| A Taste of Hell (1973 Film), A Taste of Flesh (1967 Film) | |
| A Taste of Italy with Giuliano Bugialli (Film), A Taste of Jupiter (2002 Film) |
| A Taste of Honey | |
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UK release poster |
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| Directed by | Tony Richardson |
| Produced by | Tony Richardson |
| Screenplay by | Shelagh Delaney Tony Richardson |
| Based on | A Taste of Honey by Shelagh Delaney |
| Starring | Rita Tushingham Murray Melvin Dora Bryan Robert Stephens |
| Music by | John Addison |
| Editing by | Antony Gibbs |
| Distributed by | British Lion Films |
| Release date(s) |
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| Running time | 100 minutes |
| Country | United Kingdom |
| Language | English |
A Taste of Honey is a 1961 British film adaptation of the play of the same name by Shelagh Delaney. Delaney adapted the screenplay herself, aided by director Tony Richardson, who had previously directed the first production of the play. It is an exemplar of a gritty genre of British film that has come to be called kitchen sink realism.
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Jo is a 17-year old schoolgirl, with a domineering, forty-year-old alcoholic mother, Helen. After sustaining a fall after school, Jo meets a black sailor called Jimmy who invites her on to his ship to attend to her grazed knee. They soon start a brief relationship, after which Jimmy returns to his ship and departs. Relations between Jo and her mother become strained when her mother meets and marries a new man, Peter Smith.
Feeling rejected by her mother, Jo starts a job in a shoe shop and rents a flat on her own. She meets a gay textile design student, Geoffrey Ingham, and invites him to move in with her. When Jo discovers she is pregnant by Jimmy, Geoff is supportive of her, even offering to marry her, saying at one point, "You need somebody to love you while you're looking for somebody to love."
Helen re-appears on the scene after the failure of her relationship with Peter, who turns out to have been a selfish lout. She moves in with Jo, which causes tensions between Helen and Geoff. Geoff decides he can no longer stay at the flat and moves out, leaving Helen to care for Jo and her impending baby. Symbolic of Helen's disdain of Geoffrey is her return, near the end of the film, of the bassinet he gave to Jo.
The film won four BAFTA awards: Richardson won Best British Screenplay (with Delaney) and Best British Film, Bryan won Best Actress and Tushingham was named Most Promising Newcomer. Tushingham and Melvin were Best Actress and Actor at the 1962 Cannes Film Festival.[1] In America the film won Tushingham a 1963 Golden Globe for Most Promising Female Newcomer and got Richardson a 1963 Directors Guild of America award nomination. Delaney and Richardson also won a Writers' Guild of Great Britain award.
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