Career Highlights: A Night at the Opera, A Day at the Races, Show Boat
First Major Screen Credit: A Night at the Opera (1935)
Biography
Personable, wavy-haired singing star Allan Jones paid for his musical training by working in the coal mines of his native Scranton. After Broadway experience, Jones was brought to films by MGM, reportedly as "insurance" in case the studio's house tenor Nelson Eddy should prove troublesome. His first important screen role was as the nominal leading man in the Marx Brothers' A Night at the Opera (1935) -- in which, according to one critic, he worked so hard at being charming that his lip synchronization was off. In 1936, Jones was loaned to Universal to play Gaylord Ravenal in Showboat, which proved to be his best screen role. The following year, Jones co-starred with Jeanette MacDonald in The Firefly (1937), in which he introduced his signature tune "The Donkey Serenade". During the 1940s, Jones starred in several medium-budget Universal musicals, bearing titles like Moonlight in Havana (1942) and You're a Lucky Fellow, Mr. Smith (1943). He spent his later years performing in TV specials, stage productions and nightclubs. For many years, Allan Jones was married to actress Irene Hervey; their son is recording artist Jack Jones. ~ Hal Erickson, All Movie Guide
Jones starred in many film musicals during the 1930s and 1940s. The best-known of these were Show Boat (1936), and The Firefly (1937) (in which he sang the popular "Donkey Serenade"). However, he is now best remembered as the romantic straight man to the Marx Brothers in their first two MGM productions, A Night at the Opera, and A Day at the Races.
On the strength of his appearance in A Night at the Opera, however, he won the coveted role of Gaylord Ravenal in the 1936 film version of Show Boat (opposite Irene Dunne), right out from under the noses of such screen musical favorites as Nelson Eddy and John Boles, neither of whom were noted for their acting. This was to become Jones's most distinguished screen role, in which, under the direction of James Whale, he was to display dramatic acting ability as well as musical talent.
After 1940, the year in which Jones starred in the rather unsuccessful film version of Rodgers and Hart's The Boys from Syracuse, he was relegated to appearances only in B-films. In later years, he began appearing onstage in touring companies of such shows as Man of La Mancha.
Jones was never a dentist, as many websites report. Jones had an active singing career in movies, television, on the stage, and in nightclubs from 1935 until his retirement.
He died in New York City, aged 84 from lung cancer. His ashes were given either to a friend or family.