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Alice's Adventures in Wonderland (Characters)

 
Notes on Novels: Alice's Adventures in Wonderland (Characters)

Contents:

Introduction
Author Biography
Plot Summary
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
For Further Study


Characters

Alice

Alice is in some ways the most complex and the simplest of Carroll's characters. Her character was modeled on that of his young friend Alice Pleasance Liddell, middle daughter of the classics professor and dean of Christ Church College, Oxford. Although John Tenniel's illustrations of Alice look nothing like Alice Liddell — she had short, dark hair cut into bangs, while Tenniel's little girl has long blonde hair — some of the characteristics of Miss Liddell remain in the character of Carroll's Alice. Carroll described his dream-Alice in an article entitled "Alice on the Stage" as loving, courteous, "trustful, ready to accept the wildest impossibilities with all that utter trust that only dreamers know; and lastly, curious — wildly curious, and with the eager enjoyment of Life that comes only in the happy hours of childhood, when all is new and fair, and when Sin and Sorrow are but names — empty words signifying nothing!"

Carroll's Alice is all of these things and more. She is an ordinary person trying to make sense of a senseless situation and to understand the curious realm into which she has wandered. In Wonderland, Alice is caught in a predicament where none of the rules or logic she has learned does her any good. The creatures of Wonderland behave to her like the Victorian adults of her outside world: they ignore conventional rules in favor of rules of their own that make no sense to anyone but themselves. Alice tries to deal with them logically and fails; the dream only ends for her when she rejects their world in favor of the outside world.

Alice is also a reflection of her own society: in the early chapters of the book she is sometimes arrogant and careless of the feelings of others. Morton N. Cohen writes in his critical biography Lewis Carroll that Alice is the means through which Carroll criticizes and compliments Victorian society. "He wove fear, condescension, rejection, and violence into the tales, and the children who read them feel their hearts beat faster and their skin tingle, not so much with excitement as with an uncanny recognition of themselves, of the hurdles they have confronted and had to overcome. Repelled by Alice's encounters, they are also drawn to them because they recognize them as their own. These painful and damaging experiences are the price children pay in all societies in all times when passing through the dark corridors of their young lives." However, in the end, Cohen concludes, Alice overcomes the problems that face her and emerges a stronger person.

Alice's Sister

Alice's sister is unnamed throughout the course of the story. She appears briefly at the beginning — the book she is reading launches Alice on her dream voyage — and in a more lengthy passage at the end of the book, in which she herself dreams about the adventures Alice has just had. Alice's sister offers an adult perspective to the entire Wonderland adventure, interpreting Alice's dream in her own way and then going on to dream about Alice's own future.

Alice Pleasance Liddell, Carroll's model for the character Alice, had in fact two sisters: Lorina Charlotte, three years older than herself, and Edith, two years younger. Alice's sister apparently is based on neither of the two other Liddells. If there is a historical character that Alice's sister is supposed to represent, it is probably Carroll himself.

Baby

See Pig Baby

Bill the Lizard

Bill is a lizard, one of the White Rabbit's helpers. He is sent down the chimney of the White Rabbit's house to get Alice out of the place.

Canary

Canary is one of the birds that flee Alice's company after she begins to talk about her cat Dinah. The Canary "called out in a trembling voice, to its children, 'Come away, my dears! It's high time you were all in bed!'"

Caterpillar

Alice meets the Caterpillar and spends most of Chapter 5 trying to understand his twisted logic. When she first encounters him, the Caterpillar is sitting on a mushroom and smoking a hookah, a type of water pipe from the Middle East. It is at the Caterpillar's insistence that Alice recites Carroll's "You Are Old, Father William" — a parody of Robert Southey's poem "The Old Man's Comforts and How He Gained Them." Although he is initially very rude to Alice, the Caterpillar finally tells her that the mushroom will help her control her height.

Cheshire Cat

The Cheshire Cat first appears in the kitchen with the Duchess, the Cook, and the Baby. It has an unusual grin, as well as the strange ability to fade into invisibility — sometimes one part at a time. The Cheshire Cat is one of the few animals in Wonderland that apparently has some sympathy with Alice. He guides her on the next step of her journey (the Mad Tea Party) and is the subject of what may be Alice's Adventures in Wonderland's most quoted line: "'Well! I've often seen a cat without a grin,' thought Alice; 'but a grin without a cat! It's the most curious thing I ever saw in all my life!'" The Cat reappears and provokes an argument between the executioner and The King of Hearts about whether one can decapitate a bodiless character.

