Themes: Starting Over, Single Life, Breakups and Divorces
Main Cast: Jill Clayburgh, Alan Bates, Michael Murphy, Cliff Gorman, Pat Quinn
Release Year: 1978
Country: US
Run Time: 124 minutes
MPAA Rating: R
Plot
A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide
Review
Jill Clayburgh made a big impact as the heroine of this 1970s examination of the liberation of a woman whose life seemed to be ruined by divorce. As in other films of the era, throwing off the shackles of marriage is just the first step in the protagonist's realization of her own self-worth. Director Paul Mazurksy is a fine delineator of characters, and in this detailed, beautifully acted film, he is determined to substitute all-too-human characters for Hollywood stereotypes. Disturbingly real and vivid, An Unmarried Woman is an iconic feminist film and was surprisingly popular at the box office; Clayburgh, the script by Mazursky, and the picture itself were all nominated for Oscars. The film's power is aided by Alan Bates's performance as Clayburgh's newfound, artistic love, even though that character also drew the lion's share of criticism, as an idealized solution to Erica's situation. ~ Michael Betzold, All Movie Guide
Albert Wolsky - Costume Designer, Terry Donnelly - First Assistant Director, Paul Mazursky - Director, Stuart H. Pappe - Editor, Bill Conti - Composer (Music Score), Mike Maggi - Makeup, Pato Guzman - Production Designer, Arthur Ornitz - Cinematographer, Paul Mazursky - Producer, Tony Ray - Producer, Edward Stewart - Set Designer, Dennis L. Maitland - Sound/Sound Designer, Arthur Piantadosi - Sound/Sound Designer, Paul Mazursky - Screenwriter
An Unmarried Woman is a 1978 American drama film that tells the story of the wealthy New York wife Erica (Jill Clayburgh) whose “perfect” life is shattered when her stockbroker husband Martin (Michael Murphy) leaves her for a younger woman. The film documents Erica's attempts at being single again, where she suffers with confusion, sadness, and rage. As her life progresses, she begins to bond with several friends and finds herself inspired and even feels happier by her renewed liberation. Erica eventually finds love with a rugged, yet sensitive British artist (Alan Bates). The film co-stars Cliff Gorman, Kelly Bishop and Pat Quinn. It was released on DVD January 10, 2006.
