For those who find words like "maturity" and "sophistication" to be despicable anathemas, fear not -- the beloved Flaming Stars are still every bit the trashy sleaze & roll band that they ever were. But there is something slightly different about a A Walk on the Wired Side, even compared to 1999's wonderful Pathway -- it's better. Head Flaming Star Max Decharne is guiding the band to a more singular place, where the band's vision seems to borrow less from antecedents ('60s garage rock, Nick Cave, Gallon Drunk) and now occupies its own slice of whiskey-besotted heaven. Perhaps part of the reason is that Decharne is now allowing his bandmates more of a stake in the songwriting; guitarist Mark Hosking is responsible for half of the Eastern-tinged, pummeling rocker "Over and Done" as well as the shadowy, grim ballad "Out of the Past," and guitarist Huck Whitney lends a hand with the commanding, surf-in-hell opener "Right Face Right Time." Almost every song is a stunner, and not surprisingly, the band sounds more relaxed than ever; there is an undeniable ease, grace, and effortlessness to their music. But as they haven't changed their overall aesthetic -- this is dirty, live-in-the-studio rock & roll, after all -- it's not like the passing of time has dulled their more aggressive instincts. The full-throttle instrumental "Grabber George" is a clear testament to that. Decharne is still very much in charge, and the way he careens from post-punk anthems ("You Don't Always Want What You Get") to sexy, sultry numbers ("Absent Without Leave," "She Says She Says"), one would think he's composing music for a yet-to-be-made film. Speaking of movies, if the Flaming Stars keep this up, it's only a matter of time before they join their brothers the Bad Seeds and Tindersticks in providing songs and scores for smart independent films. ~ Will Lerner, Rovi
A Walk on the Wired Side is the fourth studio album by The Flaming Stars. This album is different from the previous albums because more members of the band, besides Max (the primary songwriter), had contributed more towards song writing. Also, the Flaming Stars borrowed less from artists like Nick Cave and instead began to create their own style in the underground music scene.
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