A New Leaf

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Plot

Elaine May wrote and directed (credits May attempted to have removed after the studio made extensive cuts in the film) this dark and funny comedy about marriage, murder, and money. May also stars as Henrietta, a shy and clumsy wallflower, who is also heir to a large pile of money. Indigent playboy Graham (Walter Matthau), who has squandered his inherited trust fund and needs to get a new source of money, begins to ply his affections upon Henrietta. When his butler (George Rose) recommends that Graham should marry Henrietta and gain control of her funds, Graham borrows money from his miserable uncle (James Coco) and wines and dines Henrietta. Graham's dastardly plan is to marry Henrietta, take her off on a trip to the mountains, and murder her. Graham can then return from her funeral and inherit his wealth. But thrown into his path toward the perfect murder are a collection of Henrietta's loyal -- and not so loyal -- retainers and the small dim light of Graham's own conscience. ~ Paul Brenner, Rovi

Review

Though she attempted to have her name removed after extensive studio re-editing and has since disowned the film, comedy writer-performer Elaine May need not be ashamed of her directorial debut A New Leaf (1971). A somewhat retro screwball comedy about the reformation of Walter Matthau's wealthy and conceited Henry Graham through an unlikely romance with May's flaky botanist Henrietta, A New Leaf deftly sends up the excesses and idiocy of the rich, beginning with an adroit sight gag involving Henry's ever-ailing sports car. Matthau is the pompous twit incarnate, but it's no surprise that even he cannot resist May's touchingly comic bumbler as she mulls over the difference between her hopes and her dreams and immortalizes Henry as a botany footnote. The supporting cast, including James Coco as Henry's overstuffed uncle and George Rose as Henry's efficient butler, is equally as strong. Though the pacing is by no means perfect and the ending a tad abrupt, May's writerly dexterity and her way with the actors neatly overcome whatever harm may have been inflicted by the studio. Much to the disappointment of May's fans, the New Leaf director's cut has yet to surface. ~ Lucia Bozzola, Rovi

Cast

James Coco - Uncle Harry; Rose Arrick - Gloria Cunliffe; Mildred Clinton - Mrs. Heinrich; David F. Doyle - Mel; Graham Jarvis - Bo; Jess Osuna - Frank; Doris Roberts - Mrs. Traggert; Fred Stewart - Mr. Van Rensaeller; Renée Taylor - Sally Hart; Mark Gordon - John

Credit

Warren Clymer - Art Director, Anthea Sylbert - Costume Designer, Elaine May - Director, Frederic Steinkamp - Editor, Donald Guidice - Editor, Neal Hefti - Composer (Music Score), Johnny Mandel - Composer (Music Score), Irving Buchman - Makeup, Jack Petty - Makeup, Richard Fried - Production Designer, Gayne Rescher - Cinematographer, Joseph Manduke - Producer, Jack Wright Jr. - Set Designer, Jack Ritchie - Screen Story, Elaine May - Screenwriter

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A New Leaf

A New Leaf VHS Cover
Directed by Elaine May
Produced by Hillard Elkins
Howard W. Koch
Joseph Manduke[1]
Written by Elaine May
Story by Jack Ritchie
Starring Walter Matthau
Elaine May
Jack Weston
George Rose
James Coco
Music by Neil Hefti
Cinematography Gayne Rescher
Editing by Don Guidice
Fredric Steinkamp
Distributed by Paramount Pictures
Release date(s) March 11, 1971
Running time 102 min
Country USA
Language English
Budget $1.8 million (initial)
$4 million (final)

A New Leaf (1971) is a dark comedy film based on the short story The Green Heart by Jack Ritchie, starring Elaine May, Walter Matthau, George Rose and James Coco. Better known for her collaboration as a stage comedienne with The Graduate director Mike Nichols, May also wrote and directed (in her debut). For this film May consulted Dr. Dominick Basile, a botany professor at Columbia University. Dr. Basile wrote botanically accurate lines into the script and supplied the botanical equipment seen in the film. May also modeled Henrietta's office after his.

The film was a critical success upon its initial release and is now considered a cult classic. However, despite several accolades, award nominations, and a Radio City Music Hall run,[2] A New Leaf fared poorly at the box office and remains little known by the general public.

Contents

Plot

Spoiled, pompous, self-involved Henry Graham has a big problem: he has run through his entire inheritance and is completely unequipped to provide for himself. His childhood guardian, Uncle Harry, refuses to give him a dime.

