Sarah Kernochan wrote and directed this nostalgic coming-of-age comedy-drama with some autobiographical touches. In 1963, budgetary problems at the East Coast boarding school Miss Godard's School for Girls, prompt a merger with a boy's academy. The girls are stunned at the prospect of going co-ed and devise a campaign to sabotage the plan. Screenwriter Kernochan, scripter of Sommersby and 9 1/2 Weeks, won an Oscar when she co-directed the 1972 documentary Marjoe, but this film marks her feature directorial debut creating comedy-drama. The upstate New York seen here is actually Toronto. The title created some confusion, since Kernochan's film received reviews the same month the 1998 New York Film Festival unspooled a new 35mm print of Sergei Eisenstein's silent classic Strike (1924). ~ Bhob Stewart, Rovi
Review
Appealingly lightweight despite the handful of "women's issues" crammed into its script, this comedy anticipated the Dead Poets Society-for-girls concept of Mona Lisa Smile by several years -- but without the syrupy sentimentality and political bombast. Writer/director Sarah Kernochan wisely casts a wide range of appealing teens, from indie stalwart Heather Matarazzo to future Hollywood it-girl Kirsten Dunst (who would later star in Mona Lisa Smile). Despite the occasional anachronism or emotional off-note in Kernochan's script, these actresses succeed in bringing the film's 1960s boarding-school milieu to life with far more charm and vigor than the film's modest production values would seem to forecast. Their den mother in this endeavor is Lynn Redgrave, essaying the comic role of a stuffy headmistress with the exaggerated aplomb of a theater person slogging her way through the indie-film trenches. All I Wanna Do may tell a familiar coming-of-age tale, but it tells it well, with young female characters whose personal quirks outweigh their origins in central casting. ~ Brian J. Dillard, Rovi