to be denizens of a neighborhood where the patois of the cockney holds sway, they speak like royals at teatime. Overall the film is a good one, but it certainly isn't in the class of Reed's earlier masterpieces. ~ Mike Cummings, All Movie Guide
Jonathan Ashmore - Joe; Sydney Tafler - Madame Rita; Primo Carnera - Python Macklin; Lou Jacobi - Blackie Isaacs; Daphne Anderson - Dora; Danny Green - Bason; Vera Day - Mimi; Sidney James - Ice Berg; Irene Handl - Mrs. Abramowitz; Alfie Bass - Alf, the Bird Man; Eddie Byrne - Sylvester, Photographer; Barbara Archer; Harry Baird - Jamaica; Bruce Beeby - Policeman; Harold Berens - Oliver; Frank Blake - M.C.; Madge Brindley - Mrs. Quinn; Harold Goodwin - Chick man; Nora Gordon - Customer; Lily Kann - Mrs. Kramm; Sam Kydd; Arthur Lovegrove - Postman; Eddie Malin - Dog man; Raymond Rollett - Breakaway China Stallholder; Derek Sydney - Fortune teller; Joseph Tomelty - Vagrant; Bart Allison - Auctioneer; Norman Mitchell - Stallholder; Marigold Russell - 3rd Customer; Barbara Denny; James Lomas - Sandwich Board Man; Judith Nelmes - Alf's Customer; Mollie Palmer; Charles Saynor; Arthur Skinner; Peter Taylor - Dog man
