Alan Watts
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Alan Wilson Watts (1915-1973) was a naturalized American author and lecturer who interpreted Zen to the West. His writings were particularly popular among the so-called "beat generation" of the late 1950s and early 1960s.
Alan Wilson Watts was born in Chislehurst, England, on January 6, 1915. Raised in the county of Kent, his introduction to Eastern culture came at about the age of 11 when he read the novels of Sax Rohmer and Edgar Wallace about Fu Manchu, the inscrutable Chinese detective, "and other sophisticated Chinese villains." Watts received his secondary education at King's School, Canterbury, where he did some creative writing and participated in fencing, rowing, and debate.
He worked in his father's office from 1932 to 1939 while serving as a council member and member of the executive committee of the World Congress of Faiths in London. He read Bergson, Nietzche, Havelock Ellis, Jung, Bernard Shaw, and Eastern texts through the understandings of modern interpreters such as Swami Vivekananda, D. T. Suzuki, and Madame Blavatsky. In 1934 a Theosophical Society member introduced him to a Yugoslavian mystic, Dmitrije Mitrinovic, with whom he identified. From 1934 to 1938 he edited the Buddhist Lodge of London's journal, The Middle Way, and his first book, The Spirit of Zen, appeared in 1936.
Watts came to the United States in 1939 and was naturalized in 1943. Upon arrival in New York he studied under a local Zen master, Sokei-an Sasaki. But, believing that Christianity could be understood as a form of a mystical and perennial philosophy, he affiliated with the Episcopal Church. He received his Master of Sacred Theology degree from Seabury-Western Theological Seminary in Evanston, Illinois, in June 1948 and was given an honorary Doctor of Divinity from the University of Vermont in 1958. Ordained an Episcopal priest, he served from 1944 until 1950 as Episcopal chaplain at Northwestern University. He then left the church. In an interview in LIFE magazine in 1961 Watts said that he left the church "not because it doesn't practice what it preaches, but because it preaches."
Watts returned to his early interest in Eastern thought. He sought to apply its principles to modern psychology in The Meaning of Happiness (1940). Among other writings in which he argued for a common mystical core underlying all religions, reflecting the influence of Aldous Huxley, a major attempt to reconcile Christianity and Eastern thought was Myth and Ritual in Christianity (1953). In 1964 in Beyond Theology he argued that they were in fact incompatible: "My previous discussions did not take proper account of that whole aspect of Christianity which is uncompromising, ornery, militant, rigorous, imperious, and invincibly self-righteous."
From 1951 to 1957 Watts taught comparative philosophy and psychology at the new American Academy of Asian Studies in San Francisco, which became a graduate school of the College of the Pacific, and served as its dean from 1953 to 1956. Feeling as out of place in academy as he did in the church, he retired to a career of writing and lecturing. In 1959-1961 he was director and writer of the National Educational Television series Eastern Wisdom and Modern Life.
He was married three times - to Eleanor Everett (1938; divorced 1950); to Dorothy DeWitt (1950; divorced 1963); and to Mary Jane Yates King (1963) - and had seven children. He described himself as "an unrepented sensualist, an immoderate lover of women and the delights of sexuality, " as well as of fine food, drink, tobacco, clothes, books, and jewelry and of nature. From 1957 until his death on November 16, 1973, he continued to write and lecture at colleges, universities, medical schools, and mental health institutions in the United States, Canada, Europe, and Asia, including Harvard; Yale; Cambridge; the Universities of Chicago, Michigan, Indiana, and Hawaii; and the C. J. Jung Institute (Zurich).
Although his thought is associated with Rinzai Zen Buddhism, Watts did not wish to identify himself with any religious group, "on the ground that partisanship in religion closes the mind." He once called himself a spiritual "entertainer." His own mystical idealism, however, was more an amalgamation of ideas than traditional Zen, for he also borrowed from the Taoist philosophy of Lao-tzu and Chuang-tzu and the Advaita Vedanta of Shankara, treating all Eastern thought monolithically and interpreting it in modern terms.
