Alfonso Daniel Rodríguez Castelao

Statue of Rodríguez Castelao in Rianxo.

Alfonso Daniel Rodríguez Castelao (30 January 1886 – 7 January 1950), most commonly known as simply Castelao, was a Galician writer in Galician language and one of the main symbols of Galician nationalism. As a politician, caricaturist, painter, and writer, he is one of the leading figures of Galician identity and culture, and one of the main names behind the cultural movement Xeración Nós. He was also one of the founders and president of the Partido Galeguista (Galicianist Party).

Early life and youth (1886–1929)

Alfonso Daniel Rodríguez Castelao was born on 30 January 1886 in Rianxo, Galicia.

He spent his childhood and adolescence in Santa Rosa de Toay, Argentina. In 1900, the Rodríguez Castelao family returned to Rianxo.

Rodríguez Castelao's family home in Rianxo

In 1908 he obtained his degree in Medicine from the University of Santiago de Compostela. During his university years Rodríguez Castelao joined the tuna, with which he visited Portugal in a number of occasions. He passed his doctorate in Madrid in 1909, where he began to gain some popularity as a caricaturist and cartoon artist.^[1] In fact, Rodríguez Castelao often admitted he only studied medicine to please the wishes of his father. He rarely practiced medicine professionally despite having the credentials for it.^[2] He eventually settled down in Rianxo, where he joined the political movement Acción Gallega ("Galician Action"). As a caricaturist, Rodríguez Castelao focussed on the everyday in a humorous way, although after experiencing the Spanish Civil War, he turned to using his art to denounce the cruelties of Fascism in a collection of paintings. His paintings would also depict casual moments of Galician life and culture.

In 1916, he moved to Pontevedra, where he joined the Irmandades da Fala ("Brotherhoods of the Language"). Rodríguez Castelao developed an emotional attachment with Pontevedra and frequently claimed he wanted to be considered a native of that city; he even expressed a will to be buried there and not back in his original Rianxo or elsewhere.^[3] Also in 1916, he participated in the Asembleia Nazonalista de Lugo ("Nationalist Assembly of Lugo"), signing a key^{[citation needed]} declaration for the history of Galician nationalism.

In 1920, he starts publishing the magazine Nós, together with Vicente Risco and Otero Pedrayo. That same year he travelled through France, the Netherlands and Germany. In 1922, he wrote the novel Un Ollo de Vidro and in 1924 he joined the Seminário de Estudos Galegos ("Seminar of Galician Studies") and founded the Coral Polifónica de Pontevedra ("Pontevedra Polyphonic Choir"; as he was an amateur musician). Two years, in 1926, he published Cousas. He travelled to Brittany in 1928 to study stone crosses and publish As Cruces de Pedra na Bretaña. That is also the year when his only son dies at the age of 14.

Political career (1930–1950)

Statue of Rodríguez Castelao in his adoptive city of Pontevedra

From 1930 Rodríguez Castelao's political activism intensifies even further. His life and work always revolved around politics and his Galician nationalist ideas. In his book Sempre en Galiza^{[page needed]} he states that all his works, talent and efforts would always be used for the profit of the Galician cause.

In 1930, he founded the Federación Republicana Galega ("Galician Republican Federation") at Lestrove Palace and participated in the meetings of the Partido Nacionalista Republicano Galego ("Galician Republican Nationalist Party") and in the assembly for the Federal State of Galicia. The next year he published the book Nós and became the official representative of the Partido Galeguista to the Cortes Generales. In 1934, he published Retrincos, Os Dous de Sempre and the a re-edition of Cousas.^[4]

He became member of the Real Academia Galega ("Royal Galician Academy") in 1933, and shortly after that, in 1935, he was forced into exile by the Spanish government to the Spanish city of Badajoz, in Extremadura, where he worked as a civil servant.^[5] It was then where he began to write what would become his key work, Sempre en Galiza. In 1936 he gained a seat at the Spanish parliament, this time representing the Frente Popular alliance (Popular Front, which included the Galicianist Party).

The Civil War began whilst Rodríguez Castelao was in Madrid presenting the results of the referendum for the Galician Statute of Autonomy, which had been approved by 98 per cent of voters, and in which Castelao had played a critical^{[citation needed]} role together with his personal friend Alexandre Bóveda. During the war he organised the Milicias Galegas ("Galician Militias") in collaboration with the Spanish Communist Party and declared his support to the government of the Spanish Republic. As the Francoist troops advanced Rodríguez Castelao moved to Valencia - where he still had time to publish Galicia Martir and Atila en Galicia - and later moved to Barcelona.

