Allan Cunningham

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Cunningham, Alan (1784–1842), Scottish writer and commentator on Border traditions. The actual author of publisher R. J. Cromek's Remains of Nithsdale and Galloway Song (1810), Cunningham presented his own fairy poems, including ‘The Mermaid of Galloway’ and ‘We Were Sisters, We Were Seven’, as authentic folklore materials. He also wrote several stories involving fairy abductions, ‘The Haunted Ships’ and ‘Elphin Irving: The Fairies’ Cupbearers' for his Traditional Tales of the English and Scottish Peasantry (1822). The valuable appendices he wrote for the Remains include essays on the ‘Scottish Lowland Fairies’ and on the mischievous brownie, Billie Blin.

— Carole Silver

Cunningham, Allan, 1784-1842, Scottish author. His collection of The Songs of Scotland, Ancient and Modern (4 vol., 1825) included his own "A Wet Sheet and a Flowing Sea," one of the best-known sea ballads. His six-volume Lives of the Most Eminent British Painters, Sculptors, and Architects appeared from 1829 to 1833.
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Allan Cunningham (author)

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There was also a botanist named Allan Cunningham, see Allan Cunningham (botanist)
For the soldier Alan Cunningham see Alan Gordon Cunningham
Allan Cunningham, Henry Room, c.1840

Allan Cunningham (7 December 1784 – 30 October 1842) was a Scottish poet and author.

He was born at Keir, near Dalswinton, Dumfriesshire, and first worked as a stonemason's apprentice. His father was a neighbour of Robert Burns at Ellisland, and Allan with his brother James visited James Hogg, the "Ettrick shepherd", who became a friend to both. Cunningham's other brothers were the naval surgeon Peter Miller Cunningham (1789–1864) and the poet, Thomas Mounsey Cunningham (1776–1834).

Cunningham was apprenticed to a stonemason, but gave his leisure to reading and writing imitations of old Scottish ballads. Cunningham contributed some songs to Roche's Literary Recreations in 1807, and in 1809 he collected old ballads for Robert Hartley Cromek's Remains of Nithsdale and Galloway Song; he sent in, however, poems of his own, which the editor inserted, even though he may have suspected their real authorship. It gained for him the friendship of Walter Scott and Hogg.

In 1810 Cunningham went to London, where he worked as a parliamentary reporter and journalist till 1814, when he became clerk of the works in the studio of the sculptor, Francis Chantrey, a post he kept until Chantrey's death in 1841. Cunningham meanwhile continued to write, three novels, a life of Sir D. Wilkie, and Lives of Eminent British Painters, Sculptors, and Architects, besides many songs. His prose is often spoiled by its misplaced and too ambitious rhetoric; his verse also is ornate, and both are full of mannerisms, Some of his songs, however, hold a high place among British lyrics. A Wet Sheet and a Flowing Sea is one of the best British sea-songs, although written by a landsman; and many other of Cunningham's songs became popular. He also brought out an edition of Robert Burns' Works.

He was married to Jean Walker, who had been servant in a house where he lived, and they had five sons and one daughter, all of whom rose to important positions, and inherited in some degree his literary gifts. Among them were Joseph Davey Cunningham, Alexander Cunningham, Peter Cunningham and Francis Cunningham.

Other Works

  • Sir Marmaduke Maxwell (1820) (play)
  • The King of the Peak (1822), the story of Sir George Vernon and his daughter, Dorothy Vernon's supposed elopement with John Manners from Haddon Hall
  • Lives of Eminent British Painters, Sculptors and Artists (1829–33)

See also

References

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