Watts believed that the key to the universe is fundamentally a higher consciousness or mind. The world is an emanation of the one Being or Consciousness. Unity is the nature of the universe while the distinctions between knowing subject and the objects of knowledge are actually expressions of unity. This fact, he said, is gaining support from the discoveries of science, such as those of the British biologist Joseph Needham, in whose work he was especially interested. The human predicament is the mistaken belief in the individual ego and the forms of activity which result. This places the individual in conflict with all of reality and results in the ego feeling ultimately responsible. Christianity in all its forms, Watts said, has reinforced this delusion, while Chinese and Indian thinkers have discovered the unity of the depths of the human being and the One which makes one "at home in the world." Watts even criticized the applications of Zen by the "beat generation" of the 1950s and traditional Japanese Zen schools as egoconscious.
True Zen, he said, was not that of the "solemn and sexless ascetic, " but the liberation of the mind from traditional thought forms to raise human consciousness to identify with the Consciousness which is Reality. It is essentially a mystical experience of Reality "felt directly in a silence of words and meanings." Mystical thinkers of all traditions have discovered this, he said, and modern psychotherapy is coming to agree. In Psychotherapy East and West (1961) Watts referred to Carl Jung, Erich Fromm, Rollo May, Norman O. Brown, Abraham Maslow, and others as those who were bringing science closer to Eastern insight.
Further Reading
In My Own Way (1972), Watt's autobiography, is the best place to begin. Among his scores of works, his most systematic attempt to present his thought and relate it to Christianity is Beyond Theology (1964). Psychology East and West (1961) exhibits his attempt to harmonize his thought with psychotherapy. A full-length critical study of Watts is David Clark, The Pantheism of Alan Watts (1978).
Additional Sources
Brannigan, Michael C., Everywhere and nowhere: the path of Alan Watts, New York: P. Lang, 1988.
Furlong, Monica, Zen effects: the life of Alan Watts, Boston: Houghton Mifflin, 1986.
Stuart, David, Alan Watts, New York: Stein and Day, 1983, 1976.
Eclectic British thinker and writer who relocated to California and played a central part in the counter-culture of the 1960s. Watts became a leading light in the Human Potential Movement and was affiliated to the Esalen Institute. Although he had no academic background in eastern religions and no knowledge of oriental languages, his elegant writings caught the popular imagination and enjoyed considerable success. His books The Way of Zen (1957) and Psychotherapy East and West (1961) offered a way of personal growth based on Eastern psychology as an alternative to what many regard as the egocentric hedonism of Western culture.
British-born American philosopher, teacher of Zen Buddhism, and pioneer popularizer of Eastern philosophy in the United States. Watts was born January 6, 1915, in Chislehurst, Kent, England. He came to the United States in 1938, and he was naturalized in 1943. The same year he moved to the United States he married the daughter of Ruth Fuller Everett (who was involved with the First Zen Institute of America). Even as a youth he had been interested in Eastern religions in general and Zen Buddhism in particular. However, Watts studied for the priesthood and after completing his course at Seabury-Western Theological Seminary, he was ordained in the Episcopal Church in 1944. He remained in Evanston, Illinois, and pursued a master of sacred theology degree (1948) at Seabury while serving as a chaplain at Northwestern University (adja-cent to the Seabury campus) for six years (1944-50).
In 1950 Watts divorced, resigned from the priesthood, and entered a year of seclusion. In 1951 he moved to California as an instructor at the American Academy of Asian Studies (1951-57). He gained some degree of fame in 1957 with the positive response to his book, The Way of Zen (1957), which became a book introducing Zen to a public eager for Eastern wisdom. Over the next fifteen years he wrote numerous books presenting his personal appropriation of Buddhism. As a lecturer, from 1956 onward he traveled to universities across the continent. He directed the Eastern Wisdom and Modern Life series on station KQED, San Francisco (1959-60).
