Muschg, Adolf (Zollikon, Canton Zurich, Switzerland, 1934- ), studied Germanistic, English, and philosophy in Zurich, spending one year in Cambridge, and went on to complete a doctoral thesis on Ernst Barlach in 1959. Working first as a schoolteacher, and then at the universities of Tokyo, Göttingen, New York, and Geneva, he eventually settled in Zurich where he became a professor of Germanistic at the Eidgenössische Technische Hochschule in 1970. In addition to his teaching, Muschg actively involved himself in the Swiss Social Democratic Party and with numerous cultural and political issues.
His scope as a writer is wide. He made his debut in 1965 with Im Sommer des Hasen, a novel set against the unusual and exotic background of Japan, and immediately attracted attention as a writer of outstanding linguistic virtuosity, after which his two collections of stories, Fremdkörper (1968) and Liebesgeschichten (1972), established him as a master of the short story: they are characterized by their realistic attention to detail, their psychological sharpness, and their darkly disturbing conclusions. Several novels followed, including the psychological detective story Albissers Grund (1974), the China-based Baiyun oder die Freundschaftsgesellschaft (1980), the contemporary vampire story Das Licht und der Schlüssel (1984), and Der rote Ritter (1993), an extended modern rendering of the original Parzival myth. These are complex works which met with a mixed reception.
Other works include a number of plays, notably Die Aufgeregten von Goethe (1971) and Kellers Abend (1975), the radio play Das Kerbelgericht (1969), studies and essays on literary and political themes, and a biography, Gottfried Keller (1977). In his lectures delivered at Frankfurt University (Gastdozentur für Poetik), entitled Literatur als Therapie? (1981), he encourages a characteristically stimulating debate.
Muschg has received a number of honours including the Hesse Prize (1974), the Carl-Zuckmayer-Medal (1990), and the Büchner Prize (1994).