The Cheshire Cat's grin is one of the most debated questions about Alice's Adventures in Wonderland. Why does the Cheshire Cat grin? There was a common phrase in Carroll's time, "to grin like a Cheshire Cat," but no one really knows how the phrase originated. One theory holds that the grin is based on pictures of grinning lions that a local painter used to paint on the signboards of inns. Another states that Cheshire cheeses were sometimes molded into the shape of grinning cats. Carroll, who was born in the county of Cheshire, could have known both theories. Although he is one of the most popular characters in the Alice stories, the Cheshire Cat does not appear in the original manuscript version, Alice's Adventures Under Ground.

Cook

The Cook serves in the Duchess's kitchen. She is primarily noted for two qualities: she throws things (mostly kitchen utensils) at the Duchess and the Baby, and she cooks with an excessive amount of pepper, which causes the Baby and the Duchess to sneeze. She appears again as a witness against the Knave of Hearts.

Crab

See Old Crab

Dinah

Dinah is Alice's cat. She does not appear in person. It is Alice's thoughtless talking about her cat that finally alienates the animals and birds. "Dinah" was also the name of a cat owned by the Lid-dell girls.

Dodo

The Dodo appears in the drying-off sequence. He suggests the Caucus-Race as a means of drying off and later calls on Alice to provide the prizes for the winners. In the original manuscript, the Dodo makes the suggestion to move the party to a nearby house to dry off.

Like the Mouse and the Duck, the Dodo represents another of the characters who traveled on the "golden afternoon" on which the Alice story was first composed. According to a note in Martin Gardner's The Annotated Alice, the Dodo was Carroll himself. "When Carroll stammered he pronounced his name 'Do-Do-Dodgson,' and it is amusing to note that when his biography entered the Encyclopaedia Britannica it was inserted just before the entry on the Dodo."

Dormouse

Dormouse is the third character at the Mad Tea Party. The name is actually derived from the Latin verb dormire, which means "to sleep." It looks more like a small squirrel than a mouse. It hibernates during the winter and sleeps during the day, so the name is quite appropriate. Since Alice is touring Wonderland during the day, the Dormouse is very sleepy. Nevertheless, it is able to participate in the tea party and even begins a nonsense tale before falling to sleep again. Martin Gardner reports in The Annotated Alice that the Dormouse may have been inspired by the pet wombat of Dante Gabriel Rossetti, a noted literary figure of Carroll's time. Rossetti's wombat "had a habit of sleeping on the table," Gardner writes. "Carroll knew all the Rossettis and occasionally visited them." The Dormouse does not appear at all in Carroll's original manuscript story, Alice's Adventures Under Ground.

Duchess

When Alice first encounters the Duchess, she is sitting in the kitchen with the Cook and the Cheshire Cat, and she holds the Baby who will later turn into a Pig. She also sings the Carrollian poem "Speak Roughly to Your Little Boy," a parody of a Victorian verse about manners. She also abuses the Baby by shaking it and tossing it up into the air, and at the end of the poem she throws it at Alice.

John Tenniel's famous big-mouthed illustration of the Duchess from the original edition of the novel is probably based on a portrait of Margaretha Maultasch, a duchess of Carinthia and Tyrol during the fourteenth century. Martin Gardner, in his The Annotated Alice, reports that "'Maultasch,' meaning 'pocket-mouth,' was a name given to her because of the shape of her mouth." He also explains that Margaretha "had the reputation of being the ugliest woman in history." Carroll's Duchess appears again, and is now very friendly to Alice. Then it is revealed that the Queen had sentenced her to death, and she leaves quickly.

Duck

The Duck is one of the birds that gets caught in the pool of Alice's tears. The Duck gets into an argument with the Mouse over the interpretation of a pronoun in the "dry" passage of English history that the Mouse reads. The Duck originally represented Reverend Robinson Duckworth, a companion of Carroll and the Liddell sisters on the "golden afternoon" on which Carroll told Alice Liddell the story that became Alice's Adventures in Wonderland.

Eaglet

The Eaglet is one of the animals caught in the pool of tears. She demands that the Dodo "speak English" and adds, "I don't know the meaning of half those long words, and, what's more, I don't believe you do either!" The Eaglet represents Alice Liddell's younger sister Edith Liddell.

