Albert Levy is a French photographer active in the 1870s-1890s. He is a pioneer on architectural photography that focused his work in Europe and the United States.
He developed a catalogue with 2500 titles that can be found in the Gallica web project[1] of Bibliothèque nationale de France (BnF) as well as in the Avery Architectural and Fine Arts Library. His catalogue covers France, Italy, Germany, United Kingdom, Austria, the Netherlands, Switzerland and the United States. He was one of the first photographers to have a study at both sides of the Atlantic Ocean, in Paris and New York. His main contribution to history documentation is the 1870s "Albert Levy's architectural photographic Series" that consists of albums with 30-40 albumen photos of the Architecture of the United States, with a size of 20x24 cm approximately. There are around 36 series.
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Albert Levy was born in France in 1847 as the 1880s United States Federal Census demonstrates, showing that he was 33 years old in 1880. The New York Passengers list 1820–1957 indicates that he arrived to the United States in 1876 and his occupation was photographer.[2] His parents were born in France.[3] In 1880's United States Federal Census he was registered as bookseller.
There are indications that Albert Levy was a photographer who also worked variously as bookseller,[3] editor[4] and manufacturer.[5] His main occupation was photographer.[2] active between 1870s-1890s[6] He was also working in France in 1876 and in the United States in 1880s-1890s.[7] He was one of the few photographers to have two studios at the same time in America and Europe. Actually, he had several studios:
Apart from photographer and bookseller, he was also pioneer in the manufacture of the gelatin dry plates in 1878[5] Because of the work he developed he was an early competitor of George Eastman.[5][8]
Finally, he was an editor whose catalogue is in the Bibliothèque nationale de France(BnF) and in the Avery Architectural and Fine Arts Library.
The main occupation of Albert Levy was Architectural photography. He developed most of his work in the 1870s. He started working in Europe and then he move to the United States when he was 33 years old, but he still worked in Europe. His catalogue of 1887 (with 2500 titles) demonstrates that he did architectural photography in France, Italy, Germany, United Kingdom, Austria, the Netherlands, Switzerland and the United States. The took albumen photographies that collected with the following standards:
He focused his work on the new buildings of important architects like:
Important owners of the buildings he took photos are William Henry Vanderbilt, Cornelius Vanderbilt, William Kissam Vanderbilt, Samuel J. Tilden, Oliver Ames, John Harjés.
His most important contribution to history consists on the "Albert Levy's Architectural photographic series" that are a collection of at least[9] 36 albums with 30-40 albumen prints of the architecture of the United States in the 1870s. In these series there are photos of Washington, Baltimore, Boston, New York, Philadelphia, Albany, Chicago, Cleveland, Brooklyn N.Y., Rochester, Buffalo, Detroit and Milwaukee among others. He used to create the series depending on the type of buildings been photographed. Some of the series are[10][11][12]:
This unique archive of the Architecture of the United States in the 19th century was lately edited by Andre, Daly fils et Cie. (French editors specialized in Architecture) to collect the best of the Albert Levy's architectural series in the album "L'Architecture Americaine" and show it in Europe. This collection consists of 3 series of albums:
Each series has 36 photos. All of them are described in the book "American Victorian Architecture".[13]
The main holders of his photos are:
Some examples of his work can be found at the HALIC old link or HALIC new link (Historical Architecture and Landscape Image Collection) of the Art Institute of Chicago. Browse for "Levy".
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