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Ahmed Abdul-Malik

 
Artist: Ahmed Abdul-Malik
  • Born: January 30, 1927, New York, NY
  • Died: October 02, 1993, Long Branch, NJ
  • Active: '50s, '60s
  • Genres: Jazz
  • Instrument: Oud
  • Representative Albums: "The Music of Ahmed Abdul-Malik", "East Meets West
  • Representative Songs: "Farah 'Alaiyna", "El Haris", "Isma'a

Biography

Ahmed Abdul-Malik was one of the first musicians to integrate non-Western musical elements into jazz. In addition to being a hard bop bassist of some distinction, he also played the oud, a double-stringed, unfretted Middle Eastern lute, played with a plectrum. Abdul-Malik recorded on the instrument in the '50s with Johnny Griffin and in 1961 with John Coltrane, contributing to one of the several albums that resulted from the latter's Live at the Village Vanguard sessions.

Abdul-Malik was born and raised in Brooklyn, NY. In his twenties and thirties, he worked as a bassist with Art Blakey, Randy Weston, and Thelonious Monk, among others. He played the oud on a tour of South America under the aegis of the U.S. State Department, and performed at one of the first major African jazz festivals in Morocco in 1972. Beginning in 1970, he taught at New York University and later, Brooklyn College. In 1984, he received BMI's Pioneer in Jazz Award in recognition of his work in melding Middle Eastern musics and jazz. ~ Chris Kelsey, All Music Guide
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Wikipedia: Ahmed Abdul-Malik
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Ahmed Abdul-Malik
Birth name Ahmed Abdul-Malik
Born January 30, 1927
Origin Brooklyn, New York, USA
Died October 2, 1993 (aged 66)
Genres Jazz
Occupations Bassist
Instruments Bass
Oud
Labels Prestige Records
Associated acts Art Blakey

Ahmed Abdul-Malik (January 30, 1927 in Brooklyn – October 2, 1993 in Long Branch, New Jersey) was a jazz double bassist and oud player of Sudanese descent.

In the mid-1970s, Malik was a substitute instructor in Brooklyn, New York, Junior High School 281, teaching strings under the supervision of Andrew Liotta, acclaimed composer of seven operas, choral, and numerous chamber works. While seeking a teaching cerification, in addition to study under Liotta in orchestration and composition, he also taught Sudanese in the junior high school language department.

He is noted for integrating Middle Eastern and North African music styles in his jazz music. He was the bassist for Art Blakey, Randy Weston, and Thelonious Monk among others. As an oud player he did a tour of South America for the United States Department of State and performed at an African jazz festival in Morocco.

Contents

Discography

As leader

  • 1958 – Jazz Sahara (Original Jazz Classics) with Johnny Griffin on tenor saxophone
  • 1959 - East Meets West (RCA)
  • 1961 - The Music of Ahmed Abdul-Malik (Prestige/New jazz)
  • 1962 - Jazz Sounds of Africa (Prestige/New jazz)
  • 1963 - Eastern Moods of Ahmed Abdul Malik (Prestige/New jazz)
  • 1964 - Spellbound (Status)

As sideman

With Art Blakey

With John Coltrane

With Odetta

With Thelonious Monk

References

  • Carr/Fairweather/Priestley. Jazz Rough Guide, J.B. Metzler Verlag, Stuttgart 2004, ISBN 3-476-01892-X
  • Barry Kernfield (Hrsg.). The New Grove Dictionary Of Jazz, Macmillan, London 2002, ISBN 0-312-11357-9

External links


 
 
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