Adam Jarzębski

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(b Warka; d Warsaw, c 1648). Polish composer. A musician at the Warsaw royal chapel for most of his career, he is best known for his Canzoni e concerti (1627) for two to four instruments with continuo. Important in the development of central European chamber music, they feature Italianate trio-sonata textures with richly ornamented, harmonically based melodies. Jarzębski was a master of variation technique and handled chromaticism and dissonance to lively effect.



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Adam Jarzębski (b. Warka, c. 1590; d. Warsaw, c. 1648) was an early baroque Polish composer, violinist, poet, and writer. The first documented mention of Jarzębski was in 1612, when he became a member of the chapel of Johann Siegmund Hohenzollern in Berlin. After he had stayed in Italy for a year (1615 - 16), he became a member of the royal musical establishment - first at the court of Sigismund III Vasa and then of Władysław IV. He was held in great esteem by the royal court and very popular among the members of the patriciate of Warsaw. In 1635 he managed the construction of the royal palace at Ujazdów. In 1643 he published a literary work "Gościniec, albo krótkie opisanie Warszawy" (A Present, or a Short Description of Warsaw) describing the customs and the musical life of the town. He died in Warsaw in 1649. He was an outstanding figure in the history of the Polish culture of the 17th century.

He composed mainly instrumental music. "Canzoni é Concerti" (27 works) is the first major collection of Polish compositions for instrumental ensembles (2-, 3-, 4- part and basso continuo). With regard to form and compositional technique his works did not depart from the most valuable models of his genre in Europe. Most frequently the composer indicated only registers and various combinations of voices: he mentions particular instruments only occasionally. Some works are based on a vocal original, the remaining ones are original instrumental works (concertos and canzonas). Only two vocal works survive: the canon "More veterum" and a fragment of the mass "Missa sub concerto".

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