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American Recordings

 
Album Review: American Recordings

  • Artist: Johnny Cash
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1994
  • Genre: Country

Review

Johnny Cash was in the unenviable position of being a living legend who was beloved by fans of classic country music without being able to interest anyone in his most recent work when he was signed to Rick Rubin's American Recordings label in 1994. Rubin, best known for his work with edgy rockers and hip-hop acts, opted to produce Cash's first album for American, and as he tried to brainstorm an approach that would introduce Cash to a new audience, he struck upon a brilliant idea -- doing nothing. For American Recordings, Rubin simply set up some recording equipment in Cash's Tennessee cabin and recorded him singing a set of songs accompanied only by his acoustic guitar. The result is an album that captured the glorious details of Johnny Cash's voice and allowed him to demonstrate just how emotionally powerful an instrument he possessed. While Rubin clearly brought some material to Cash for these sessions -- it's hard to imagine he would have recorded tunes by Glenn Danzig or Tom Waits without a bit of prodding -- Cash manages to put his stamp on every tune on this set, and he also brought some excellent new songs to the table, including the Vietnam veteran's memoir "Drive On," the powerful testimony of faith "Redemption," and a sly but moving recollection of his wild younger days, "Like a Soldier." American Recordings became a critical sensation and a commercial success, though it was overrated in some quarters simply because it reminded audiences that one of America's greatest musical talents was still capable of making compelling music, something he had never stopped doing even if no one bothered to listen. Still, American Recordings did something very important -- it gave Cash a chance to show how much he could do with a set of great songs and no creative interference, and it afforded him the respect he'd been denied for so long, and the result is a powerful and intimate album that brought the Man in Black back to the spotlight, where he belonged. ~ Mark Deming, All Music Guide

Tracks

Track TitleComposersPerformersTime
Delia's Gone (Lyrics) Dick Toops, Karl Silbersdorf Johnny Cash (2:17)
Let the Train Blow the Whistle (Lyrics) Johnny Cash Johnny Cash (2:15)
The Beast in Me Nick Lowe Johnny Cash (2:45)
Drive On (Lyrics) Johnny Cash Johnny Cash (2:23)
Why Me Lord? (Lyrics) Kris Kristofferson Johnny Cash (2:20)
Thirteen Glenn Danzig Johnny Cash (2:29)
Oh, Bury Me Not (Introduction: A Cowboy's Prayer) Roy Rogers, Alan Lomax, John A. Lomax, Tim Spencer Johnny Cash (3:52)
Bird on a Wire (Lyrics) Leonard Cohen Johnny Cash (4:01)
Tennessee Stud [Live] Jimmie Driftwood Johnny Cash (2:54)
Down There by the Train Tom Waits Johnny Cash (5:34)
Redemption (Lyrics) Johnny Cash Johnny Cash (3:03)
Like a Soldier (Lyrics) Johnny Cash Johnny Cash (2:50)
The Man Who Couldn't Cry [Live] Loudon Wainwright III Johnny Cash (5:01)

Credits

Johnny Cash (Guitar), Johnny Cash (Vocals), Johnny Cash (Main Performer), Johnny Cash (Liner Notes), David Ferguson (Engineer), Stephen Marcussen (Mastering), Rick Rubin (Producer), Jim Scott (Mixing), Jim Scott (Mixing Engineer), Christine Cano (Design), Karen Adams (?), John R. Cash (Liner Notes), Martyn Atkins (Art Direction), Martyn Atkins (Photography), Martyn Atkins (Cover Photo)
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Wikipedia: American Recordings (album)
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American Recordings
Studio album by Johnny Cash
Released April 26, 1994
Recorded May 17, 1993–December 7, 1993
Genre Country
Length 42:45
Label American/Sony
Producer Rick Rubin
Professional reviews
Johnny Cash chronology
Wanted Man
(1994)
American Recordings
(1994)
The Man in Black 1963-1969
(1995)
American series chronology
American Recordings
(1994)
Unchained
(1996)

