| A Town Has Turned to Dust (1998 Film), A Town Called Panic (2009 Film) | |
| A Town Like Alice (1980 Film), A Town Like Alice: A Look at the Real Town from the Highly Acclaimed Movie (1996 Film) |
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| A Town Like Alice | |
|---|---|
| Directed by | Jack Lee |
| Produced by | Joseph Janni |
| Written by | Nevil Shute (novel); W. P. Lipscomb and Richard Mason (screenplay) |
| Starring | Virginia McKenna Peter Finch |
| Music by | Matyas Seiber |
| Cinematography | Geoffrey Unsworth |
| Editing by | Sidney Hayers |
| Distributed by | The Rank Organisation |
| Release date(s) | 1956 |
| Country | United Kingdom |
| Language | English |
A Town Like Alice is a 1956 British drama film, based on the novel by Nevil Shute and with Virginia McKenna and Peter Finch in the leading roles.[1] The film does not follow the whole novel, concluding at the end of Part Two of the book, and many plot details are truncated or omitted. It was partially filmed in Malaya and Australia.
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In Post-WW2 London, a young woman, Jean Paget, is informed by solicitor Noel Strachan that she has a large inheritance. Asked what she wants to do, Jean decides to travel to Malaya to build a well in a small village.
Jean goes to the village and arranges for the well to be dug. The women will not now have to walk so far each day to collect water, as they have always done. She recalls her life in the village for three years of the war.
The film flashes back to when Jean was working in an office in Kuala Lumpur in Malaya when the Japanese invaded and she was taken prisoner. As part of a group of women and children (the men have been sent away), she is the only one to speak Malay fluently, and so takes a leading role in the group.
But the Japanese refuse to take any responsibility for the group, marching them from one village to another. Many of them, unused to physical labour, die. Jean is only able to survive because she understands local ways and is prepared to 'go native'.
The group meets a young Australian soldier, Sergeant Joe Harman, also a prisoner, who is driving a truck for the Japanese. He and Jean strike up a friendship and he tells her about the town of Alice Springs, where he grew up. Appalled at their treatment by the Japanese, he steals food and medicines to help them. Jean does not correct his impression that she's married.
When the thefts are discovered and investigated, Harman takes the blame to save Jean and the rest of the group. He is crucified on a tree and left to die by the Japanese soldiers. The distraught women are marched away, believing that Joe is dead.
To further humiliate them, the Japanese assign only one guard to the group, an elderly sergeant. They become friendly with him, although they can barely communicate. They even help to carry his pack and rifle. When he dies of exhaustion, Jean asks the elders of a village if they may stay and work in the paddy fields, asking only food and a place to sleep. The elders agree and they live and work there for three years, until the war ends.
The film returns to the present, and Jean discovers from the well-diggers that Joe Harman survived his punishment and returned to Australia.
She decides to travel on to Australia to find him. On her travels, she visits the town of Alice Springs, where Joe lived before the war, and is much impressed with the quality of life there. She then travels to the (fictional) primitive town of Willstown in the Queensland outback, where Joe has become manager of a cattle station.
But meanwhile, Joe has learnt that Jean survived the war and that she wasn't married. He travels to London to find her, using money won in a lottery. It's some time before they are reunited in Alice Springs and they fall in love immediately.
Although the film was set in Malaya and Australia, it was entirely shot on at Pinewood Studios in London.[2]
Anna Kashfi screen tested for a small role and was given it but had to turn it down to do another movie.[3]
The film was withdrawn from the Cannes Film Festival out of fear it would offend the Japanese.[4] "The festivals are just a joke - a film-selling 'racket' which offers the chance for vulgar display and reckless extravagance," said Peter Finch. "They serve no cultural purpose and the awards don't mean a thing."[5]
The film's Australian premiere was held at Alice Springs.[6][7]
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