| Accessing the Mystic: Regaining a Sense of the Sacred (2004 Film), Access Denied (1996 Film) | |
| Accident (2009 Film), Accident (2006 Film) |
| Accident | |
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| Directed by | Joseph Losey |
| Produced by | Joseph Losey Norman Priggen |
| Written by | Harold Pinter (screenplay) based on the novel by Nicholas Mosley |
| Starring | Dirk Bogarde Stanley Baker Jacqueline Sassard |
| Music by | John Dankworth |
| Cinematography | Gerry Fisher |
| Editing by | Reginald Beck |
| Distributed by | London Independent Producers |
| Release date(s) | February 1967 |
| Running time | 105 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | £299,970[1] |
Accident is Harold Pinter's 1967 dramatic film adaptation of the 1965 novel by Nicholas Mosley. Directed by Joseph Losey, it is the second of three collaborations between Pinter and Losey, the others being The Servant (1963) and The Go-Between (1970).[2] At the 1967 Cannes Film Festival it won the award for Grand Prix Spécial du Jury.[3].
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The story centers on a married Oxford professor, Stephen, who is experiencing a mid-life crisis. The world changes for him when he meets Anna, a beautiful young co-ed who is engaged to one of his students, William. Following a car accident outside Stephen's home in which William is killed and Anna is severely disoriented, she is obliged to remain with Stephen although his wife is out of town. The events preceding the accident are told in flashbacks: While Stephen believes that he is orchestrating a tryst with Anna that will leave both his wife and William in the dark, he soon discovers that Anna is playing a game of her own.
The crowning metaphor of the film comes at a point in one of the flashbacks when we see a dazed but unhurt Anna crushing her dying fiancé beneath her high-heeled shoe as she steps on his face while trying desperately to climb out of the overturned car.
The screenplay showcased playwright Harold Pinter's trademark style, depicting the menace and angst bubbling just beneath the surface of commonplace remarks and seemingly innocent or banal situations.
Billington, Michael. Harold Pinter. London: Faber and Faber, 2007. ISBN 978-0-571-23476-9 (13). Updated 2nd ed. of The Life and Work of Harold Pinter. 1996. London: Faber and Faber, 1997. ISBN 0-571-17103-6 (10). Print.
Gale, Steven H. Sharp Cut: Harold Pinter's Screenplays and the Artistic Process. Lexington, KY: The UP of Kentucky, 2003. ISBN 0-8131-2244-9 (10). ISBN 978-0-8131-2244-1 (13). Print.
–––, ed. The Films of Harold Pinter. Albany: SUNY P, 2001. ISBN 0-7914-4932-7. ISBN 978-0-7914-4932-5. Print.
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| Awards and achievements | ||
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| Preceded by n/a |
Grand Prix Spécial du Jury, Cannes 1967 tied with I Even Met Happy Gypsies |
Succeeded by Ådalen 31 |
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