Obey, André (1892-1975). Dramatist, man of the theatre, and resident playwright of Michel Saint-Denis's Compagnie des Quinze (1930-4), for whom he wrote six plays. His ambition was to revive a form of poetic drama in which classical, biblical, and national myths could be reworked and made relevant for 20th-c. audiences by exploiting the company's disciplined ensemble playing and its use of stylized sets, rhythmic movement, mime, and choral speaking. Noé (1931) retains a certain folk vitality. Later plays likely to survive include L'Homme de cendres (1949), a version of the Don Juan legend, and Lazare (1951).
[S. Beynon John]
André Obey (8 May 1892 at Douai, France - 11 April 1975 at Montsoreau, near the Loire River) was a prominent French playwright during the inter-war years, and into the 1950s.
He began as a novelist and produced an autobiographical novel about his adolescence le Joueur de triangle (The Triangle Player). After his meeting with Jacques Copeau, he devoted himself completely to dramatic works. In 1945 Obey became provisional general administrator of the Comédie-Française. He was made full general administrator in 1946, and resigned in 1947 after just under a year's service.
Obey's play Le Viol de Lucrèce was drawn on by Ronald Duncan for the libretto of Benjamin Britten's opera The Rape of Lucretia.[1]
Obey served as general administrator of the Comédie-Française, in a provisional capacity from October 1945 until 6 April 1946, then with full powers until his resignation on 5 February 1947.
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