(b Pescia, 27 Aug 1686; d Rome, 1754). Italian sculptor, draughtsman and painter. He moved with his family to Florence in 1697, entering the workshop of Giovanni Battista Foggini, principal sculptor to Cosimo III de' Medici, Grand Duke of Tuscany. Early in his career he received some important commissions: in 1709, when the English antiquarian John Talman arrived in Florence looking for artists to illustrate Italy's most famous monuments of art, he chose Cornacchini to do a number of the drawings (for a discussion of Cornacchini as a draughtsman, see Cannon Brookes), and in 1710 Cornacchini signed and dated a marble standing statue of Clement XI (Urbino Cathedral). He was also patronized by the influential Francesco Maria Niccol? Gabburri, who commissioned from him, probably before 1712, stucco decorations (destr. early 19th century) for his own Palazzo Giuntini. Gabburri accompanied Cornacchini when he departed for Rome in 1712, establishing him in the household of his uncle, Cardinal Carlo Agostino Fabbroni, who until 1720 provided Cornacchini with a studio, lodgings and an income.
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Agostino Cornacchini (August 27, 1686 – 1754) was an Italian sculptor and painter of the Rococo period, active mainly in Rome.
He was born in Pescia and died in Rome. In 1712, Cornacchini established himself in the household of his uncle, Cardinal Carlo Agostino Fabbroni, who until 1720 provided Cornacchini with a studio, lodgings and an income. His masterpiece is the equestrian statue of Charlemagne at the base of the Scala Regia on the entrance to the Vatican Palace, which sits opposite Bernini's equestrian Constantine. His works can also be found in Orvieto Cathedral and in the Basilica of Superga in Turin.
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