For an act that was one of the definitive album artists of the late '80s and '90s, Soundgarden was a surprisingly effective singles band. Their singles effectively conveyed all of their best ideas, from their sludgy early Sub Pop recordings to the elaborate, post-metal psychedelia of their last two albums, Superunknown and Down on the Upside. That's the reason why the 17-track compilation A-Sides is such a successful overview of the band's too-brief career. Most of their peers wouldn't be well represented by a compilation that concentrated solely on singles, but Soundgarden are, because their singles do capture what they're all about. There are many great songs left off A-Sides, from "Big Dumb Sex" to "My Wave," but it's hard to argue with what's here. Each single from every album -- from the 1987 debut EP Screaming Life through SST's Ultramega OK, to their four records for A&M -- is here, with the Down on the Upside outtake "Bleed Together" added as an enticement for collectors. Almost every one of the group's best-known songs are here, including "Hands All Over," "Loud Love," "Jesus Christ Pose," "Outshined," "Rusty Cage," "Black Hole Sun," "The Day I Tried to Live," "Spoonman," "Fell on Black Days," "Pretty Noose," "Burden in My Hand," and "Blow Up the Outside World," resulting in a near-definitive summary of one of the most important and influential bands of the '90s. ~ Stephen Thomas Erlewine, All Music Guide
Soundgarden (Producer), Soundgarden (Main Performer), Soundgarden (Mixing), Jack Endino (Engineer), Jack Endino (Assistant Engineer), Michael Barbiero (Mixing), Michael Beinhorn (Producer), Matt Cameron (Percussion), Matt Cameron (Drums), Drew Canulette (Producer), Drew Canulette (Engineer), Chris Cornell (Guitar), Chris Cornell (Vocals), Jason Corsaro (Engineer), Terry Date (Producer), Terry Date (Engineer), Ron Saint Germain (Mixing), Steve Gilbert (Photography), Efren Herrera (Assistant Engineer), Adam Kasper (Producer), Adam Kasper (Engineer), Adam Kasper (Assistant Engineer), Adam Kasper (Mixing Assistant), Brendan O'Brien (Mixing), Charles Peterson (Photography), Ben Shepherd (Bass), Kim Thayil (Guitar), Steve Thompson (Mixing), Howie Weinberg (Mastering), Hiro Yamamoto (Bass), Nelson Ayres (Mixing Assistant), Larry Brewer (Production Assistant), Stuart Hallerman (Assistant Engineer), John Jackson (Mixing Assistant), Michael Lavine (Photography), Dave Collins (Mastering), Kevin Westenberg (Photography), Sam Hofstedt (Assistant Engineer), Matt Bayles (Assistant Engineer), Mark Seliger (Photography), Larimie Garcia (Photography), Lance Limbocker (Engineer), Jan Van Oldenmark (Photography)
The album was released in 1997 on A&M Records and was Soundgarden's last album. It debuted at number 63 on the Billboard 200 album chart. A-Sides has sold over 500,000 copies in the United States according to Nielsen SoundScan and over 700,000 copies worldwide, but has not yet been certified by the RIAA. It peaked at number 51 on the UK Albums Chart, number 39 on the Australian Albums Chart, and number 6 on the New Zealand Albums Chart.
It contains one song absent from previous albums ("Bleed Together") which appeared on import copies of the "Burden in My Hand" single. Interestingly, the opening track "Nothing to Say" was originally not an A-side. It appeared as the B-side to the band's first single "Hunted Down" on Sub Pop in 1987. In addition, "Get on the Snake" from Louder Than Love was never released as a single. Also, the 1990 Sub Pop single "Room a Thousand Years Wide" does not appear on A-Sides, nor the 1994 single "My Wave" from Superunknown.
Allmusic staff writer Stephen Thomas Erlewine gave the album four and a half out of five stars. He said, "For an act that was one of the definitive album artists of the late '80s and '90s, Soundgarden was a surprisingly effective singles band. Their singles effectively conveyed all of their best ideas, from their sludgy early Sub Pop recordings to the elaborate, post-metalpsychedelia of their last two albums, Superunknown and Down on the Upside. That's the reason why the 17-track compilation A-Sides is such a successful overview of the band's too-brief career."[1]Entertainment Weekly reviewer David Browne gave the album an A. He said, "Pruning their best early songwriting ("Hands All Over", "Nothing to Say") and wisely highlighting chunks of their last two (and best) albums, A-Sides presents the band in all its evolving, bridling-horses glory and thunder. When all those Hanson fans grow up and want to educate themselves on the flannel era they missed, here's where they should turn."[3]
Track listing
All songs written by Chris Cornell, except where noted: