Samain, Albert (1858-1900). The acclaim which greeted the publication in 1893 of Au jardin de l'Infante made Samain one of the most popular French poets of the late 19th c. Heavily influenced by Baudelaire, Verlaine, and Poe, his lyrical poetry expresses in a minor key some of the essential elements of fin-de-siècle sensibility: the nostalgic melancholy and fleeting sensations characteristic of the Decadence, but without its lurid eroticism; the musical and mystical tendencies of the Symbolist aesthetic, but without its metaphysical ambition. Subsequent volumes (Aux flancs de vase, 1898, and Contes, 1902) reiterate the tone of delicate and refined langour related in no small measure to his permanently fragile health.
[James Kearns]
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Albert Victor Samain (April 3, 1858 — August 18, 1900) was a French poet and writer of the Symbolist school.
Born in Lille, his family were Flemish and had long lived in the town or its suburbs. At the time of the poet's birth, his father, Jean-Baptiste Samain, and his mother, Elisa-Henriette Mouquet, conducted a business in "wines and spirits" at 75 rue de Paris. [1] Samain's father died when he was quite young; it was necessary for him to leave school and seek a trade. He moved to Paris in around 1880, where his poetry won him a following and he began mixing with avant-garde literary society, and began publicly reciting his poems at Le Chat Noir. His poems were strongly influenced by those of Baudelaire, and began to strike a somewhat morbid and elegiac tone. He also was influenced by Verlaine; his works disclose a taste for indecisive, vague imagery. Samain helped found the Mercure de France, and also worked on the Revue des Deux Mondes.
Samain published three volumes of verse: Le jardin de l'infante (1893), which made him famous; Aux flancs du vase (1898) and Le Chariot d'or (1901). His poetic drama Polyphème was set to music by Jean Cras. Samain died of tuberculosis.
Camille Saint-Saëns set poems of Samain to music: "Six Mélodies sur des poésies d'Albert Samain" op.31 (1902-1906; orchestrated 1921)
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