Alzira, opera

• Date: 1845
• Composer: Giuseppe Verdi
• Period: Romantic (1820-1869)

Review

Verdi's Alzira is based on a play by Voltaire, Alzire, ou Les Américains. It was the eighth of his 28 operas, and while it is generally regarded as one of his so-so earlier efforts, it is better than its reputation. Some believe the element that has sabotaged its popularity is the libretto by Salvatore Cammarano, owing in large part to its problematic treatment of one of the lead characters, Zamoro, who comes across as a rather feisty but, alas, very dense fellow. Yet the story moves swiftly along and brims with love and envy, misunderstandings and vengeance, just the ingredients that make so many other Verdi operas a success.

The plot is a sort of a boy-finally-gets-girl story, with Zamoro winning the hand of the Indian princess Alzira, but only after he has killed Peruvian governor Gusmano, who had planned to marry her against her will. The dying Gusmano forgives Zamoro and all ends well, if not happily. The music generally rises above whatever weaknesses one might cite in the libretto, and while none of Verdi's numbers here have achieved wide currency, there are several well-crafted ones, and the score features both colorful orchestration and a strong sense for drama.

Lasting about 90 minutes, it is compact and wonderfully atmospheric, from the playful, menacing music in the Introduction to the tragic closing number, Gusmano's "Altre Virtudi, Insano." In between, one is treated to the pomp and color of the opening Act II chorus, "Mesci, Mesci," as well as to Zamoro's beautiful second act aria, "Irne Lungi Ancor." But there are many other splendid moments sprinkled throughout the opera, including the lively, colorful ensemble number that closes the first act, "Trema, Trema," as well as the stormy "Su Fragil Barca" and the touching "Il piano," both sung by Alzira in Acts I and II, respectively.

Much of the opera, not least its libretto, calls to mind Il Trovatore, with Zamoro a sort of counterpart to Manrico. Yet despite its problems, Alzira has fewer weaknesses in its libretto than Il Trovatore, even if it might lack the knock-out numbers of that later effort. In the end, Alzira must be assessed as a good, underrated Verdi opera that deserves greater attention. ~ Robert Cummings, Rovi

Albums with Complete Performances of the Work

Title	Date
Alzira
Schwarzkopf Sings Alzira
Verdi: Alzira
Verdi: Alzira	2001
Verdi: Alzira	2002
Verdi: Alzira, Stiffelio	2006
Verdi:Alzira/Donizetti:Maria di Rohan/Anna Bolena

Albums with Excerpt Performances of the Work

Title	Date
Famous Overtures (Box Set)	1996
Great Tenor Cabalettas
Opera Gala	1996
Rare Verdi	2008
Rarities by Rossini and Verdi
Rarities: Donizetti, Rossini, Verdi	2004
Rossini/Donizetti/Verdi: Rarities	1992
The Beginning of a Legend	2004
The Original Jacket Collection: Montserrat Caballé	2008
The Verdi Tenor	2001
Verdi Arias	2001
Verdi: Arias	1990
Verdi: Complete Opera Overtures	2001
Verdi: Complete Preludes, Overtures and Ballet Music	2005
Verdi: Highlights from Oberto & Alzira	1988
Verdi: Overture	2001
Verdi: Overtures & Preludes
Verdi: Overtures, Vol. 1	1994
Verdi: Overtures; Verdi-Mackerras: The Lady and the Fool	2004
Verdi: Preludes & Overtures II	1997
Verdi: Preludes, Overtures & Ballet Music, Vol. 1	1997
Verdi: The Tenor Arias	2001
Verdi: The Tenor Arias, Vol. 4	2001
Viva Verdi! A 100th Anniversary Celebration	2000

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