A Zed & Two Noughts

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A Zed & Two Noughts

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Plot

This twisted black comedy is obsessed in turn with swans, twins, and decay. Alba Bewick (Andréa Ferréol) is involved in a swan-related car accident near the zoo. The accident kills two other women, the wives of two twin zoologists, Oliver and Oswald Deuce (Brian and Eric Deacon). Alba is lucky enough to escape with one leg. Eventually her doctor also removes the other "because it was dangerous for the spine." Meanwhile, the Deuce brothers, as a result of losing their wives, have become fascinated with the decay of corpses, and they start making rather gruesome time-lapse films to examine the process more thoroughly. Both brothers become involved with Alba. Needless to say, this film may not appeal to everybody. ~ John Voorhees, Rovi

Review

Like most Peter Greenaway films, the appeal of A Zed & Two Noughts is totally subjective. It all depends on one's tolerance for non-narrative filmmaking . Greenaway never gives the viewer an easy way into the film: plot details are doled in an off-hand, irregular fashion and the characters speak to each other in a series of cryptic sound bites dense with artistic and literary references that will be lost on many viewers. The film is easier to appreciate if approached as a puzzle box for the mind, one that happens to revolve around themes of birth, death, symmetry, and the slender differences between man and animal. Thus, A Zed & Two Noughts is pretty challenging fare but has plenty to offer the patient viewer. For instance, the film is impeccably crafted: Sacha Vierny's stunning cinematography overflows with eye-popping color and Michael Nyman's frenetic, hypnotic score rivals the most intense work of Philip Glass. The actors handle their difficult, often elliptical characterizations with skill, with Andréa Ferréol making the most vivid impression as the woman who changes the lives of the twin brother protagonists in an earth-shaking fashion. In short, A Zed & Two Noughts is not a film for those who love straightforward narratives but is well worth a look to adventurous viewers looking for a challenge that is easy on the eyes. ~ Donald Guarisco, Rovi

Cast

Gerard Thoolen - Van Meegeren; Guusje van Tilborgh - Caterina Bolnes; David Attenborough - Narrator; Wolf Kahler - Felipe Arc-en-Ciel; Geoffrey Palmer - Fallast; Jim Davidson - Joshua Plate; Agnes Brulet - Beta Bewick; Ken Campbell - Stephen Pipe

Credit

Sharon Howard-Field - Casting, Patricia Lim - Costume Designer, Dien van Straalen - Costume Designer, Peter Greenaway - Director, John Wilson - Editor, Michael Nyman - Composer (Music Score), Henry Hall - Musical Direction/Supervision, Sara Meerman - Makeup, Nicole Mora - Makeup, Jan Roelfs - Production Designer, Ben Van Os - Production Designer, Sacha Vierny - Cinematographer, Denis Wigman - Production Manager, Kees Kasander - Producer, Peter Sainsbury - Producer, Peter Greenaway - Screenwriter

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Wikipedia on Answers.com:

A Zed & Two Noughts

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A Zed & Two Noughts
Directed by Peter Greenaway
Produced by Kees Kasander
Peter Sainsbury
Written by Peter Greenaway
Starring Andréa Ferréol
Brian Deacon
Eric Deacon
Frances Barber
Joss Ackland
Music by Michael Nyman
Cinematography Sacha Vierny
Distributed by Artificial Eye (UK),
Skouras Pictures (US)
Release date(s) 1985
Running time 115 min
Country United Kingdom
Netherlands
Language English

A Zed & Two Noughts is a 1985 film written and directed by Peter Greenaway. This film was Greenaway's first with cinematography by Sacha Vierny, who went on to shoot virtually all of Greenaway's work in the 1980s and 1990s, until Vierny's death; Vierny was referred to by Greenaway as his "most important collaborator".[1]

Contents

Plot

Twin zoologists Oswald and Oliver Deuce (Brian Deacon and Eric Deacon) are at work studying the behavior of animals at a zoo, when their wives are killed in a car accident involving a large swan. The woman who was driving the car, Alba Bewick (Andréa Ferréol), is not killed, but she sustains enough damage to warrant the amputation of a leg.

