(b Rome, 1668; d Rome, 16 Nov 1729). Italian architect, urban planner and engraver. He studied architecture in the studio of Carlo Fontana and assisted in the construction of Fontana's chapel of St Fabian (c. 1706) in S Sebastiano fuori le Mura in Rome. From at least 1684 he produced sets of architectural engravings (see fig.). Many of these were published by Giovanni Giacomo de' Rossi and his son Domenico de' Rossi ( fl 1684-1721), including 52 engravings for Quarto libro del nuovo teatro di palazzi di Roma (Rome, 1699; see fig.); some of the original plates are housed in the Calcografia Nazionale in Rome. Domenico de' Rossi's Studio d'architettura civile (1702-21) provides an architectural record of the city of Rome in 286 plates engraved by Specchi.
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Alessandro Specchi (1668 – November 16, 1729) was an Italian architect and engraver. Born in Rome, he trained as an architect under Carlo Fontana. He also specialized as an engraver and made a well known series of plates for prints of vedute or views of Rome [1]
As an architect, he was influenced by Francesco Borromini. His first major constructed work was the design of the Baroque Porto di Ripetta, the port of Rome, on the banks of the River Tevere or Tiber. This was destroyed in the late 19th century with the development of flood defences and the river bank road of Lungotevere, and replaced by Rome's Ponte Cavour), and his fountain at the top of the port was moved to a nearby site.
In 1711 he became a member of the Academy of St. Luke, the artists' academy in Rome.
As the papal architect, he submitted a design for the famous Spanish Steps leading up from the Piazza di Spagna to the French church of the Trinità dei Monti, but the proposal by the little known Italian architect Francesco de Sanctis was preferred by the French monks and the Steps were constructed to his design between 1723 and 1728.
He designed and was involved with alterations to various Roman palaces: he designed the Palazzo de Carolis on the Via del Corso (now the headquarters of the Banco di Roma), the Palazzo Pichini; and made alterations to the Palazzo Verospi and the Palazzo Albani, and additions to the Palazzo del Quirinale. His design for the church of the Bambino Gesu was not carried out due to lack of finance and he added the upper facade to Vignola's church of Saint Anne in Vatican.[2]
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