The Academy of Comic Book Arts is an American professional organization of the 1970s that was designed to be the comic book industry analog of such groups as the Academy of Motion Picture Arts and Sciences. Founded in 1970 and hosting its first awards ceremony in 1971 for work published in 1970, the ACBA existed through at least 1977. Its award, the Shazam, was a statuette in the shape of a lightning bolt.
In addition to the creative awards, the ACBA also established the Academy of Comic Book Arts Hall of Fame award, inducting Superman creators Jerry Siegel and Joe Shuster as its initial honorees.
Composed of comic-book professionals, the ACBA was one of a string of largely unsuccessful comics-industry organizations that includes the Comic Book Creators Guild (1978–1979), the Comic Book Professionals Association (CBPA, 1992–1994), and Comic Artists, Retailers and Publishers (CARP, 1998).[1] The long-running exception was the publishers' group the Comic Magazine Association of America (CMAA), founded in 1954 and lasting through 2011,[2] as a response to public pressure and a Senate subcommitte on juvenile delinquency, and which created the self-censorship board the Comics Code Authority.
Founded in 1970,[3][4] the ACBA held its first annual awards banquet at the Statler Hilton Hotel's Terrace Ballroom on May 12, 1971. The awards were presented by Marvel Comics editor-in-chief and ACBA president Stan Lee.[citation needed]
Despite its roots as an honorary society, the ACBA, under its early president, artist Neal Adams, became an advocacy organization for creators' rights. The comic-book industry at that time did not return artists' physical artwork after shooting the requisite film for printing, and in some cases destroyed the artwork to prevent unauthorized reprints. The industry also did not then offer royalties or residuals, common in such creative fields as book publishing, film and television, and the recording industry. Once the ACBA — riding a wave begun by the mid-'70s independent startup Atlas/Seaboard Comics, which instituted royalties and the return of artwork in order to attract creators — helped see those immediate goals achieved, it then gradually disbanded.[5]
Historian Jon B. Cooke wrote:
While the Academy of Comic Book Arts (ACBA) was established to be a kind of funnybook Motion Picture Academy — a self-congratulatory organization focused on banquets and awards — it quickly served as a soapbox for the Angry Young Men in the industry, primarily Neal Adams, Archie Goodwin, and their ilk of educated, informed and gutsy artists and writers, self-confident and filled with a strong sense of self-worth, attitudes sadly absent from the field for decades. ... (Jeff Rovin recalled, 'I can't tell you how many times Martin [Goodman] would listen to some of the things Neal Adams was saying and mutter, "Who the hell does he think he is?"').[5]
Aside from its Shazam Awards, the ACBA also published an annual fundraiser sketchbook from at least 1973 through 1977.[citation needed] Approximately $3,000 in sketchbook sales plus general contributions to the ACBA and accumulated interest was donated in early 2005 from the ACBA's Bill Everett Fund — created in 1975 to help comics professionals in financial need — to the present-day ACTOR (A Commitment To Our Roots), a federally chartered, not-for-profit corporation likewise dedicated. Irene Vartanoff was the final ACBA treasurer.[3]
Contributing to the 36-page[6] ACBA Sketchbook 1973 were Adams, Sergio Aragones, Frank Brunner, Howard Chaykin, Dave Cockrum, Reed Crandall, Frank Frazetta, Michael Kaluta, Gil Kane, Gray Morrow, John Romita Sr., Mike Royer, Syd Shores, Jim Starlin, Jim Steranko, Herb Trimpe, and Wally Wood.
The 48-page ACBA Sketchbook 1975 included Adams, Aragones, Chaykin, Kaluta, Kane, Romita Sr., Steranko, Wood, and John Byrne, Russ Heath, Jeff Jones, Harvey Kurtzman, Walt Simonson, Michael Whelan, and Berni Wrightson.[citation needed] Wood also contributed to the 1976 and 1977 sketchbooks.[7]
The Shazam Award is a series of awards given between 1970 and 1975 for outstanding achievement in the comic-book field. Awards were given in the year following publication of the material, based on nominations that were then voted upon by industry professionals. The name of the award is derived from the magic word for the original Captain Marvel, a popular superhero of the 1940s and early 1950s.
Presented 1972
Presented 1973
Presented 1974
Presented 1975
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