Father William

Father William is the title character of Carroll's parody poem "You Are Old, Father William," a takeoff of Robert Southey's didactic poem "The Old Man's Comforts and How He Gained Them." Carroll's poem inverts the didactic purpose of Southey's original. While the Old Man in Southey's poem won his comforts through thriftiness, conservative behavior, and religious devotion, Carroll's Father William moves through his old age by refusing to conform to Victorian norms. While Southey's young man seeks to understand his father's good health and good humor, Carroll's young man seeks information only to satisfy his curiosity. Carroll's poem ends with Father William's threat to kick his son downstairs.

Father William's Son

Father William's Son is the other character in Carroll's parody poem "You Are Old, Father William," a take-off of Robert Southey's didactic poem "The Old Man's Comforts and How He Gained Them." While Southey's young man seeks to understand his father's good health and good humor, Carroll's young man seeks information only to satisfy his curiosity. Carroll's poem ends with Father William's threat to kick his son downstairs.

Fish-Footman

The Fish-Footman brings an invitation to the Duchess from the Queen to play croquet.

Five of Spades

Five of Spades is one of the gardeners Alice discovers in the Queen's garden who are painting the white roses red.

Frog-Footman

The doorman at the house of the Duchess, the Frog-Footman goes outside to accept the invitation from the Queen for the Duchess to play croquet that afternoon. He then poses a logical conundrum for Alice: since he can only answer the door from inside the house, how is she to get in? Alice discusses the problem with him for some time before she finally gives up, opens the door to the Duchess's house herself, and goes in.

Griffin

The Gryphon is assigned by the Queen of Hearts to be Alice's guide and takes her to see the Mock Turtle. He is one of the more sympathetic characters in the novel, and he treats Alice better than most of his fellow Wonderland creatures.

Gryphon

See Griffin

Guinea Pigs

Guinea Pigs appear in several different roles in Alice's Adventures in Wonderland. A couple of them serve as the White Rabbit's servants and help revive Bill the Lizard after Alice kicks him up the chimney in Chapter IV. Another couple — or perhaps the same ones — serve as jurors in the trial of the Knave of Hearts in Chapters XI and XII.

King of Hearts

The King of Hearts first makes his appearance at the Queen's croquet party, but his most important role is as the conductor of the Knave of Heart's trial. He objects to the Cheshire Cat's rudeness and sentences the animal to lose its head. He is not as forceful as his wife, the Queen of Hearts, but he shares with her and the other Wonderland characters a form of logic that first confuses Alice, then irritates her.

Knave of Hearts

Made of cardboard, the Knave (or Jack) of Hearts makes a brief appearance in Chapter 8. He is later arrested and held for trial on the charge of stealing the Queen's tarts.

Lory

Lory is a type of Australian parrot who gets into an argument with Alice, and "at last turned sulky, and would only say, 'I'm older than you, and must know better.'" Critics agree that the Lory represents Lorinda Liddell, Alice's older sister, who was also a participant on the "golden afternoon" on which the concept of Alice's Adventures in Wonderland was composed.

Mad Hatter

The Mad Hatter, like his friend the March Hare, is stuck in an endless tea time. In Carroll's time, hat makers regularly used mercury to treat their hats, and mercury vapor is poisonous. It can cause hallucinations as well. The depiction of the Hatter in the original illustrations by John Tenniel may be based in part on an Oxford furniture dealer named Theophilus Carter. "Carter," says Martin Gardner in his The Annotated Alice, "was known in the area as the Mad Hatter, partly because he always wore a top hat and partly because of his eccentric ideas." Carter invented a bed that tossed the sleeper out on the floor when the alarm went off, which "may explain why Carroll's Hatter is so concerned with time as well as with arousing a sleepy dormouse." His poem "Twinkle, Twinkle, Little Bat" parodies Jane Taylor's song "The Star," and he proposes the famous riddle "Why is a raven like a writing-desk?" He appears again as a witness in the trial of the Knave of Hearts. He does not appear at all in Carroll's original manuscript story, Alice's Adventures Under Ground.

Magpie

See Old Magpie

March Hare

The March Hare hosts the Mad Tea Party. He is called the March Hare because he is mad. In England March is the breeding season for hares, and they often act strangely during the month. With his friends the Mad Hatter and the Dormouse, he is stuck in a perpetual tea party, in which time never progresses and tea never ends. He is very argumentative and challenges almost all of Alice's remarks by challenging the meanings of specific words. When Alice leaves the tea party, she looks back to see the Hatter and the Hare trying to drown the Dormouse in a teapot. He later appears as a witness in the trial of the Knave of Hearts. He does not appear at all in Carroll's original manuscript story, Alice's Adventures Under Ground.

Mary Ann

Mary Ann is the White Rabbit's servant. He mistakes Alice for her in Chapter IV, but she never actually appears in the book.

