Ah, Wilderness! (1933), a comedy by Eugene O'Neill. [Guild Theatre, 289 perf.] In “a large small‐town in Connecticut,” almost the whole Miller family is preparing to celebrate July 4th, although to their teenage son, Richard (Elisha Cook Jr.), they are all slaves of the capitalistic system and the holiday is “a stupid farce.” If young Richard's misguided political enthusiasms merely amuse his tolerant father, Nat (George M. Cohan), another of his passions, reading, seriously concerns his mother, Essie (Marjorie Marquis). Politics, poetry, and prose are scarcely enough to claim all of Richard's youthful ardor. The real love of his life is Muriel McComber (Ruth Gilbert), to whom Richard has been sending letters filled with the same ardent poetry that angers Muriel's father (Richard Sterling). He demands that Richard no longer see his daughter, and if Richard disobeys he'll remove his advertisements from Nat's paper. In adolescent desperation Richard heads for a local bar, where he meets up with a “tart” and gets hopelessly drunk. Luckily his family is understanding and forgiving. Even Muriel would like to continue their romance, so Richard promises he will write and remain loyal when he leaves for Yale in the fall. George Jean Nathan, to whom O'Neill dedicated the play, proclaimed it “the tenderest and most amusing comedy of boyhood in the American Drama,” while Burns Mantle noted, “It goes back in the American theatre scene to such homely old hits as The Old Homestead and Shore Acres.” The Theatre Guild production of O'Neill's only comedy was also praised for Cohan's fine‐tuned performance. Ah, Wilderness! was given commendable Broadway revivals in 1975, 1988, and 1998, but none of them enjoyed a long run. The play is the source for the musical TAKE ME ALONG (1959) with a book by Joseph Stein and Robert Russell, and lyrics and music by Bob Merrill. The fine cast included Walter Pidgeon (Nat), Robert Morse (Richard), Una Merkel (Essie), and Jackie Gleason as the boozy Uncle Sid. Although the adaptation was remarkably faithful and Merrill's score was both delicate and enjoyable, only the title song enjoyed much popularity. David Merrick produced the musical at the Shubert Theatre, and it ran for 448 performances.
| Ah, Wilderness! | |
|---|---|
Poster for WPA production of Ah, Wilderness! at Federal Theater Playhouse, New Orleans |
|
| Written by | Eugene O'Neill |
| Date premiered | 2 October 1933 |
| Place premiered | Guild Theatre New York City |
| Original language | English |
| Genre | Comedy |
| Setting | The sitting room of the Miller home in a small town in Connecticut, July 4, 1906. |
| IBDB profile | |
Ah, Wilderness! is a comedy by American playwright Eugene O'Neill that premiered on Broadway at the Guild Theatre on 2 October 1933.
|
Contents
|
The play takes place on the Fourth of July, 1906, and focuses on the Miller family, presumably of New London, Connecticut. The main plot deals with the middle son, 17-year-old Richard, and his coming of age. The title derives from Quatrain XI of Edward Fitzgerald's translation of the Rubaiyat of Omar Khayyam, which is one of Richard's favorite poems.
On the Fourth of July 1906 in a small Connecticut town, the Miller family is finishing breakfast. Nat Miller owns the local newspaper and, with his wife Essie, who have a total of 6 children (yet the oldest 2 are never referred to by name). Eleven-year-old Tommy dashes outside to set off fireworks. Mildred, fifteen, teases her nineteen-year-old brother, Arthur, who plays football at Yale. Sharing the breakfast are Nat's sister Lily and Essie's brother Sid, who have had an on-and-off relationship for years, currently off because of Sid's drinking.
Richard, nearly seventeen, is the one member of the family who has not come in from breakfast. His mother worries about the "subversive" books he is reading by the likes of Swinburne, Shaw, Oscar Wilde and the poet Omar Khayyam. She wonders if he will become an anarchist. Richard is passionately in love with Muriel, the girl next door.
The family gathering is broken up by Muriel's father, McComber, who accuses Richard of corrupting his daughter with love letters featuring quotations from the books. Miller defends his son, even though McComber is one of the paper's biggest advertisers. McComber has punished Muriel, and presents her letter to Richard ending their relationship. Richard is devastated.
Later, Wint Selby, Arthur's classmate at Yale, is looking for someone to go with him on a double date. With Arthur unavailable, Wint hesitantly agrees to take Richard. The "date" turns out to be a rendezvous with prostitutes. While Wint is upstairs Richard sits in the bar, drinking with twenty-year-old Belle, unsure what to do. He starts a fight with a salesman who has insulted Belle.
Richard's parents fret about his late hour and, when he finally arrives, drunk and disheveled, Sid, expert in such matters, puts him to bed while his parents discuss his punishment. The next day, Nat comes home for lunch to punish Richard, who is still asleep. He and Essie disagree about what to do, and Nat goes back to work, secretly happy to postpone the confrontation. When Richard does come downstairs, his mother tells him that he must stay in the house. Almost immediately his sister Mildred arrives with a letter from Muriel promising her love and offering to sneak out that night to meet on the beach.
That evening, the young couple review the events of the holiday, and their future, and they kiss for the first time.
Back home, Nat and Essie discuss possible punishments, and the news that Muriel's father has changed his mind about Richard. Richard arrives looking lovestruck, and Essie leaves him with his father. They talk about the dangers of drinking and loose women, and the play ends happily with Richard gazing at the moon while his parents enjoy a kiss.
Ah, Wilderness! was revived four times in on Broadway 1941, 1975, in 1988 with Jason Robards and Colleen Dewhurst, and again in 1991.
The story was also made into the 1959 Broadway musical Take Me Along starring Jackie Gleason as the drunken Uncle Sid (Beery's role in the film), Walter Pidgeon as Nat and Robert Morse as Richard. The production ran for 448 performances. Gleason won the 1960 Tony Award for Best Actor in a Musical.
The play was made into a 1935 film of the same title and again in 1948 as the musical Summer Holiday. Mickey Rooney starred as Tommy in the former and Richard in the latter.
The play was also adapted for the radio on the Campbell Playhouse and Ford Theatre.
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)