Ancient Vocal Method

The ancient vocal method is a singing technique, believed to have evolved within the ancient cultures of the Middle East and Mediterranean that uses the facial mask (nasalis muscle and soft palate) as the primary medium of breath control. The intense, slightly nasal vocal quality imparted by the ancient method renders the voice agile and expressively moving because it is under perfect muscular control. Geographical studies strongly suggest that the western adaptation of the ancient vocal technique is now called bel canto (Classic Italian School of Singing), which differs only by a less intense closure of the soft palate allowing more airflow through the sinuses, commonly called head voice.

Spanish tenor, Miguel Fleta, was named the 'Lord High Keeper of the Seal of the Ancient Vocal Method and according to Clemens Hoslinger was granted the possibility of maturing into one of the brightest phenomena in the realm of Belcanto Art. Other highly skilled singers of Belcanto have been Virginia Zeani, Shirley Verrett, Montserrat Caballe, Maria Vitale, Maria Callas, and Riccardo Stracciari. Recording and film documents give ample evidence that Umm Kulthum (singer) was one of the most exemplary singers who used the ancient method. Her live recordings reveal that she held unbelievable sway over her audiences, even Maria Callas was her ardent admirer.

The ancient vocal method is still used for singing, often unconsciously, the folk and popular musical styles of the cultures in which it originated.

Sources

• Kendrick Jacocks. Anatomy of Bel Canto: Stroke of the Mask, Chest Support, and Proof for the Ancient Method. 2007 Authorhouse Media: ISBN 9781434312365
• Miguel Fleta Lebendige Vergangenheit - Preiser Records Liner Notes

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