In 1962 some of those who had gathered around him as students founded the Society for Comparative Philosophy as a vehicle for his teaching. He died November 16, 1973.
Sources:
Melton, J. Gordon. Religious Leaders of America. Detroit: Gale Research, 1991.
Stuart, David. Alan Watts. Radnor, Pa.: Chilton Book, 1976.
Watts, Alan. The Book on the Taboo Against Knowing Who You Are. New York: Vintage Books, 1966.
——. The Early Writings of Alan Watts. Edited by John Snelling. Berkeley, Calif.: Celestial Arts, 1987.
——. The Essential Alan Watts. Berkeley, Calif.: Celestial Arts, 1977.
——. In My Own Way: An Autobiography, 1915-1945. New York: Pantheon Books, 1972.
——. Psychotherapy, East and West. New York: Ballantine Books, 1961.
——. The Spirit of Zen. New York: Grove Press, 1958.
——. The Way of Zen. New York: Pantheon Books, 1968.
Quotes:
"How is it possible that a being with such sensitive jewels as the eyes, such enchanted musical instruments as the ears, and such fabulous arabesque of nerves as the brain can experience itself anything less than a god."
"Trying to define yourself is like trying to bite your own teeth."
"To be angry about trifles is mean and childish; to rage and be furious is brutish; and to maintain perpetual wrath is akin to the practice and temper of devils; but to prevent and suppress rising resentment is wise and glorious, is manly and divine."
"We are sick with fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas. Meditation is therefore the art of suspending verbal and symbolic thinking for a time, somewhat as a courteous audience will stop talking when a concert is about to begin."
"Some believe all that parents, tutors, and kindred believe. They take their principles by inheritance, and defend them as they would their estates, because they are born heirs to them."
"The only way to make sense out of change is to plunge into it, move with it, and join the dance."
See more famous quotes by
Alan W. Watts
Alan Wilson Watts (January 6, 1915 – November 16, 1973) was a philosopher, writer, speaker, and expert in comparative religion. He was best known as an interpreter and popularizer of Asian philosophies for a Western audience.
He wrote more than twenty-five books and numerous articles on subjects such as personal identity, the true nature of reality, higher consciousness, and the pursuit of happiness, relating his experience to scientific knowledge and to the teachings of Eastern and Western religions or philosophies (Zen Buddhism, Taoism, Christianity, Hinduism, etc.).
Alan Watts was also a well-known autodidact.
Watts was born to middle class parents in the village of Chislehurst (now in the London Borough of Bromley), Kent, England in the year 1915. His father was a representative for the London office of the Michelin Tyre Company, his mother a housewife whose father had been a missionary. With modest financial means, they chose to live in bucolic surroundings and Alan, an only child, grew up learning the names of wild flowers and butterflies, playing beside streams, and performing funeral ceremonies for birds.
Probably because of the influence of his mother’s religious family, the Buchans, an interest in "ultimate things" seeped in. But it mixed with Alan’s own interests in storybook fables and romantic tales of the mysterious Far East. Watts also later wrote of a mystical sort of vision he experienced while ill with a fever as a child. During this time he was influenced by Far Eastern landscape paintings and embroideries that had been given to his mother by missionaries returning from China. With regard to the examples of Chinese paintings he was able to see in England, Watts wrote "I was aesthetically fascinated with a certain clarity, transparency, and spaciousness in Chinese and Japanese art. It seemed to float..." [as presented in his autobiography]. These works of art emphasized the participative relationship of man in nature, a theme that would be important to him throughout his life.