Mock Turtle

The Mock Turtle is a character who has the front limbs and shell of a turtle and the head and hind limbs of a calf, because "mock turtle soup" is made from veal. In Chapters 9 and 10 he entertains Alice with the story of his education (liberally sprinkled with puns) and the song known as "The Lobster Quadrille" — a parody of a poem by Mary Howitt called "The Spider and the Fly." He also performs "Beautiful Soup," a Carrollian parody of a popular song, "Star of the Evening," that Carroll had heard the Liddell sisters sing on occasion.

Mouse

Mouse is the first creature Alice meets after she falls into the pool of her own tears she had cried while she was nine feet tall. Alice inadvertently offends the Mouse by talking about her cat Dinah, but the Mouse forgives her and tries to help her dry off by reciting a passage from a very dry — in the sense of boring — book of English history. Later the Mouse tells her and the other assembled animals "The Mouse's Tale," perhaps the most famous example in English of "figured" verse, poetry in which the shape of the poem reflects something of the poem's subject matter.

In the original manuscript, the Mouse was held to represent Alice Liddell's governess Miss Prickett. The book with the very dry passage that the Mouse quotes was an actual book of English history that Miss Prickett used to teach the Liddell children.

Old Crab

The Old Crab gives a moral lesson to her daughter: "Let this be a lesson to you never to lose your temper!"

Old Magpie

The Old Magpie is one of the "curious creatures" from the pool of tears. When Alice begins to talk about her cat Dinah, the Old Magpie declares, "I really must be getting home: the night-air doesn't suit my throat!" and leaves.

Pat

Pat is the White Rabbit's manservant. He speaks with an Irish brogue and tries to get Alice out of the White Rabbit's house.

Pig Baby

The Baby first appears in Chapter 6, where he is alternately wailing at the Duchess and sneezing from the Cook's pepper. After Alice rescues him from the Duchess's abuse and the Cook's thrown dishes, he changes into a Pig. Martin Gardner, in his The Annotated Alice, suggests that Carroll made the Baby change into a Pig because of his low opinion of little boys.

Pigeon

Alice encounters the Pigeon after the Caterpillar's mushroom has made her grow up over the surrounding trees. The Pigeon mistakes her for a serpent because Alice's neck has grown very long. The Pigeon cannot conceive of anything that long and serpent-like being anything but a serpent and refuses to accept the idea that Alice does not want to eat her eggs.

Puppy

Alice encounters the Puppy toward the end of Chapter 4, after she shrinks to a height of three inches. Because of her smallness the playful puppy poses a serious threat to Alice, and she is forced to run away from it. She compares playing with the Puppy to "having a game of play with a cart-horse, and expecting every moment to be trampled under its feet."

Queen of Hearts

The Queen of Hearts is the driving force behind Wonderland. She constantly orders the execution of her subjects, but her command "off with his head!" is never carried out. It is fear of her anger that motivates the White Rabbit at the beginning of the book, and it is fear of the queen that suppresses the Duchess's behavior. Alice's own anger at the Queen's illogical, reckless behavior makes her overturn the conventions of Wonderland and break out of her dream at the end of the book. In "Alice on the Stage," Carroll wrote, "I pictured to myself the Queen of Hearts as a sort of embodiment of ungovernable passion — a blind and aimless Fury." "Her constant orders for beheadings," explains Martin Gardner in his The Annotated Alice, "are shocking to those modern critics of children's literature who feel that juvenile fiction should be free of all violence and especially violence with Freudian overtones."

Seven of Spades

The Seven of Spades is one of the gardeners Alice discovers in the Queen's garden who are painting the white roses red.

Sister

See Alice's Sister

Two of Spades

The Two of Spades is one of the gardeners Alice discovers in the Queen's garden who are painting the white roses red.

William

See Father William

White Rabbit

White Rabbit is the first character that Alice meets in her dream wonderland. He looks much like any other white rabbit, with a white coat and pink eyes, but he wears a waistcoat (vest) and carries a large gold watch. John Tenniel's illustration from the first edition of the novel shows him wearing a jacket and carrying an umbrella. He also speaks English, but to Alice his clothes and watch are his most amazing characteristics. In the second chapter he drops his white kid gloves and a fan, which Alice picks up; it is the fan that causes her to shrink to below her normal size. (In the original manuscript, Alice's Adventures Under Ground, the fan was replaced by a nosegay, a small bouquet of flowers.) Later he mistakes Alice for his maidservant Mary Ann.

