British and American artistic reaction against much of overblown Victorian design which enjoyed a vogue from the 1860s, associated with the cult of the Beautiful and Art for Art's Sake. Plain materials and surfaces were preferred to profuse and inappropriate ornament. It was influenced by the arts of Japan and China, and was closely connected with the Arts-and-Crafts movement, Art Nouveau, Japonaiserie, and the Queen Anne Revival. The architect most connected with the Movement was E. W. Godwin, but its main manifestations were in late-Victorian decorative arts and painting, often influenced by exotic orientalism, giving it a rich, strange, somewhat perfumed and decadent flavour.
Bibliography
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