By his own assessment, Watts was imaginative, headstrong, and talkative. He was sent to boarding schools (which included both academic and religious training) from early years. During holidays in his teen years, Francis Croshaw, a wealthy epicurean with strong interests in both Buddhism and the exotic little-known aspects of European culture, took Watts on a trip through France. It was not long afterward that Watts felt forced to decide between the Anglican Christianity he had been exposed to and the Buddhism he had read about in various libraries, including Croshaw’s. He chose Buddhism, and sought membership in the London Buddhist Lodge which had been established by Theosophists, and was now run by the barrister Christmas Humphreys. Watts became the organization’s secretary at 16 (1931). The young Watts explored several styles of meditation during these years.
Watts attended King's School next door to Canterbury Cathedral. Though he was frequently at the top of his classes scholastically, and was given responsibilities at school, he botched an opportunity for a scholarship to Oxford by styling a crucial examination essay in a way that was read as presumptuous and capricious.
Hence, when he graduated from secondary school, Watts was thrust into the world of employment, working in a printing house and later a bank. He spent his spare time involved with the Buddhist Lodge and also under the tutelage of a "rascal guru" named Dimitrije Mitrinović. (Mitrinović was himself influenced by Peter Demianovich Ouspensky, G. I. Gurdjieff, and the varied psychoanalytical schools of Freud, Jung and Adler.) Watts also read widely in philosophy, history, psychology, psychiatry and Eastern wisdom.
London afforded him a considerable number of other opportunities for personal growth. Through Humphreys, he contacted eminent spiritual authors (e.g., Nicholas Roerich, Dr. Sarvapalli Radhakrishnan) and prominent theosophists like Alice Bailey. In 1936, aged 21, he attended the World Congress of Faiths at the University of London, heard D.T. Suzuki read a paper, and afterwards was able to meet this esteemed scholar of Zen Buddhism. Beyond these discussions and personal encounters, he absorbed, by studying the available scholarly literature, the fundamental concepts and terminology of the main philosophies of India and East Asia. In 1936, Watts's first book was published, The Spirit of Zen, which he later acknowledged to be mainly digested from the writings of Suzuki.
In 1938 he and his bride left England to live in America. He had married Eleanor Everett, whose mother Ruth Fuller Everett was involved with a traditional Zen Buddhist circle in New York. A few years later, Ruth Fuller married the Zen master (or "roshi"), Sokei-an Sasaki, and this Japanese gentleman served as a sort of model and mentor to Alan, though Watts chose not to enter into a formal Zen training relationship with Sasaki.
During these years, according to his later writings, Watts had another mystical experience while on a walk with his wife.
Watts had left formal Zen training in New York because the method of the teacher didn't suit him. He was not ordained as a Zen monk, but he felt a need to find a professional outlet for his philosophical inclinations. He entered an Anglican (Episcopalian) school (Seabury-Western Theological Seminary, in Evanston), where he studied Christian scriptures, theology, and Church history. He attempted to work out a blend of contemporary Christian worship, mystical Christianity, and Asian philosophy. Watts was awarded a master's degree in theology in response to his thesis, which he published as a popular edition under the title Behold the Spirit. The pattern was set, in that Watts did not hide his dislike for religious outlooks that he decided were dour, guilt-ridden, or militantly proselytizing, whether found within Judaism, Christianity, Hinduism, or Buddhism.
All seemed to go reasonably well in his next role, as Episcopalian priest (beginning in 1945, aged 30), until an extramarital affair resulted in his young wife having their marriage annulled. It also resulted in Watts leaving the ministry by 1950. He spent the New Year getting to know Joseph Campbell; his wife, Jean Erdman; and John Cage.
In the spring of 1951, Watts moved to California, where he joined the faculty of the American Academy of Asian Studies in San Francisco. Here he taught alongside Saburo Hasegawa, Frederick Spiegelberg, Haridas Chaudhuri, lama Tokwan Tada, and various visiting experts and professors. Hasegawa, in particular, served as a teacher to Watts in the areas of Japanese customs, arts, primitivism, and perceptions of nature.