The White Rabbit, with his preoccupation with time and clothing, is in many ways a representative Victorian adult. Carroll wrote about him in the article "Alice on the Stage": "For her 'youth,' 'audacity,' 'vigour,' and 'swift directness of purpose,' read 'elderly,' 'timid,' 'feeble,' and 'nervously shilly-shallying,' and you will get something of what I meant him to be." "I think the White Rabbit should wear spectacles," the author continued. "I am sure his voice should quaver, and his knees quiver, and his whole air suggest a total inability to say 'Boo' to a goose!"

Media Adaptations

  • Alice's Adventures in Wonderland came to the stage quite early in its history. Carroll himself wrote about an early stage version of his story, written by Henry Savile Clarke and produced in London in November, 1886, in a late article entitled "Alice on the Stage." Later dramatizations produced under the title Alice in Wonderland, but usually based on both Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There, include adaptations by Eva Le Gallienne and Florida Friebus, Samuel French, 1932; by Madge Miller, Children's Theatre Press, 1953; and by Anne Coulter Martens, Dramatic Publishing, 1965.
  • But Never Jam Today, an African American adaptation for the stage, was written in 1969. Other dramatic adaptations include Alice and Through the Looking Glass by Stephen Moore, 1980; Alice, by Michael Lancy, 1983; Alice, a Wonderland Book, by R. Surrette, 1983; and Alice (a ballet) by Glen Tetley, 1986.
  • The first movie featuring Alice was Alice in Wonderland, produced by Maienthau, 1914, featuring Alice Savoy. Another was produced the following year by Nonpareil. Other versions were released by Pathe Studios in 1927 and by Macmillan Audio Brandon Films. The most famous film versions of Alice include: the 1933 Paramount version, featuring Charlotte Henry as Alice and a variety of contemporary Paramount stars (including Gary Cooper as the White Knight, Cary Grant as the Mock Turtle, W. C. Fields as Humpty Dumpty, and Edna May Oliver as the Red Queen); a 1950 satirical version by the French company Souvaine; Walt Disney Production's 1951 animated feature film featuring the voice of Kathryn Beaumont as Alice (available from Walt Disney Home Video); another animated feature by Hanna Bar-bera in 1965, featuring many of their cartoon stars (including Fred Flintstone and Barney Rubble) in leading roles; Alice's Adventures in Wonderland, released by American National in 1972 and featuring Michael Crawford as the White Rabbit, Dudley Moore as the Dormouse, and Peter Sellers as the March Hare (available from Vestron Video); and Alice, a disturbingly surrealistic view of Carroll's universe directed by Jan Svankmajer and released by Film Four in 1988 (available from First Run/Icarus Films).
  • Among the numerous recordings featuring Alice and produced under the title Alice in Wonderland include one from the 1950s narrated by Cyril Ritchard, Wonderland; one narrated by Christopher Casson, Spoken Arts, 1969; one from the 1970s, narrated by Stanley Holloway with Joan Greenwood as the voice of Alice, Caedmon, 1992; one narrated by Flo Gibson, Recorded Books, 1980; one read by William Rushton, Listen for Pleasure, 1981; one read by Christopher Plummer, Caedmon, 1985; an audio CD read by Sir John Gielgud, Nimbus, 1989; a four-cassette unabridged performance by Cy-bill Shepherd and Lynn Redgrave, Dove Audio, 1995; and a BBC Radio version with Alan Bennett as narrator, Bantam Books Audio, 1997. A recording of Eva Le Galienne's stage adaptation Alice in Wonderland, featuring Bambi Linn as Alice, was released by RCA Victor in the 1940s. Several other records were also released in connection with the Disney film.
  • A number of television adaptations of the "Alice" books have also been made. In 1955, NBC television broadcast the Eva Le Gallienne and Florida Friebus stage play on "The Hallmark Hall of Fame." The television version featured Gillian Barber as Alice, Martyn Green as the White Rabbit, puppeteer Burr Tillstrum as the Cheshire Cat, Elsa Lancaster as the Red Queen, and coauthor Le Gallienne as the White Queen. A television special entitled "Alice through the Looking Glass" was broadcast on NBC in 1966; it was a musical and featured Jimmy Durante as Humpty Dumpty, and Tom and Dick Smothers as Tweedledum and Tweedledee. Another all-star television adaptation featured Red Buttons, Ringo Starr, Sammy Davis Jr., Steve Allen, Anthony Newley, Steve Lawrence, and Eydie Gorme. It aired in 1985 and is available on video from Facets Multimedia.

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