American Recordings

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  • Artist: Johnny Cash
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1994
  • Genre: Country

Review

Johnny Cash was in the unenviable position of being a living legend who was beloved by fans of classic country music without being able to interest anyone in his most recent work when he was signed to Rick Rubin's American Recordings label in 1994. Rubin, best known for his work with edgy rockers and hip-hop acts, opted to produce Cash's first album for American, and as he tried to brainstorm an approach that would introduce Cash to a new audience, he struck upon a brilliant idea -- doing nothing. For American Recordings, Rubin simply set up some recording equipment in Cash's Tennessee cabin and recorded him singing a set of songs accompanied only by his acoustic guitar. The result is an album that captured the glorious details of Johnny Cash's voice and allowed him to demonstrate just how emotionally powerful an instrument he possessed. While Rubin clearly brought some material to Cash for these sessions -- it's hard to imagine he would have recorded tunes by Glenn Danzig or Tom Waits without a bit of prodding -- Cash manages to put his stamp on every tune on this set, and he also brought some excellent new songs to the table, including the Vietnam veteran's memoir "Drive On," the powerful testimony of faith "Redemption," and a sly but moving recollection of his wild younger days, "Like a Soldier." American Recordings became a critical sensation and a commercial success, though it was overrated in some quarters simply because it reminded audiences that one of America's greatest musical talents was still capable of making compelling music, something he had never stopped doing even if no one bothered to listen. Still, American Recordings did something very important -- it gave Cash a chance to show how much he could do with a set of great songs and no creative interference, and it afforded him the respect he'd been denied for so long, and the result is a powerful and intimate album that brought the Man in Black back to the spotlight, where he belonged. ~ Mark Deming, Rovi

Previous:American Record (1994 Album by Stephen Robinson)
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Wikipedia on Answers.com:

American Recordings (album)

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This article is about the Johnny Cash album. For the record label which released the album, see American Recordings (US)
American Recordings
Studio album by Johnny Cash
Released April 26, 1994
Recorded May 17, 1993–December 7, 1993
Genre Country, country folk, americana
Length 42:45
Label American/Sony
Producer Rick Rubin
Johnny Cash chronology
Wanted Man
(1994)
American Recordings
(1994)
The Man in Black 1963-1969
(1995)
American series chronology
American Recordings
(1994)
Unchained
(1996)

American Recordings is the 81st, Grammy Award-winning album by the country singer Johnny Cash. It was released in April 1994 (see 1994 in music), the first album issued by American Recordings after its name change from Def American. (The album was named after the label.) In 2003, the album was ranked number 364 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Cash was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and heavy metal than for country music. Under Rubin's supervision, he recorded the album in his living room, accompanied only by his guitar. For years Cash was often at odds with his producers after he had discovered with his first producer, Sam Phillips, that his voice was better suited to a stripped-down musical style. Most famously he disagreed with Jack Clement over his sound, Clement having tried to give Cash's songs a "twangy" feel and to add strings and barbershop-quartet-style singers. His successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs.

The songs "Tennessee Stud" and "The Man Who Couldn't Cry" were recorded live at the Viper Room, a Sunset Strip, Los Angeles nightclub owned at the time by Johnny Depp. "The Beast in Me" was written and originally recorded by Cash's former stepson-in-law Nick Lowe.[1]

The video for the first single, the traditional song "Delia's Gone," (directed by Anton Corbijn and featuring Kate Moss) was put into rotation on MTV, and even appeared on Beavis and Butt-head (Beavis asking if Cash was Captain Kangaroo). The album was hailed by critics and many declared it to be Cash's finest album since the late 1960s, while his versions of songs by more modern artists such as Tom Waits and Glenn Danzig (who penned a song called "Thirteen" specifically for Cash, in just twenty minutes) helped to bring him a new audience. American Recordings received a Grammy for Best Contemporary Folk Album of the Year at the 1994 Grammy Awards. The album cover was photographed whilst Cash was visiting Australia, at Werribee near Melbourne.[2]

Professional ratings
Review scores
Source Rating
About.com 5/5 stars link
Allmusic 4.5/5 stars link
BBC Music favorable link
Entertainment Weekly A link
Houston Press favorable link
Los Angeles Times 4/4 stars link
Rolling Stone 5/5 stars 1998 2004
Village Voice mixed link
Virgin Encyclopedia 4/5 stars link
Yahoo! Music favorable link
Contents

Track listing

  1. "Delia's Gone" (Karl Silbersdorf, Dick Toops) – 2:18
    Originally recorded by Cash for The Sound of Johnny Cash (1962)
  2. "Let the Train Blow the Whistle" (Cash) – 2:15
  3. "The Beast in Me" (Nick Lowe) – 2:45
    Originally recorded by Lowe for The Impossible Bird (1994)
  4. "Drive On" (Cash) – 2:23
  5. "Why Me Lord" (Kris Kristofferson) – 2:20
    Originally recorded by Kristofferson for Jesus Was a Capricorn (1972)
  6. "Thirteen" (edit) (Glenn Danzig) – 2:29
    Full-length version appears on Disc 5 of the Unearthed Box Set. Written by Glenn Danzig for Cash. Later recorded by Danzig for Danzig 6:66 Satan's Child (1999)
  7. "Oh, Bury Me Not (Introduction: A Cowboy's Prayer)" (John Lomax, Alan Lomax, Roy Rogers, Tim Spencer) – 3:52
    Originally recorded by Cash for Sings the Ballads of the True West (1965)
  8. "Bird on a Wire" (Leonard Cohen) – 4:01
    Originally recorded by Cohen for Songs from a Room (1969)
  9. "Tennessee Stud" (live) (Jimmy Driftwood) – 2:54
    Originally a hit single for Eddy Arnold (1959)
  10. "Down There by the Train" (Tom Waits) – 5:34
    Written by Waits for Cash. Later released by Waits on his Orphans: Brawlers, Bawlers & Bastards rarities collection.
  11. "Redemption" (Cash) – 3:03
  12. "Like a Soldier" (Cash) – 2:50
  13. "The Man Who Couldn't Cry" (live) (Loudon Wainwright) – 5:03
    Originally recorded by Wainwright for Attempted Mustache (1973)

Personnel

  • Rick Rubin - producer
  • Johnny Cash - acoustic guitar, vocals, main performer, liner notes
  • Jim Scott - mixing
  • David Ferguson - sound recordist
  • Stephen Marcussen - mastering
  • Christine Cano - design
  • Martyn Atkins - art director, photographer

Chart performance

Chart (1994) Peak
position
U.S. Billboard Top Country Albums 23
U.S. Billboard 200 110
Canadian RPM Country Albums 9
Canadian RPM Top Albums 72

Awards

Best Contemporary Folk Album

References

  1. ^ "The Beast In Me". Songfacts.com. http://www.songfacts.com/detail.php?id=15147. Retrieved 2009-04-06. 
  2. ^ Presenters: Glenn Ridge (2011-06-19). "Weekends with Glenn Ridge". Melbourne, Australia. 97:10 minutes in. MTR. MTR. 

External links


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Mentioned in

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