Abramtsevo Colony

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Oxford Dictionary of Art:

Abramtsevo Colony

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A name applied to a circle of Russian artists associated with the country estate of the patron Savva Mamontov (1841–1918) at Abramtsevo, about 60 km (40 miles) north of Moscow. Mamontov, who earned a fortune from railway building, bought the estate in 1870, and from then until about the end of the century he often played host to distinguished artists, some of whom stayed for several months at a time during the summer, enjoying the attractive surroundings as well as the stimulating company. One of them, Victor Vasnetsov, said of Mamontov: ‘There was in him a sort of electric current that ignited other people's energies. God gave him a special talent for stimulating the creativity of others.’ Among the other visitors were Repin, Serov, and Vrubel. Serov's celebrated Girl with Peaches (1887, Tretyakov Gal., Moscow), a portrait of Mamontov's 12-year-old daughter Vera, was painted at Abramtsevo. The estate is now a national museum.

Wikipedia on Answers.com:

Abramtsevo Colony

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Abramtsevo (Russian: Абра́мцево) is an estate located north of Moscow, in the proximity of Khotkovo, that became a center for the Slavophile movement and artistic activity in the 19th century.

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History

One of the wooden buildings in Abramtsevo.This one hosts Vrubel's collection of folk art

Originally owned by author Sergei Aksakov, other writers and artists — such as Nikolai Gogol — at first came there as his guests. Under Aksakov, visitors to the estate discussed ways of ridding Russian art of Western influences to revive a purely national style. In 1870, eleven years after Aksakov's death, it was purchased by Savva Mamontov, a wealthy industrialist and patron of the arts.

Under Mamontov, Russian themes and folk art flourished there. During the 1870s and 1880s, Abramtsevo hosted a colony of artists who sought to recapture the quality and spirit of medieval Russian art in the manner parallel to the Arts and Crafts movement in Great Britain. Several workshops were set up there to produce handmade furniture, ceramic tiles, and silks imbued with traditional Russian imagery and themes.

Working together in a cooperative spirit, the artists Vasily Polenov and Viktor Vasnetsov designed a plain but picturesque church, with murals painted by Polenov, Vasnetsov and his brother, a gilded iconostasis by Ilya Repin and Mikhail Nesterov, and folklore-inspired sculptures by Viktor Hartmann and Mark Antokolsky. Towards the turn of the 20th century, drama and opera on Russian folklore themes (e.g., Rimsky-Korsakov's The Snow Maiden) were produced in Abramtsevo by the likes of Konstantin Stanislavsky, with sets contributed by Vasnetsov, Mikhail Vrubel, and other distinguished artists.

Museum

Abramtsevo is now open to the public and tourists can wander along the many paths through the surrounding forest and cross the wooden bridges that served as an inspiration for the artists at the Abramtsevo Colony. They can also visit many of the buildings to see works produced by the artists at the colony, e.g., a wooden bathhouse in the shape of a traditional dwelling of Ancient Rus, designed by Ivan Ropet, and the House on Chicken Legs, a fairy-tale abode of an evil witch, Baba Yaga, designed by Vasnetsov. One building, the main "manor," is said to have been the model for the estate in which Anton Chekhov set The Cherry Orchard.

Further reading

  • William Craft Brumfield. The Origins of Modernism in Russian Architecture (Berkeley: University of California Press, 1991) ISBN 0-520-06929-3

External links

Coordinates: 56°13′24″N 37°58′04″E / 56.22333°N 37.96778°E / 56.22333; 37.96778


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