The Alleluia and Fugue (1941), one of Hovhaness' earliest works for string orchestra, is a companion to the Psalm and Fugue of the same year. The richness of its textures -- the violins are divided into six parts, the cellos into two -- owes a great debt to choral music of the Renaissance, as well as more modern works like the similarly Renaissance-inspired Fantasia on a Theme of Thomas Tallis by Ralph Vaughan Williams.
The Alleluia is modal, with dense, flowing polyphony that gradually becomes more intense. The five-voice Fugue begins in the cellos and travels throughout the strings. Its tone is restrained, almost pastoral at first, eventually progressing to an almost ecstatic peroration. ~ Chris Morrison, Rovi