The allegory of the long spoons is a parable that shows the difference between heaven and hell by means of people eating with long spoons where on the hell side they are starving and on the heaven side they are sated.[1] The story can encourage people to be kind to each other.{2} There are various interpretations of the fable including its use in sermons and in advice to lonely people.{3}
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We have the opportunity to use what we are given (the long spoons in this allegory) to help nourish each other, but the problem, as Rabbi Haim astutely points out, lies in how we treat each other.
Given the same level playing field one group of people who treat each other well will create a blissful and pleasant environment. Whereas another group of people, given exactly the same tools to work with, can create a living hell simply by how they treat each other. It's a simple truth, but easy to forget when you're lonely, when you can't see what's in front of you. The way to turn things around is through reaching out to others.[3]
The parable is one of many approaches to communicating the concept of hell. From Dante's inferno to other views on purgatory.
One other example puts this in context, quoting the inscription above the gates at the entrance to hell.
Hope is a knave befools us evermore
Which till I lost no happiness was mine.
I strike from hell's to grave on heaven's door:
All hope abandon ye who enter in.
-- Beckett, translation of:
L'espérance n'est qu'un charlatan qui nous trompe
sans cesse. Et pour moi, le bonheur n'a commencé
que lorsque je l'ai eu perdue. Je mettrais
volontiers sur la porte du Paradis le vers
que le Dante a mis sur celle de l'Enfer :
Lasciate ogne speranza, voi ch'intrate.
The long spoons allegory has become part of the folklore of several cultures, for example: Jewish,[2] Hindu,[4] Buddhist,[5] Oriental[6] and Christian.[3][7] During conflict resolution in non-Western cultures communicating difficult truths is better through a third party who can make suggestions through such stories.[8]
While the parable itself is seldom depicted in art, it is well known and used in sermons when referring to hell, where the fashion for depicting hell in terrible, painful, gruesome terms is fading in recent times.[3]
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