A Scandal in Paris

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AMG AllMovie Guide:

A Scandal in Paris

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Plot

A Scandal in Paris is a liberal adaptation of the life story of Eugène François Vidocq, who was French prefect of police during the Napoleonic era. George Sanders stars as Vidocq, who spends most of the film as an aimless rogue willing to lie, cheat, and steal for his own comfort. The women who affect Vidocq's life include a saucy cabaret entertainer (Carole Landis) for whom Vidocq steals, and a good woman (Signe Hasso) for whom he straightens himself out. Fledgling director Douglas Sirk displayed his love of the Baroque (both in decor and characterizations) that would distinguish his later high-budget Universal soap operas. Most prints of A Scandal in Paris bear the film's alternate title, Thieves' Holiday. ~ Hal Erickson, Rovi

Review

A Scandal in Paris is a film that seems to divide partisans of director Douglas Sirk. Many find it vastly inferior to his trademark 1950s glossy melodramas that managed to entertain while simultaneously subverting and critiquing the mores of the era. Others feel Scandal is worthy of greater respect, that it is a much more complex piece of work than it is appears. Certainly, Scandal will be a departure for those who know Sirk only from his later melodramas. It's interesting to see him working in a period piece, and with a script that, while flawed, is filled with dialogue and language that is distinctly of a higher order. Scandal deserves many points for its observations on the dual impulses of man, the inclination to be both a St. George and a dragon. If this point is perhaps belabored on occasion, it still comes across powerfully. Sirk's pacing is a tad off in Scandal, but his visual flair is intact; the Carole Landis introductory number is both hot and ironic, in a way that only Sirk could manage. George Sanders is marvelous as the cad who changes his ways to keep a woman of purity from changing hers. No one could handle this kind of dialogue with his style and flair. Landis and Signe Hasso are also quite good, and the cast as a whole is fine. While not to everyone's taste, Scandal is a good film that Sirk fans especially should see so that they can judge it for thsmevles. ~ Craig Butler, Rovi

Cast

Jo Ann Marlowe - Mimi; Alma Kruger - Marquise; Alan Napier - Houdon; Vladimir Sokoloff - Uncle Hugo; Pedro de Cordoba - Priest; Leona Maricle - Owner of Dress Shop; Fritz Leiber - Painter; Skelton Knaggs - Cousin Pierre; Fred Nurney - Cousin Gabriel; Gisela Werbiseck - Aunt Ernestine; Marvin Davis - Little Louis

Credit

Gordon Wiles - Art Director, F. Paul Sylos - Art Director, Douglas Sirk - Director, Al Joseph - Editor, Hanns Eisler - Composer (Music Score), Heinz Roemheld - Composer (Music Score), David Chudnow - Musical Direction/Supervision, Hanns Eisler - Musical Direction/Supervision, Hanns Eisler - Songwriter, Heinz Roemheld - Songwriter, Paul Francis Webster - Songwriter, Guy Roe - Cinematographer, Eugen Schüftan - Cinematographer, Arnold Pressburger - Producer, Emile Kuri - Set Designer, Ellis St. Joseph - Screenwriter

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Wikipedia on Answers.com:

A Scandal in Paris

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A Scandal in Paris

Vidocq admires Therese while sneaking back into the chateau after the jewel robbery.
Directed by Douglas Sirk
Produced by Arnold Pressburger
Written by Eugène François Vidocq (memoirs)
Ellis St. Joseph
Narrated by George Sanders
Starring George Sanders
Signe Hasso
Carole Landis
Akim Tamiroff
Music by Hanns Eisler
Cinematography Guy Roe
Eugen Schüfftan
Editing by Albrecht Joseph
Distributed by United Artists
Release date(s)
  • July 19, 1946 (1946-07-19)
Running time 100 minutes
Country United States
Language English

A Scandal in Paris is a fictionalized 1946 biographical film, directed by Douglas Sirk and starring George Sanders. It depicts the life of Eugène François Vidocq, a French criminal who reformed and became a famous French prefect of police during the Napoleonic era.

Contents

Plot

The rogue (George Sanders) who would later call himself Eugène François Vidocq is born in a prison cell, the twelfth child of a woman who steals a loaf of bread each time she needs shelter to give birth. As the boy grows into a man, he is constantly in and out of jail. As the story begins, he and his cutpurse cellmate and associate, Emile Vernet (Akim Tamiroff), escape using a file hidden in a birthday cake provided by Vernet's aunt Ernestine.

While making their way to Paris, they are hired to pose for a painter (Fritz Leiber), Vidocq as Saint George and Vernet as the dragon. As the church painting nears completion, the pair steal the horse on which Vidocq is posing.

In Paris, Uncle Hugo (Vladimir Sokoloff), the head of Vernet's criminal family, decides the safest place for the fugitives is in the army. He has a forger relative provide Vidocq with a fake commission as a lieutenant. After two years, the pair leave the army. Returning to Paris, Lieutenant "Rousseau" encounters a singer named Loretta (Carole Landis). She is intrigued with him, while he is more attracted to her ruby garter. Accompanying her when she goes to meet her boring admirer, Vidocq manages to steal the garter.

As Vidocq and Vernet make a detour around the church adorned by their likenesses, they come across the jewel-laden Marquise De Pierremont (Alma Kruger). Vidocq wrangles an invitation to her chateau after retrieving her pet monkey from a cemetery (where he also claims to be a relation of a Vidocq buried there). He is a bit alarmed when he discovers that his intended victim's son-in-law is the Minister of Police (Alan Napier), but also enchanted by the official's daughter Therese (Signe Hasso). Unbeknownst to him, she had fallen in love with the image of Saint George, and is greatly disturbed by the uncanny resemblance to their guest. Vidocq and Vernet steal and hide the jewels, intending to return for them later.

However, when the minister fires Richet (Gene Lockhart), his chief of police, for not recovering the jewels, Vidocq devises a much grander scheme. Through "deduction", he leads the minister to the hiding place of the jewels, and wins for himself Richet's old job. In that capacity, he gets Vernet's relatives hired at the Bank of Paris, which he intends to rob.

A complication arises when he bumps into Loretta, who turns out to have married her beau, Richet. After learning his new identity, Loretta blackmails Vidocq into resuming their relationship. Vidocq tells Vernet to go ahead with the robbery that night. That day, he goes out walking with Loretta and her younger sister Mimi. When they are alone, Loretta informs him that she has figured out that he stole the jewels. However, she does not care. She is quite willing to follow him, even if it means embarking on a life of crime. Meanwhile, a jealous Richet bursts in on his wife and threatens to kill himself. Instead, in a fit of anger brought on by her cold response, he shoots and kills her.

With that impediment out of the way, Vidocq informs the Vernet clan that he has changed his mind; he will hunt them down if they go through with the robbery. Nearly everyone is content with their new jobs - all that is except Emile. He ambushes his former friend, forcing Vidocq to kill him. Then he confesses to the minister. He is forgiven by all of the De Pierremonts and welcomed into the family.

Cast

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References

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