Albert Londe

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Londe, Albert (1858-1917), one of the leading French medical photographers of the 19th century. From 1882 to 1903 he worked at the Salpêtrière Clinic in Paris under its director Jean-Martin Charcot, creating the photographs of female patients that served as evidence for the Salpêtrière doctors' specific theory of hysteria. In fact, however, they were wholly staged representations in which doctor, patient, and photographer all collaborated. Londe also revived the photographically illustrated journal Iconographie de la Salpêtrière; in 1893 developed a twelve-lens camera that could take a rapid succession of pictures; and in 1895 constructed an ultra-high-speed shutter. Also that year he introduced X-rays into French medical photography. With Paul Richer he worked on the photography of movement. His principal publications were La Photographie médicale: application aux sciences médicales et physiologiques (1893) and Traité pratique de radiographie et de radioscopie: technique et applications médicales (1898). Londe belonged to the Société Française de Photographie from 1879, and in 1887 co-founded the Société d'Excursions des Amateurs Photographes.

— Jens Jaeger

Bibliography

  • Bernard, D., and Gunthert, A., L'Instant rêvé, Albert Londe (1993)
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Chronophotographic image by Londe of what was described as an attack of hysteria.
Étienne-Jules Marey: Albert Londe's 12-lens camera, 1893

Albert Londe (1858–1917) was an influential French photographer, medical researcher and chronophotographer.[1] He is remembered for his work as a medical photographer at the Salpêtrière Hospital in Paris, funded by the Parisian authorities, as well as being a pioneer in X-ray photography.

During his two decades at the Salpêtrière, Albert Londe developed into arguably the most outstanding scientific photographer of his time.

In 1878 neurologist Jean-Martin Charcot hired Londe as a medical photographer at the Salpêtrière.[2] In 1882 Londe devised a system to photograph the physical and muscular movements of patients (including individuals experiencing epileptic seizures). This he accomplished by using a camera with nine lenses that were triggered by electromagnetic energy, and with the use of a metronome he was able to sequentially time the release of the shutters, therefore taking photos onto glass plates in quick succession. A few years later Londe developed a camera with twelve lenses for photographing movement.

Londe's camera was also used for medical studies of muscle movement in subjects performing actions as diverse as those of a tightrope-walking and blacksmithing. The sequence of twelve pictures could be created for durations from 1/10 of a second to several seconds.

Although the apparatus was used primarily for medical research, Londe noted that it was portable, and he used it for other subjects - for example, horses and other animals and ocean waves. General Sobert developed, in conjunction with Londe, a chronophotographic device used to study ballistics. Londe's pictures were used as illustrations in several books, most notably those by Paul Richer, that were widely read by the medical and artistic fraternity.

With Étienne-Jules Marey (1830–1904), Londe performed many photographic experiments of movement, and the layout of his laboratory at the Salpêtrière was similar to Marey's renowned Station Physiologique. In 1893 Londe published the first book on medical photography, titled La photographie médicale: Application aux sciences médicales et physiologiques. In 1898 he published Traité pratique de radiographie et de radioscope: technique et applications médicales.

Londe also published six journals. Albert Londe's 12-lens camera of 1891 was illustrated in the journal 'La Nature', 1893.

Written Works

  • Anatomie pathologique de la moelle epiniere (1891) [with Paul Oscar Blocq]
  • In 1893 Londe published the first book on medical photography, titled La photographie médicale: Application aux sciences médicales et physiologiques.
  • In 1898 he published Traité pratique de radiographie et de radioscope: technique et applications médicales.

See also

History of photography

References

  1. ^ "Who's Who of Victorian Cinema". http://www.victorian-cinema.net/londe.htm. Retrieved 2007-07-23. 
  2. ^ Kemp,Martin (1997). Thomas, Ann. ed. Beauty of Another Order, Photography in Science. Yale University Press. p. 134. 

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