Watts also studied written Chinese and practiced Chinese brush calligraphy with Hasegawa as well as with some of the Chinese
students who enrolled at the Academy. While Watts was noted for an interest in Zen Buddhism, with
its origins in China, his reading and discussions delved into Vedanta, "the new physics," cybernetics, semantics, process philosophy, natural history, and the
After heading up the Academy for a few years, Watts left the faculty for a freelance career in the mid 1950s. He began what became a long-running weekly radio program at Pacifica radio station KPFA in Berkeley. Like other volunteer programmers at the listener-sponsored station, Watts was not paid for his broadcasts; they did, however, gain him a large following in the San Francisco Bay Area. These programs were later carried by additional Pacifica stations, and were re-broadcast many times over in the decades following his death. The original tapes are currently held by the Pacifica Radio Archive, based at KPFK in Los Angeles.
In 1957 when 42, Watts published one of his best known books, The Way of Zen, which focused on philosophical explication and history. Besides drawing on the lifestyle and philosophical background of Zen, in India and China, Watts introduced ideas drawn from general semantics (directly from the writings of Alfred Korzybski) and cybernetics (Norbert Wiener's early work on cybernetics had been recently published). Watts offered analogies from cybernetic principles possibly applicable to the Zen life. The book sold well, eventually becoming a modern classic, and helped widen his lecture circuit.
Around this time, Watts toured parts of Europe with his father, meeting the renowned psychiatrist Carl Jung. In relation to modern psychology, Watts's instincts were closer to Jung's or Abraham Maslow's than to those of Freud.
When he returned to the United States, he began to dabble in psychedelic drug experiences, initially with mescaline given to him by Dr. Oscar Janiger. He soon tried LSD several times with various research teams led by Drs. Keith Ditman, Sterling Bunnell, and Michael Agron. He also tried DMT, later stating that it was 'like loading the Universe into a gun and firing it into your brain'. Watts’s books of the sixties reveal the influence of these chemical adventures on his outlook. He would later comment about drug use, "When you've got the message, hang up the phone." [1]
For a time, Watts came to prefer writing in the language of modern science and psychology (Psychotherapy East and West is a good example), finding a parallel between mystical experiences and the theories of the material universe proposed by twentieth-century physicists. He later equated mystical experience with ecological awareness, and emphasized whichever approach seemed best suited to the audience he was addressing.
Watts's explorations and teaching brought him into contact with many noted intellectuals, artists, and American teachers in the human potential movement. His friendship with poet Gary Snyder nurtured his sympathies with the budding environmental movement, to which Watts gave philosophical support. He also encountered Robert Anton Wilson, who credited Watts with being one of his 'Light[s] along the Way' in the opening appreciation of Cosmic Trigger.
Though never affiliated for long with any one academic institution, he did have a fellowship for a couple of years at Harvard University. He also lectured to many college and university students. His lectures and books gave Watts far-reaching influence on the American intelligentsia of the 1950s-1970s, but Watts was often seen as an outsider in academia. While some college and university professors found his writing and lectures interesting, others said things like: "He's not really a scholar of Eastern philosophy. He's not that disciplined. Alan Watts doesn't teach Eastern philosophy, he teaches 'Alan Watts.'" To which he replied in numerous lectures that "the scholar who is interested in medals and prizes and not interested in the fun of it, has amazing put downs." He pointed this out with an example: "The original scholars in history were men that owned land, and being rich they had enough free time to study in their library, not for the progress of science, but for fun." Another Japanese Zen master, Maezumi Roshi, however, once remarked, "Alan Watts? He is not Zen!"--a perfectly Zen-like response that may well have delighted Watts.
Watts often alluded to or wrote about a group of neighbors in Druid Heights[2] (near Mill Valley, California), who had endeavored to combine architecture, gardening, and carpentry skills to make a beautiful and comfortable life for themselves. Druid Heights was founded by the writer Elsa Gidlow.