In 1938, he was sent by the Spanish government to the Soviet Union, the United States and Cuba, in order to obtain support for the Republic. From New York City he cruised to Buenos Aires, where in 1941 he performed for the first time the play Os vellos non deben de namorarse, Castelao's contribution to Galician theatre.

In 1944, while in Buenos Aires, he finished and published a seminal^{[citation needed]} work of Galician political theory: Sempre en Galiza (lit. "Always in Galicia"), which was in fact a compilation of three books (three parts) and a number of other texts. Sempre en Galiza is a work of paramount^{[citation needed]} importance as it sets the basis for the ideological development of contemporary Galician nationalism. It has been considered one of the most advanced political texts of its time.^[6][7] Also in that year he became the first president of the Consello de Galiza, the Government of Galicia in exile. In 1945, together with Catalonian and Basque intellectuals in exile, he founded the magazine Galeuzca as an evocation of the political alliance of 1933 between Galicia, Catalonia and the Basque Country. In 1946 he was appointed as Minister of the Spanish Republican government in exile, living in Paris.^[8] In 1947, back in Buenos Aires and after being diagnosed with lung cancer, he published As Cruces de Pedra na Galiza.

Rodríguez Castelao died on 7 January 1950 at the hospital of the Centro Gallego ("Galician Centre") in Buenos Aires. The Argentine Senate and the City of Buenos Aires erected monuments to honour him. Since then, most of his work has been translated and published into a number^{[citation needed]} of languages. In 1984, Rodríguez Castelao's remains were brought back to Galicia and he was buried at the Panteón de Galegos Ilustres ("Pantheon of Illustrious Galicians"), Bonaval, in the capital city of Santiago de Compostela.^[9]

Political views

Rodríguez Castelao was a Galician nationalist (heir of the early Galicianism), federalist, pacifist, progressist and internationalist. He accepted the autonomy granted to Galicia by the Second Spanish Republic as a tool to construct a possible Galician State, in federation with other Iberian nations. He was also a convinced pro-European. He wrote in Sempre en Galiza^{[page needed]} that one of his dreams was to "one day see the emergence of a 'United States of Europe' ".

At the end of his life, and as expressed in the final parts of Sempre en Galiza^{[page needed]}, Rodríguez Castelao became somewhat disappointed with the Spanish Republican politicians in exile, and began to discuss the advantages of a completely independent Galician State.

Idea of Spain

Rodríguez Castelao always used the term of Hespaña instead of España, taken directly from the old name Hispania. By using Hespaña he was in fact referring to the Iberian Peninsula as a whole, and not just to the country known as Spain. In fact, he would use the term España in a depreciative way, an example of the "past" and what "should be avoided". It was his ideal that a federation of "Iberian Nations" should emerge to create this new Hespaña. For Rodríguez Castelao these nations were: Castile, Catalonia, the Basque Country, Portugal and Galicia. He also implied that apart from creating the political conditions for it, cultural conditions (education) should also be provided.

(...) Hespaña, a name we had to sweeten by adding a letter in order to make it respectable to our eyes, since all we can say about its government is that it is hateful because it is even more hypocritical than simply tyrannical. If we remove of the word España all that it has of Castilian legacy (we just have to add a "h" to derive it from Hispania), we can embrace with it all the Peninsula, making it a synonymous of Iberia

.

—Castelao, Sempre en Galiza^{[page needed]}, 1944

Rodríguez Castelao did not support the classical idea of Iberian Federalism, as this advocated for the union of the two Iberian States, Spain and Portugal as such, and not of what he considered to be the real five nations of Iberia. He pointed out that before these nations could federate the Spanish State should "break up" first, so all nations could pact entering the new federation on equal political terms, as free-states. He resented that Spain had a desproportionate influence from Castile, which was taking over the other nations and regions.

Then again, Rodríguez Castelao seemed to have gained a sympathy for the idea of full independence for Galicia in the last years of his life, as succinctly mentioned in Sempre in Galiza and in a number of late texts and letters.

We are "secessionist" when we defend the intrinsic values of our nation, and we are "unionist" when we consider that there is a need to co-ordinate our relative values with the relative values of the rest of Hespaña and the World.

