Touch of the Poet, A (1958), a play by Eugene O'Neill. [ Helen Hayes Theatre, 284 perf.] Cornelius Melody (Eric Portman), who keeps an inn near Boston, is a tyrannical, boozy Irishman living off memories of his past importance. As a young soldier he fought with Wellington at Waterloo. “Con” dominates his submissive wife, Nora (Helen Hayes), and even his more forthright, aggressive daughter, Sara (Kim Stanley), and he regards his neighboring Yankees as beneath contempt. So when Sara falls in love with Simon, the son of a rich New Englander, and the family rejects Sara as a possible suitor, Con sets out to avenge the slight with a duel. Instead, he is beaten and humiliated. Returning home, he shoots his beloved old mare, thereby severing a last small link with his past. Destined as part of the eleven‐play cycle that O'Neill never finished, the play “has substance, a point of view, human principle and theatre,” as Brooks Atkinson observed. A 1977 Broadway revival with Jason Robards, Geraldine Fitzgerald, and Kathryn Walker, directed by O'Neill specialist José Quintero, managed a run of 141 performances.