Henry, unwilling to exercise the only solution he can think of—suicide—devises a plan with the help of his imaginative butler Harold. He can obtain money the old-fashioned way—he can marry it.

With a loan from Uncle Harry to tide him over, Henry has just six weeks to find a rich bride and repay the money. Otherwise he must forfeit all of his property to his uncle.

Desperation sets in as Henry's attempts to meet a suitable mate all fail. With only days remaining on his deadline, Henry bumps into clumsy, painfully shy heiress Henrietta Lowell. She is the answer to his prayers.

Henrietta's suspicious lawyer is a problem for Henry, as is his own distaste for marriage. He considers the latter to be a temporary inconvenience, however, since he plans to do away with his new wife as soon as possible.

Murder never far from his mind, Henry takes charge of his wife's life. He reorganizes her household staff, which has been taking advantage of her timidity and naivete. Henrietta is completely disorganized and welcomes Henry's guidance.

A botany professor, Henrietta discovers a new species of tree fern and names it after him. She loves Henry and invites him to join her on a canoe trip to a remote area. Henry sees his opportunity to rid himself of Henrietta forever, knowing she cannot swim. The plan works perfectly; the canoe overturns and Henrietta is swept away down the river.

But as soon as Henry swims to safety, the first thing he finds is a tree fern of the type Henrietta named after him. At this moment he comes to the realization that he has fallen in love with his victim. He quickly rescues Henrietta and resigns himself to his unexpected fate as a happily married man.

Cast

Critical reception

The film was well received by critics. It received a top rating of four stars from Roger Ebert, who described the movie as "hilarious, and cockeyed, and warm."[3] In his New York Times review, Vincent Canby called it "a beautifully and gently cockeyed movie that recalls at least two different traditions of American film comedy... The entire project is touched by a fine and knowing madness."[2]

Nominations

Alternate versions and edits

After May wouldn't show Paramount Pictures a rough cut of the film ten months into editing, Robert Evans took the film away from her and recut it. May's version was rumored to run an unwieldy 180 minutes. It is not known if the original cut still exists. Supposedly, at one point May hid the negative under her bed in order to gain negotiating leverage. Evans shortened it to 102 minutes. Angered by the alterations, May tried to take her name off the film and unsuccessfully sued Paramount to keep it from opening.

The original story included a subplot in which Henry discovers from the household accounts that Henrietta is being blackmailed on dubious grounds by the lawyer, McPherson, and another character played by William Hickey; Henry poisons both of them. This darkly casts Henry's eventual acceptance of a conventional life with Henrietta as his "sentence". By eliminating the subplot, Paramount fixed the excessive running time, avoided the awkwardness of Henry getting away with murder and transformed the ending into a rather sweet affirmation of love and personal redemption.

Roger Ebert discusses this issue in his review: "Miss May is reportedly dissatisfied with the present version; newspaper reports indicate that her original cut was an hour longer and included two murders. Matthau, who likes this version better than the original, has suggested that writer-director-stars should be willing to let someone else have a hand in the editing. Maybe so. I'm generally prejudiced in favor of the director in these disputes. Whatever the merits of Miss May's case, however, the movie in its present form is hilarious, and cockeyed, and warm."[3]

Vincent Canby remarked: "Not having seen Miss May's version, I can only say that the film I saw should be a credit to almost any director, though, theoretically at least, Miss May is right. The only thing that gives me pause is the knowledge that its success will probably be used in the future as an argument to ignore the intentions of other directors, but with far less happy results."[2]

Production

It was filmed in both Maine and the Oakland Gardens section of Queens, New York City.

It was co-produced by Aries Productions and Elkins Productions International Corporation, whose only other production was A Doll's House (1973).

Financial issues

In what would become a hallmark of Elaine May, the film's original $1.8 million budget shot up to over $4 million by the time it was completed. Shooting went 40 days over schedule and editing took over ten months. Similar problems dogged her subsequent project, Mikey and Nicky.

During shooting, producer Howard W. Koch tried to have May replaced, but she had put a $200,000 penalty clause in her contract and he was persuaded to keep her.

References

  1. ^ IMDb full credits. Retrieved 2011-01-02.
  2. ^ a b c Canby, Vincent, "A New Leaf (1971): Love Turns 'New Leaf' at Music Hall", The New York Times, March 12, 1971. Retrieved 2011-01-02.
  3. ^ a b Ebert, Roger, "A New Leaf", review, rogerebert.com, April 6, 1971. Retrieved 2011-01-02.

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