Venus de Milo (Frances Barber), a woman associated with the zoo, attempts to forge a relationship with the twins, ostensibly to help them recover from their loss. Meanwhile, Oswald and Oliver gradually become obsessed with images of growth and decay, watching videos on the origins of life and creating time-lapse video of decomposing life forms. They begin this latter task with a green apple, bitten into and rotting before their camera lens.

The twins' descent sees them become romantically involved with Alba, and increasingly attached to one another. Venus de Milo remains involved with them enough to observe their obsessions grow: they take to video-taping the decomposition of prawns, and they take a personal interest in Alba's childhood, going so far as to ask her to show them a field seen in a photograph on her bedside table. They become obsessed with snails, and they take advantage of their contacts at the zoo to create decomposition videos of more and more complex animals, moving gradually up the food chain. (Some sections of the film are narrated by David Attenborough, whose involvement makes the film resemble a wildlife documentary.[2])

Alba becomes a subject for the experiments of her surgeon, who eventually amputates her other leg, claiming it is putting stress on her spine. His true motive is to fashion Alba into a subject of his recreations of Johannes Vermeer paintings; Venus de Milo participates in this process, as well.

Ultimately, the Deuce brothers' obsession with decay leads them to the top of the food chain, and to a complex life-and-death negotiation with Alba herself. The brothers' project seems the only possible emotional investment for either of them, so Alba offers herself as the final specimen to be photographed in its decay. However, her family intervenes before the brothers can claim her, so they are forced to find another way to create their final time-lapse video. They do so by returning to the field of Alba's childhood and setting up the necessary equipment to facilitate and capture their own decomposition.

Soundtrack

A Zed & Two Noughts

Original UK cover
Soundtrack album by Michael Nyman
Released 1985
Genre Contemporary classical music, film scores, minimalism
Length 41:25
Label TER (UK)
Virgin Venture, Caroline (USA)
Producer David Cunningham
Michael Nyman chronology
The Kiss and Other Movements
1985
A Zed & Two Noughts
1985
And Do They Do/Zoo Caprices
1986
A Zed And Two Noughts
Copyright 1990 Virgin Venture

Elements of Michael Nyman's score invoke the "Dies Irae" section from Heinrich Ignaz Biber's Requiem ex F con terza minore. The Angelfish Decay/Swan Rot/L'Escargot theme was originally written for Childs Play, a dance work commissioned by Lucinda Childs. Performance of the soundtrack is credited to Nyman, Alexander Balanescu, Elisabeth Perry, Sarah Leonard, and "The Zoo Orchestra". While the score is in the Michael Nyman Band's repertoire, particularly "Time Lapse" and "Prawn Watching", they do not perform on the soundtrack.

Track listing

  1. Angelfish Decay
  2. Car Crash
  3. Time Lapse
  4. Prawn Watching
  5. Bisocosis Populi
  6. Swan Rot
  7. Delft Waltz
  8. Up for Crabs
  9. Vermeer's Wife
  10. Venus de Milo
  11. Lady in the Red Hat
  12. L'Escargot

The album was issued on compact disc in the United States June 4, 1991, with a new cover featuring Ferreol in-between the Deacons in bed, and the title spelled A Zed And Two Noughts. The original LP cover showed a zebra in a cage, as does the UK CD. A digitally remastered edition was released in the United States with the 1991 cover on March 29, 2004.

References

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Mentioned in

Frances Barber (Actor, Drama/Comedy Drama)
The Essential Michael Nyman Band (Album by Michael Nyman)
Nyman/Greenaway Revisited (Classical Album)
Peter Greenaway (Director, Writer, Cinematographer, Actor, Avant-garde / Experimental/Comedy Drama)