Hypocrisy just barely cross into black metal territory with their follow-up to the successful The Fourth Dimension, Abducted. Guitarist/vocalist Peter Tägtgren not only delivers some of the heaviest guitar playing of his career, he makes significant strides with his voice as well. Instead of exclusive reliance on the typical cookie-monster grunting featured on The Fourth Dimension (the musician's first attempt at vocals), Tägtgren expands his repertoire to include sub-sonic growls and piercing black metal screeches, along with the grunts and hollers he had already mastered. In fact, on the title track, the singer/guitarist shifts his voice through all three styles, lending a new dynamic to his band's music. That music, specifically Tägtgren's guitar playing, is an essential element of Abducted's success. The record opens with some truly massive guitar tones that decorate cuts like "Roswell 42" and "Killing Art" and never let up throughout the 13-song track list. Simply stated, this is another highly recommended effort from Hypocrisy. ~ Vincent Jeffries, Rovi
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Abducted is the fourth studio album released by Hypocrisy. It is the album where the band started to change their sound. On this release melodic death metal was brought into their original death metal sound. It was also released as a limited edition digipak — not to be confused with the non-limited edition digipak re-release.
The samples in the intro The Gathering are taken from the so-called Halt Tape, which allegedly has been recorded during the Rendlesham Forest incident on December 26, 1980.
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This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article Abducted.
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