Accident

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Plot

The complex relationships among an Oxford professor, one of his students, and the young woman who captivates both of them is the subject of this difficult but rewarding drama. Director Joseph Losey and writer Harold Pinter had previously collaborated on 1963's The Servant, and they surrounded this recasting of a Nicholas Mosley novel with a similar atmosphere of ominous mystery. The story is presented through flashbacks and disconnected memories that trace the characters' interactions. Though the mood is occasionally brightened by satirical views of the academic world, the overall effect is rather somber, concerned with missed opportunities, unhealthy obsessions, and unavoidable regret. Dirk Bogarde superbly captures the pensive professor's torment, with able support from Jacqueline Sassard and Michael York as the younger couple. ~ Judd Blaise, Rovi

Review

To enter into the world of Harold Pinter is to enter into a land where meaning is best distilled not from what one sees and hears on the surface, but by what is buried underneath. Famed for his "pauses," Pinter has a remarkable talent for dialogue, but it is dialogue which masks inner meaning, in the same way that most people use words to disguise their honest thoughts and desires. Accident is filled with small talk, meaningless conversations, and idle chatter, but the extreme emotion underneath the words constantly threatens to explode. The viewer is not always certain of why characters feel a certain way, but he knows that they do indeed feel something and feel it strongly. The disconcerting tension this creates is echoed by Joseph Losey's direction and Gerry Fisher's expert cinematography, with frequently skewed or bizarre angles and a tendency to dwell on a scene just a little too long. Indeed, it is hard to imagine a better team to shepherd Pinter's work to the screen. Dirk Bogarde is superb as a professor with a midlife crisis; he knows full well every detail of this character's life, more so than the character itself does, and he knows when to pull out the stops and when (and how) to pull back. He gets good support from Stanley Baker and Michael York, perhaps less so from Jacqueline Sassard, who does not seem as engulfed in her character. (This could, of course, be a conscious decision on her and Losey's part.) Almost humorless, Accident is an intense but amply rewarding experience. ~ Craig Butler, Rovi

Cast

Delphine Seyrig - Francesca; Harold Pinter - Bell; Alexander Knox - Provost; Ann Firbank - Laura; Brian Phelan - Police Sergeant; Freddie Jones - Frantic Man in Bell's Office; Nicholas Mosley - Hedges; Jane Hillary - Receptionist; Jill Johnson - Secretary; Terence Rigby - Plainclothes Policeman

Credit

Carmen Dillon - Art Director, Beatrice Dawson - Costume Designer, Joseph Losey - Director, Reginald Beck - Editor, Johnny Dankworth - Composer (Music Score), Gerry Fisher - Cinematographer, Joseph Losey - Producer, Norman Priggen - Producer, Harold Pinter - Screenwriter, Nicholas Mosley - Book Author

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Accident (1967 film)

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Accident
Directed by Joseph Losey
Produced by Joseph Losey
Norman Priggen
Written by Harold Pinter (screenplay)
based on the novel by Nicholas Mosley
Starring Dirk Bogarde
Stanley Baker
Jacqueline Sassard
Music by John Dankworth
Cinematography Gerry Fisher
Editing by Reginald Beck
Distributed by London Independent Producers
Release date(s) February 1967
Running time 105 minutes
Country United Kingdom
Language English
Budget £299,970[1]

Accident is Harold Pinter's 1967 dramatic film adaptation of the 1965 novel by Nicholas Mosley. Directed by Joseph Losey, it is the second of three collaborations between Pinter and Losey, the others being The Servant (1963) and The Go-Between (1970).[2] At the 1967 Cannes Film Festival it won the award for Grand Prix Spécial du Jury.[3].

Contents

Plot

The story centers on a married Oxford professor, Stephen, who is experiencing a mid-life crisis. The world changes for him when he meets Anna, a beautiful young co-ed who is engaged to one of his students, William. Following a car accident outside Stephen's home in which William is killed and Anna is severely disoriented, she is obliged to remain with Stephen although his wife is out of town. The events preceding the accident are told in flashbacks: While Stephen believes that he is orchestrating a tryst with Anna that will leave both his wife and William in the dark, he soon discovers that Anna is playing a game of her own.

The crowning metaphor of the film comes at a point in one of the flashbacks when we see a dazed but unhurt Anna crushing her dying fiancé beneath her high-heeled shoe as she steps on his face while trying desperately to climb out of the overturned car.

The screenplay showcased playwright Harold Pinter's trademark style, depicting the menace and angst bubbling just beneath the surface of commonplace remarks and seemingly innocent or banal situations.

Cast

Notes

  1. ^ Edith de Rham, Joseph Losey, Andre Deutsch 1991 p 180
  2. ^ Nick James (2007-06-27). "Joseph Losey & Harold Pinter: In Search of PoshLust Times". BFI. British Film Institute. Archived from the original on 19 June 2009. http://www.bfi.org.uk/sightandsound/feature/49543. Retrieved 2009-06-19. "From Venetian decadence and British class war to Proustian time games, the films of Joseph Losey and Harold Pinter gave us a new, ambitious, high-culture kind of art film, says Nick James." 
  3. ^ "Festival de Cannes: Accident". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/2777/year/1967.html. Retrieved 2009-03-08. 
  4. ^ IMDb.com identifies this child actor with Carole Caplin, a "New Age guru" who was the style adviser to Cherie Blair; that this person is the same "Carole Caplin" has not been verified. See also: Paul Scott (2008-05-12). "Revenge, Money... What's Really Driving Cherie Blair" (Web). Daily Mail (Associated Newspapers). http://www.dailymail.co.uk/news/article-565822/Revenge-money--whats-really-driving-Cherie-Blair.html. Retrieved 2009-03-26. "… Miss Caplin, the topless model turned New Age guru who was to become the most influential of Cherie's strange coterie." 

Further reading

Billington, Michael. Harold Pinter. London: Faber and Faber, 2007. ISBN 978-0-571-23476-9 (13). Updated 2nd ed. of The Life and Work of Harold Pinter. 1996. London: Faber and Faber, 1997. ISBN 0-571-17103-6 (10). Print.

Gale, Steven H. Sharp Cut: Harold Pinter's Screenplays and the Artistic Process. Lexington, KY: The UP of Kentucky, 2003. ISBN 0-8131-2244-9 (10). ISBN 978-0-8131-2244-1 (13). Print.

–––, ed. The Films of Harold Pinter. Albany: SUNY P, 2001. ISBN 0-7914-4932-7. ISBN 978-0-7914-4932-5. Print.

External links

Awards and achievements
Preceded by
n/a
Grand Prix Spécial du Jury, Cannes
1967
tied with I Even Met Happy Gypsies
Succeeded by
Ådalen 31

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