( b Osuna, c 1555; d Seville, 5 April 1617). Spanish composer. A choirboy at Seville Cathedral, he studied at Osuna University and was a canon there by 1591. He assisted Guerrero at Seville Cathedral from 1591, becoming maestro de capilla of Toledo Cathedral in 1593 and of Seville in 1604. He published masses and motets, some for double choir (1602); many other sacred works are in MSS. Victoria esteemed him as an equal and he was long regarded as one of the finest Spanish composers.
During the entire Baroque period, Alonso Lobo's music was highly regarded in Portugal, Mexico, and Spain. Some of his work, such as a six-voice lamentations for Holy Saturday, earned a popularity that far outlasted his life. Lobo's known styles range from a typically Spanish (and beautiful) blending of the Palestrinian idiom with a lively, erudite profundity to the majestic polychoral manner of Tomás Luis de Victoria. Victoria, who has kept his reputation as the greatest Spanish composer of the time, considered Lobo his equal.
Lobo was born in the town of Osuna, Spain, to parents who were both natives of the place. By the age of 11, he had become a boy chorister at the Seville Cathedral. Professional interest led him later to study law at Osuna University, and on September 20, 1581, degree in hand, he obtained a post as chapter secretary. A man of many talents, Lobo was a canon within five years. Francisco Guerrero, the maestro di cappella at Seville Cathedral at the time, was now more than 60 years old and in need of help with his duties, so in 1591 Lobo was made his assistant. In the same year, Lobo took on full responsibilities for the choir while Guerrero was away. Lobo then went on to acquire a maestro di cappella post for himself at the Toledo Cathedral in 1593. Lobo returned to the Seville Cathedral in 1604, Guerrero having died in 1599, to take up the maestro di cappella post there. He seems to have stayed on at Seville until his death in 1617. Thankfully, a good number of Lobo's works survive in a collection published in 1602. The Liber primus missarum contains six masses and seven motets; well-used copies of the Liber primus survive in Portugal, Mexico, and Spain. ~ Donato Mancini, All Music Guide
Alonso Lobo (baptised February 25, 1555, died April 5, 1617 Seville) was a Spanish composer of the late Renaissance. Although not as famous as Tomás Luís de Victoria, he was highly regarded at the time, and Victoria himself considered him to be his equal.
Lobo was born in Osuna, and after being a choirboy at the cathedral in Seville, he received a degree at Osuna University, and took a position as a canon at a church in Osuna sometime before 1591. In that year, the Seville Cathedral appointed him as assistant to Francisco Guerrero, and he later became maestro de capilla during Guerrero's leave of absence. In 1593, Toledo Cathedral hired him as maestro de capilla; he remained there until 1604, when he returned to Seville.
Lobo's music combines the smooth contrapuntal technique of Palestrina with the sombre intensity of Victoria. Some of his music also uses polychoral techniques, which were common in Italy around 1600, though Lobo never used more than two choirs (contemporary choral music of the Venetian school often used many more — the Gabrielis often wrote for as many choirs as there were choir-lofts at St Mark's Basilica). Lobo was influential far beyond the borders of his native Spain: in Portugal, and as far away as Mexico, for the next hundred years or more he was considered to be one of the finest Spanish composers.
His works include masses and motets, three Passion settings, Lamentations, psalms and hymns, as well as a Miserere for 12 voices (which has since become lost). His best-known work, Versa est in luctum was written on the death of Philip II. No secular or instrumental music by Lobo is known to survive today.
Article "Alonso Lobo" in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
Recordings
Missa Simile est regnum caelorum, Missa O rex gloriae and Lamentations, Choir of King's College London directed by David Trendell on Sanctuary Gaudeamus
Vivo ego, dicit Dominus recorded by Musicaficta Ensemble, directed by Andrea Angelini
Versa est in luctum & Lamentationes Ieremiae Prophetae, on the disc Santiago a Cappella, The Monteverdi Choir, directed by John Eliot Gardiner on Universal Classics
Versa est in luctum & Lamentations & Libera Me, on the disc The Golden Age, Siglo de oro, released 2008 by The King's Singers on Signum Records
Versa est in luctum & Libera me, Domine, on the disc Mortuus est Philippus Rex, Choir of Westminster Cathedral, London, directed by James O'Donnell (Hyperion CDA67046)
Versa est in luctum, on the disc Morales - Requiem, music for Philip II, Gabrieli Consort, directed by Paul McCreesh (ARCHIV produktion, 457 597-2)
Versa est in luctum, with the Victoria Requiem, The Tallis Scholars, directed by Peter Phillips (Gimell, CDGIM 012)
Missa Maria Magdalene, with the motet Maria Magdalene by Guerrero, The Tallis Scholars, directed by Peter Phillips (Gimell, CDGIM 031)