Altobello Melone

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Oxford Grove Art:

Altobello (da) Melone

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(b Cremona, c. 1490; d before 3 May 1543). Italian painter. With Gian Francesco Bembo, he reacted against the classicism of such Cremonese painters of the preceding generation as Boccaccio Boccaccino and Tommaso Aleni ( fl 1505-15). His first work, the Virgin and Child with the Infant St John the Baptist (Philadelphia, PA, Mus. A.), is similar to compositions by Aleni, with carefully constructed perspective in the manner of Donato Bramante. From 1500 to 1507 the Venetian painter Marco Marziale lived in Cremona; Melone was only superficially affected by him but seems to have been attracted to Marziale's sources: northern European painting, particularly that of D?rer, and the work of Giorgione and Titian, as can be seen in his Virgin and Child with the Infant St John the Baptist (Bergamo, Gal. Accad. Carrara).

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Wikipedia on Answers.com:

Altobello Melone

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Portrait of Gentleman (Cesare Borgia) by Altobello Melone, Accademia Carrara, Bergamo
Narcisse at the fountain

Altobello Melone (c. 1490-1491 – before May 3, 1543)[1][2] was an Italian painter of the Renaissance.

Biography

He was born in Cremona. His style merges Lombard with Mannerist styles. In Cremona, he encountered the elder Girolamo Romanino. He was commissioned in December of 1516 to fresco the Cathedral of Cremona, work which continued till 1518. His contract required that his frescoes be more beautiful than his predecessor, Boccaccio Boccaccino. He worked alongside Giovanni Francesco Bembo.

He contributed frescoes to the Cathedral of Cremona in 1516. The Lamentation in the Brera[3] comes in all probability from the church of Saint Lorenzo in Brescia and dated 1512. The stylistic convergence with Romanino is particularly obvious, such that the contemporary Venetian Marcantonio Michiel describes the Cremonese painter as a disciple of Armanin.

In his masterpiece frescoes, Altobello aims to be an interpreter of the anticlassicismo and “expressionist” language emerging Romanino. The seven scenes realized by Altobello evince a new forcefulness - Massacre of the Innocents is emblematic and manifest in the gestures and in the grotesque transformation of the faces.

Selected works

  • Madonna with Child and Saint John (c. 1510) - Accademia Carrara, Bergamo
  • Adoration of Child (c. 1510) - Kunsthaus, Zürich (warehouse)
  • Madonna with Child (c. 1511) - Pinacoteca Ambrosiana, Milan
  • Lamentation over dead Christ (1512) - Pinacoteca di Brera, Milan
  • Trasfiguration -Szépművészeti Múzeum, Budapest
  • Portrait of Gentleman (Cesare Borgia) - Accademia Carrara, Bergamo
  • Embrace of Lovers -Gemäldegalerie, Dresden
  • Embrace of Lovers -Szépművészeti Múzeum, Budapest
  • Adoration of Child (1512–1514) - Museo Berenziano, Cremona
  • Portrait (1512–1515) -Pinacoteca di Brera, Milan
  • Lamentation over dead Christ -Archiepiscopal Picture gallery, Milan
  • Christ Bearing the Cross (c. 1515) - National Gallery, London
  • Mercy - Pinacoteca Tosio Martinengo, Brescia
  • Road to Emmaus (c. 1516-1517) - National Gallery, London
  • Sant'Elena Travels to Jerusalem in Search of Sacred Cross - private collection
  • Frescoes in Cremona Cathedral (1516–1518)
    • Flight to Egypt
    • Massacre of the Innocents
    • Last Supper
    • Washing of Jesus' Feet
    • Agony in the Garden
    • Capture of Christ
    • Jesus in front of Caiphas
  • Adoration of the Shepherds (c. 1518) - Frescoes detached, Pinacoteca di Brera, Milan
  • Resurrection (c. 1517) - Private collection
  • Simonino from Trento (c. 1521) -Castello del Buonconsiglio, Trento
  • Madonna with Child (1520–1522) - Accademia Carrara, Bergamo
  • Madonna with Child, Saint John and San Nicholas - Civic Museum Wing Ponzone, Cremona

References

  1. ^ Died before 1543: Paoletti 2005:384; "Melone at Artcyclopedia". http://www.artcyclopedia.com/artists/melone_altobello.html. Retrieved 5 December 2010. 
  2. ^ "Melone at University of Oxford - Ashmolean Museum". http://www.ashmolean.org/php/makepage.php?&db=wapaintings&view=llisti&all=&arti=Melone,+Altobello&titl=&mat=&prov=&sour=&acno=&park=&strt=1&what=Search&cpos=1&s1=artist&s2=mainid&s3=&dno=25.  (Others date it "before 1547".)
  3. ^ [1][dead link]
  • Freedberg, Sydney J. (1993). Pelican History of Art. ed. Painting in Italy, 1500-1600. pp. 373–375. 
  • Paoletti, John T. (2005). "16. Lombardy: Instability and Religious Fervor". Art in Renaissance Italy (3rd ed.). Gary M. Radke. London: Laurence King. p. 384. ISBN 1-85669-439-9. 



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