Egyptian themes and imagery separate Nile from other death metal bands but their musicianship and creativity are what make them really stand out. Each composition on Amongst the Catacombs of Nephren-Ka feels like an encapsulated epic, brought about by skilled dynamics that never surrender Nile's unapologetic brutality. Adding to the epic feel is the group's bold decision to experiment with chanting, percussion, gongs, and flutes. These experiments are particularly potent when used to offset quiet and loud; the middle eastern flute placed against the hell summoning wall of sound on "Opening of the Mouth" is a fierce example. Amongst the Catacombs of Nephren-Ka is a stand-out death metal release, expanding the genre's scope but staying true to its extreme, blood soaked roots. This release is a must for long time death metal fans and an excellent place for new listeners to begin. ~ Matthew Kantor, Rovi
Amongst the Catacombs of Nephren-Ka is the debut studio album by American death metal band Nile. The album was released on April 28, 1998 through Relapse Records. The album is considered to be their breakthrough record. In contrast with the following album, Black Seeds of Vengeance, the songs are much shorter in length than the songs featured on later Nile albums.
The title of the album is a reference to the H. P. Lovecraft story "The Outsider". The phrase is featured in the song "Beneath Eternal Oceans of Sand" which has lyrics paraphrased from the aforementioned tale. In Lovecraft's Cthulhu Mythos, Nephren-Ka was an Egyptian Pharaoh whose unspeakable cult worship led him to be stricken from almost all Egyptian records. The catacombs where he is buried are referenced in several Lovecraft stories as well as many stories by other mythos authors.
The song "Ramses Bringer of War" covers the intro of Gustav Holst's Mars movement from The Planets.
The title of the song "Die Rache Krieg Lied der Assyriche" roughly translates as "The Revenge War Song of the Assyrians" in German ("Das Rache-Kriegslied der Assyrer"), as if it came straight from the field journal of a German archaeologist.
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