Regarding his intentions, it can be argued that Watts attempted to lessen the alienation that accompanies the experience of being human that he felt plagued the modern Westerner, and (like his fellow British expat and friend, Aldous Huxley) to lessen the ill will that was an unintentional by-product of alienation from the natural world. He felt such teaching could improve the world, at least to a degree. He also articulated the possibilities for greater incorporation of aesthetics (for example: better architecture, more art, more fine cuisine) in American life. In his autobiography he wrote, "… cultural renewal comes about when highly differentiated cultures mix" (Watts, In My Own Way).
In his writings of the 1950s, he conveyed his admiration for the practicality in the historical achievements of Chán (Zen) in the Far East, for it had fostered farmers, architects, builders, folk physicians, artists, and administrators among the monks who had lived in the monasteries of its lineages.
In his mature work, he presents himself as "Zennist" in spirit as he wrote in his last book, Tao, the Watercourse Way. Child rearing, the arts, cuisine, education, law and freedom, architecture, sexuality, and the uses and abuses of technology were all of great interest to him.
On the personal level, Watts sought to resolve his feelings of alienation from the institutions of marriage and the values of American society, as revealed in classic his comments on love relationships in "Divine Madness" and on perception of the organism-environment in "The Philosophy of Nature".
In looking at social issues he was quite concerned with the necessity for international peace, for tolerance or even understanding among disparate cultures. He also came to feel acutely conscious of a growing ecological predicament; as one instance, in the early 1960s he wrote: “Can any melting or burning imaginable get rid of these ever-rising mountains of ruin – especially when the things we make and build are beginning to look more and more like rubbish even before they are thrown away?" [The Joyous Cosmology] These concerns were later expressed in a television pilot made for NET filmed at his mountain retreat in 1971 in which he noted that the single track of conscious attention was wholly inadequate for interactions with a multi-tracked world.
In his writings, Watts alluded to his own political shift from Republican conservatism to a more liberal legal and political outlook. However, his opinions did not lean to the political left. He was more libertarian,[citation needed] distrusting both the left and right, and finding an early libertarian outlook in the Chinese sage Chuang-Tzu. He disliked much in the conventional idea of "progress". He hoped for change, but personally he preferred amiable, semi-isolated rural social enclaves, and also believed in tolerance for urban tenderloins, social misfits, and eccentric artists. Watts decried the suburbanization of the countryside and the way of life that went with it.
In one campus lecture tour, which Watts titled "The End to the Put-Down of Man", Watts presented positive images for both nature and humanity, spoke in favor of the various stages of human growth (including the teenage years), reproached excessive cynicism and rivalry, and extolled intelligent creativity, good architecture and food.
Watts felt that ethics (at least of the judgmental Judeo-Christian kind) had nothing to do with the fundamental realization of one’s deep spiritual identity. He advocated social rather than personal ethics. In his writings, Watts was increasingly concerned with ethics applied to relations between humanity and the natural environment and between governments and citizens. He wrote out of an appreciation of a racially and culturally diverse social landscape. At the same time, he favored representative government rather than direct democracy (which he felt could readily degenerate into mob rule).
He often said that he wished to act as a bridge between the ancient and the modern, between East and West, and between culture and nature.
Watts led some tours for Westerners to the Buddhist temples of Japan. He also studied some movements from the traditional Chinese martial art T'ai Chi Ch'uan, with an Asian colleague, Al Chung-liang Huang. Watts lived his later years at times on a houseboat in Sausalito on San Francisco Bay and at times in a secluded cabin on Mount Tamalpais. Laden with social and financial responsibilities, he struggled increasingly with alcohol addiction, which probably shortened his life.[3] In October 1973 he returned from an exhausting European lecture tour. Watts died of heart failure in his sleep at home the following month at the age of 58.
Alan Watts was married three times and had five children including two sons, the oldest of whom, Mark Watts, has recently served as curator of his father's work.
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