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Amōres, fifty love-poems by the Roman poet Ovid, written in the elegiac metre, some of them among his earliest works. There were two editions, the first in five books published perhaps in 20 BC, possibly under the title Corinna. This is lost; what we possess is the second edition in three books, published a little before I BC.

Most of the poems are studies or sketches of love in different moods, nearly always of sophisticated love, acted out in the city of Rome in the context of a pleasure-seeking, leisured society. They are polished, contrived, and amusing, the product of wit rather than of passion. ‘Corinna’ figures prominently in them, but it is doubtful whether she had any real existence. There are interesting illustrations of contemporary life—a scene at the circus, or a festival of Juno, for example. Poem 111. 9 is a touching lament for the death of the poet Tibullus.

 
 
Wikipedia: Amores

Amores is Ovid's first completed book, published in 16 BC. Amores was written in the elegiac dystic. The book follows the model of the erotic elegy–perhaps the most common theme of the time–as treated before by Tibullus and Propertius. However, the Amores could also be considered a mock epic.

Amores I.1 begins with the same word as the Aeneid, "Arma" (an intentional comparison to the epic genre, which Ovid later mocks), as the poet describes his original intention: to write an epic poem in dactylic hexameter, "with material suiting the meter" (line 2), that is, war. However, Cupid "steals one (metrical) foot" (unum suripuisse pedem, I.1 ln 4), turning it into elegiac couplets, the meter of love poetry.

Ovid returns to the theme of war several times throughout the Amores, especially in Chapter Nine of Book I, an extended metaphor comparing soliders and lovers ("Militat omnis amans", "every lover is a soldier" I.9 ln 1).

Like the other poets, the book centres in a romantic affair between the poet and a puella: Corinna. This Corinna is unlikely to have really lived; it seems she is Ovid's poetical creation, loosely based on a Greek poet of the same name; or generalised motif of female Roman mistresses. The name Corinna may also have been a typically Ovidian pun based on the Greek word for "maiden", "kore". Amores develops as a sort of "novel", breaking style only a few times (the most famous occasion being the elegy on Tibellus' death). For many this is a sign of weakness, but for others it shows Ovid chose the rhetorical locus communis in order to demonstrate his poetical craft.

General scholarly approach has emphasised its humour and poetical composition which is regarded as excellent.

Though most of this book is rather tongue in cheek, some people didn't take it that way and this could be the reason or part of the reason why Ovid was banished from Rome. However, his banishment probably has more to do with the Ars Amatoria, written later, which offended Augustus, the first Imperator.

There is an excellent and very famous English translation made by Christopher Marlowe.


External links

  • Ovid's Amores in original latin, from Perseus [1]
  • Marlowe's translation [2]
  • Wikisource translation of Book 1 [3]

 
 

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Classical Literature Companion. The Concise Oxford Companion to Classical Literature. Copyright © 1993, 2003 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Amores" Read more

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