Kerr, Alfred, name adopted by Alfred Kempner (Breslau, 1867-1948, Hamburg). It is not a normal pseudonym, for the surname is used by his descendants. Kerr was one of the most influential dramatic critics of the years 1895-1920, writing on works which appealed to him with rare insight, and also with elegance, wit, and irony. He was one of the most forceful supporters of Naturalism, and of freedom in the theatre. His criticisms appeared in Der Tag, Die neue Rundschau and Das Berliner Tageblatt. From 1912 to 1914 he edited the periodical Pan. In 1933 he emigrated, settling in London.
In 1904 Kerr published Schauspielkunst, and in 1917 a selection of his criticism, Die Welt im Drama (5 vols.). A much travelled man, he was the author of O Spanien (1924), Yankeeland (1925), Es sei wie es wolle, es war doch so schön! (1928), and New York und London (1923). His poetry includes the collections Die Harfe (1917), Caprichos (1926), Melodien (1938), and the posthumous edition Gedichte (1955). The twelve poems of Der Krämerspiegel (1921) were set to music by R. Strauss. He expressed his views on the contemporary stage in Was wird aus Deutschlands Theater? (1932) and on National Socialism in Die Diktatur des Hausknechts (1934). Ich kam nach England was published in 1979 and Mit Schleuder und Harfe. Theaterkritiken aus drei Jahrzehnten in 1982.