American Recordings is a Grammy Award-winning album by the country singer Johnny Cash. It was released in April 1994 (see 1994 in music), the first album issued by American Recordings after its name change from Def American. In 2003, the album was ranked number 364 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Cash was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and heavy metal than for country music. Under Rubin's supervision, he recorded the album in his living room, accompanied only by his guitar. For years Cash was often at odds with his producers after he had discovered with his first producer, Sam Phillips, that his voice was better suited to a stripped-down musical style. Most famously he disagreed with Jack Clement over his sound, Clement having tried to give Cash's songs a "twangy" feel and to add strings and barbershop-quartet-style singers. His successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs.

The songs "Tennessee Stud" and "The Man Who Couldn't Cry" were recorded live at the Viper Room, a Sunset Strip, Los Angeles nightclub owned at the time by Johnny Depp. "The Beast In Me" was written and originally recorded by Cash's former stepson-in-law Nick Lowe. [1]

The video for the first single, the traditional song "Delia's Gone," (directed by Anton Corbijn and featuring Kate Moss) was put into rotation on MTV, and even appeared on Beavis and Butt-head. The album was hailed by critics and many declared it to be Cash's finest album since the late 1960s, while his versions of songs by more modern artists such as Tom Waits and Glenn Danzig (who penned a song called "Thirteen" specifically for Cash, in twenty minutes flat) helped to bring him a new audience. American Recordings received a Grammy for Contemporary Folk Album of the Year at the 1994 Grammy Awards.

Track listing

  1. "Delia's Gone" (Karl Silbersdorf, Dick Toops) – 2:18
    Originally recorded by Cash for The Sound of Johnny Cash (1962)
  2. "Let the Train Blow the Whistle" (Cash) – 2:15
  3. "The Beast in Me" (Nick Lowe) – 2:45
    Originally recorded by Lowe for The Impossible Bird (1994)
  4. "Drive On" (Cash) – 2:23
  5. "Why Me Lord?" (Kris Kristofferson) – 2:20
    Originally recorded by Kristofferson for Jesus Was a Capricorn (1972)
  6. "Thirteen" (Glenn Danzig) – 2:29
    Written by Danzig for Cash. Later recorded by Danzig for Danzig 6:66 Satan's Child (1999)
  7. "Oh, Bury Me Not (Introduction: A Cowboy's Prayer)" (John Lomax, Alan Lomax, Roy Rogers, Tim Spencer) – 3:52
    Originally recorded by Cash for Sings the Ballads of the True West (1965)
  8. "Bird on a Wire" (Leonard Cohen) – 4:01
    Originally recorded by Cohen for Songs from a Room (1969)
  9. "Tennessee Stud" (live) (Jimmy Driftwood) – 2:54
    Originally a hit single for Eddy Arnold (1959)
  10. "Down There by the Train" (Tom Waits) – 5:34
    Written by Waits for Cash. Later released by Waits on his Orphans: Brawlers, Bawlers & Bastards rarities collection.
  11. "Redemption" (Cash) – 3:03
  12. "Like a Soldier" (Cash) – 2:50
  13. "The Man Who Couldn't Cry" (live) (Loudon Wainwright) – 5:03
    Originally recorded by Wainwright for Attempted Mustache (1973)

Personnel

  • Rick Rubin - Producer
  • Johnny Cash - Guitar, Vocals, Main Performer, Liner Notes
  • Jim Scott - Mixing, Mixing Engineer
  • David Ferguson - Engineer
  • Stephen Marcussen - Mastering
  • Christine Cano - Design
  • Martyn Atkins - Art Direction, Photography


Charts

Album - Billboard (North America)

Year Chart Position
1994 The Billboard 200 110
1994 Top Country Albums 23
2003 Top Internet Albums   -

Awards

Best Contemporary Folk Album

References

  1. ^ "The Beast In Me". Songfacts.com. http://www.songfacts.com/detail.php?id=15147. Retrieved 2009-04-06. 

External links



 
 

 

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Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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