Career Highlights: A Night at the Opera, Freaks, The General
First Major Screen Credit: Battling Butler (1926)
Biography
The son of a Buffalo jeweler, Al Boasberg established himself in the early twenties as one of the foremost comedy writers in America. Boasberg was kept so busy supplying one-liners and special material to vaudevillians like Burns and Allen and Jack Benny that he ultimately set up a weekly wire service, telegraphing jokes to his scores of clients. It was said that virtually half the acts playing the Loews vaudeville circuit were subsisting on Boasberg's material. He headed to Hollywood in 1926 to work for Buster Keaton, contributing gags and bits of business for the Keaton classics The General (1926) and College (1927). Seldom did he write an entire screenplay; instead, he was what now would be called a script doctor, punching up and improving the work of other writers. Disdaining the regimen of studio life, Boasberg preferred working at home, sitting in a huge bathtub and firing off jokes into a Dictaphone. During the talkie era, he contributed extensively to the films of Wheeler and Woolsey and the Marx Brothers; it was he who came up with the celebrated "stateroom scene" for the Marxes' A Night at the Opera (1935). During this period, he also dabbled in directing, helming several two-reel comedies as well as the 1933 feature Myrt and Marge, which co-starred the Three Stooges. While employed as a comedy troubleshooter at MGM in 1936, Boasberg signed on as one of the chief writers for Jack Benny's radio show. At the end of the 1936-37 season, Benny offered Boasberg a dream contract, paying the writer $1500 per week merely to be "on call" if needed. Al Boasberg agreed to the deal, shook hands with Benny, then headed home--where he died the next day at the age of 45. ~ Hal Erickson, All Movie Guide
He is credited with helping to create stand-up comedy when he teamed with then-youthful vaudeville performer Jack Benny, helping develop Benny's familiar, reactive skinflint and thus helping make Benny a major star when he transitioned to radio in 1932. In fact, on the last day before his death, Boasberg wrote the lines that introduced the enduring Rochester character on Benny's radio show.
Boasberg also wrote for 47 films between 1926 and 1937—especially 1935's A Night at the Opera, which provided The Marx Brothers with a commercial comeback on the screen. Another Marxian, the comedy producer Sid Kuller, started out as a ghost-gag-writer for Boasberg.[2]
Boasberg's other film writing credits included The General (starring Buster Keaton, who also advised on A Night at the Opera). He also directed 12 films between 1929 and 1936.
A personality conflict with the producer, led to Boasberg's name being removed from A Day at the Races which was his original project.