| Agnès Humbert | |
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Agnès Humbert, with the Cross of Lorraine |
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| Born | October 12, 1894 Dieppe, France |
| Died | September 19, 1963 (aged 68) Valmondois (Val d'Oise), France |
| Occupation | Art historian and ethnographer |
Agnès Humbert (12 October 1894 – 19 September 1963) was an art historian, ethnographer and a member of the French Resistance during World War II.
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Humbert was born in Dieppe, France, daughter of French senator Charles Humbert and English author Mabel Wells Annie Rooke.[1] She spent her childhood in Paris, where she studied painting and design. In 1916 she married Egyptian artist Georges Hanna Sabbagh (1877–1951), by whom she had two sons: Jean Sabbagh, a sub-mariner and advisor to General Charles de Gaulle,[2] and television director and producer Pierre Sabbagh. From 1929 she studied the history of art at the Sorbonne and at the Louvre school, and took a course in philosophy. Agnès and Georges divorced in 1934. Her first book was on the painter Louis David, published in 1936. She then worked as an Art historian at the Musée National des Arts et Traditions Populaires in Paris, and broadcast on art on Radio Paris at the start of 1936.
A few days after the fall of Paris on 14 June 1940, Humbert heard an appeal by General de Gaulle on the BBC's Radio France encouraging the people of France to continue the struggle against the occupying Germans and Philippe Pétain's Vichy government. It was offensive to her when books were removed from her library by the Germans, and German authors added. On 6 August a notice was fixed on the gateway of the Palais de Chaillot, ordering free entry to German soldiers, and she wrote in her diary that she told her colleague Jean Cassou "I feel I will go mad, literally, if I don't do something!".[3] So, with Boris Vildé, Anatole Lewitsky, Jean Cassou and Yvonne Oddon she formed the Groupe du musée de l'Homme out of members of the Museum, the first resistance movement in occupied France. In a few months these pioneers built a highly diffuse underground network. Their action spread rapidly with the creation of a clandestine newsletter, Résistance, which had only five issues, between 15 December 1940 and the end of March 1941, with editorials (the first written by Boris Vildé) holding no illusions on Pétain and the Vichy government. This group went on to feed information to the British.
The leaders of the resistance cell were betrayed and arrested in April 1941. Humbert then recruited Pierre Brossolette to continue with the last number of Résistance before being arrested herself. The Museum group were sent to the harsh Cherche-Midi prison and then Fresnes Prison in Paris where they were tried by the Wehrmacht and in February 1942, along with seven members of the group,[4] sentenced to death. However she was transferred to the Prison de la Santé where conditions were better and she was visited by her son Pierre and her mother, but she learnt that the men had been put to death by firing squad (they sang "Vive la France" in their last moments). The women were sentenced to 5 years slave labor and deported to Anrath prison in Germany. She was made to work in appalling conditions at the Phrix rayon factory in Krefeld: there workers died, went blind, and developed horrible skin conditions. After four years, in June 1945 she was liberated by the Third United States Army and her diary records how she took part in the "Nazi Hunt" at Wanfried in 1945. She set up soup kitchens for refugees and expressly stated that everyone was to get a share, even the German civilians. Later she helped to start the denazification process.[5]
After the war Humbert refused to return to work at the Museum. Though her health had been affected by her experiences, she continued to write books on art. In 1949 she was awarded the Croix de Guerre with silver gilt palm for heroism. She spent her final years with her son Pierre in the village of Valmondois and is buried in the cemetery there.
She published her diary under the title Notre Guerre in 1946. This was later reissued as well as being translated into English by Barbara Mellor under the title: Résistance.[6]
Her Journal:
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