—Castelao, op. cit.^{[page needed]}

The fundamental problem of Spain can only be resolved in two ways: federation or secession.

—personal letter to José Aguirre^{[page needed]}, 1943

From an ideological point of view I am willing to consider secession and all of its consequences, because I am a nationalist (...) (I would support an) open and frontal fight for our national independence, in case no other possibility of federation or confederation with Spain was possible

—personal letter to José Aguirre^{[page needed]}, June 1944

Language

Although bilingual in Galician and Spanish, Rodríguez Castelao always wrote and published in Galician, with very rare exceptions. He was a keen defender of Galician culture and considered the language to be the key element of cohesion among the Galician people. In Sempre en Galiza^{[page needed]} he stated "If we are Galician that is because of the language". Castelao often criticised the imposition of Spanish language in Galicia, and demanded for Galician to become an official language and thus the preferred language in the administration and education.

Rodríguez Castelao could, in a way, be considered a pre-reintegrationist as he claimed that Galician and Portuguese had not just a common origin, but also a "common future"^{[page needed]}. In his travels to Portugal, and sporadically to Brazil while residing in Argentina, Rodríguez Castelao was impressed with how easily he could use his native Galician in order to communicate freely with Portuguese speakers.^[10][11]

Galician is a wide-spread and useful language which - with small variations - is spoken in Brazil, Portugal and in the Portuguese colonies.

—Castelao, Sempre en Galiza^{[page needed]}, 1944

Nevertheless, Rodríguez Castelao never used Portuguese orthography in his writings, despite affirming that "I hope that one day Galician and Portuguese will, gradually and naturally, merge".^[12] Indeed, Rodríguez Castelao's political writings were addressed to a Galician audience mostly, hence he used a type of language and spelling that could be easily understood by all. Rodríguez Castelao always prioritised^{[citation needed]} his native language as a tool to unite Galicians. He did make use of old Galician words though, often common in Portuguese, as a way to progressively introduce them into colloquial speech; for example his preference for the term Galiza instead of Galicia for the name of the country.

Partial bibliography

• Cego da romería (1913)
• Diario (1921)
• Un ollo de vidro (1922)
• Memorias dun esquelete (1922)
• Cousas (1926, 1929)
• Cincoenta homes por dez reás (1930)
• As cruces de pedra na Bretaña (1930)
• Nós (1931)
• Os dous de sempre (1934)
• Retrincos (1934)
• Galicia Mártir (1937)
• Atila en Galicia (1937)
• Milicianos (1938)
• Sempre en Galiza (1944)
• Os vellos non deben de namorarse (play represented in 1941, published posthumously in 1953)
• As cruces de pedra na Galiza (published posthumously in 1950)

Notes

References

• O nacionalismo galego, Beramendi, J. and Núñez Seixas, X.M., Vigo, A Nosa Terra, 1996
• Castelao humorista, López, S., Santiago de Compostela, Centro Ramón Piñeiro, 1996
• Fundamentos antropolóxicos da obra de Castelao, González Fernandez, A., Santiago de Compostela, Centro Ramón Piñeiro, 1999
• Castelao, propagandista da República en Norteamérica, González López, E., Sada, Do Castro, 2000
• Castelao, unha historia do nacionalismo galego, Méixome Quinteiro, C., Vigo, Do Cumio, 2000
• Castelao, defensa e ilustración do idioma galego, Monteagudo, H., Vigo, Galaxia, 2000
• Arredor de Castelao, García Negro, M.P., Vigo, A Nosa Terra, 2001
• Castelao e o Galeuzca, Estévez, X., Santiago de Compostela, Laiovento, 2002
• Castelao Pintor, Seixas Seoane, M.A., Vigo, Galaxia, 2006

External links

• Museo Castelao.org – Biography, bibliography, museum information (in Galician)
• Biography of Castelao (in English)
• Selected quotes from Castelao on language and politics (in Galician)
• "Castelao y Casares Quiroga" – article about Castelao and Santiago Casares Quiroga (in Spanish)
• "Theoretical Conceptualization of Emigration and Exile in Alfonso Rodriguez Castelao's Sempre en Galiza", by Mel Bohn (2006). Retrieved 27 September 2008.

See also

• Partido Galeguista (1931)
• Galician nationalism
• Galician Statute of Autonomy (1936)
• Galicianism (Galicia)